Mixtape Addict #79

00:00:40: You have now entered the Mixed Tapetics Show, broadcasting every day with the French Connect, DJ King Flow.

00:00:12: Crack your smoke, Mr.

00:00:30: Fixer, let me see your earring.

00:01:56: I took the charge and told them uncut my codos.

00:02:00: I'm not too photogenic.

00:02:01: Mixed tapen.

00:02:02: I stay on business with my morals stand over all.

00:02:06: We just closed for, protect my mother and my dovenice.

00:02:10: And fast food is bad for you, but it's so delicious.

00:02:14: Man, I did some bad things.

00:02:17: I won't be busy.

00:02:17: I seen a lot of hikers on the road to riches.

00:02:21: Shorty quit a knife.

00:02:34: It's a strip remote today.

00:02:59: I got a trunk full of material, I hit the kitchen and perform miracles.

00:03:10: Fuck who you bore head with you, your family gon' be planning for your burial To get the venereal, play around with us, I'm double daring This shit with me and Cass, it started yesterday.

00:03:23: You know the resume, this shit could flip a Chevrolet Cause.

00:03:26: everybody know death is one step away If I pull a can out on you, it's not pepper spray Copy, but a nigga got me upset today.

00:03:34: Heckless spray, I'm on his bitch ass like a necklace.

00:03:37: I'm on point, so don't cross me like the letter A. Play your cards right to get cut like a deck.

00:03:42: today I put over a hundred grand on my neck.

00:03:45: today I'm trying to get a check, this chest's not check or play.

00:03:49: It's not a game, so my name you should never say.

00:03:51: Bullets ain't got no name, so don't get led astray.

00:03:55: All name Even though a nigga lyrical, I keep gas, scratch off the cereal.

00:04:01: I got a trunk full of material, I hit the kitchen and perform miracles.

00:04:06: Fuck who you bore head with you, your family gonna be planning for your burial.

00:04:12: You pussy, get the venereal, play around with us and don't bury.

00:04:16: Ride with a homie in the eighty-eight flatwood, forty-o-e, BDP in the Kenwood.

00:04:34: If your family don't kill you, bet that your friend would.

00:04:37: Fuck all you critics, I ain't asked for your input.

00:04:40: Red man about my greens, knockout king.

00:04:42: My truck taller than y'all mean, would pop out screens, baby.

00:04:46: Five cracker, hot, M-ended.

00:04:48: The truth is all about the proof, like Slim Shadden.

00:04:51: The hood rat ladies like, he ain't shit, cause they hearing even longer than DJ Quicks.

00:04:57: I know they mad at the LeBrona.

00:04:59: hot sixteen, stress a bitch out till she go ball like Britney.

00:05:03: Two letters to describe your pocket, empty Go get my money or leave with an injury.

00:05:08: I play no games, my state on flames, hot You like Monique and J.Lo frame, nah I stack my guap, patiently.

00:05:16: A nigga move by Jack Blacks like Tenacious D Jack White's Jack Japanese, we don't care We'll leave y'all with nothing like Depot here.

00:05:26: You ain't gon' find in the street.

00:05:28: I'm from the East Coast nigga And my timing is sweet, yeah Red man and I'm off in this bitch Heck door and insanity These customized kicks.

00:05:37: Every time I roll a

00:05:38: blood

00:05:42: this niggie, niggie, niggie Actin' stupid on the mic.

00:06:36: I love my money bitches and

00:06:45: my music And when I roll

00:06:56: a blood I put it in at the inside with this face.

00:07:22: DJ King Flow Live from the state of the sunshine.

00:07:34: It's a motherfuckin' fact, it's a fact, that's right bitch.

00:07:42: That's right motherfuckers, we are back.

00:07:45: Triostatic vibe, vibe, vibe.

00:07:51: There's no tomorrow.

00:07:59: Take back to when I conjured up the virus.

00:08:02: I'll need the necronomic and some candles and papyrus.

00:08:04: I'm going back in time again.

00:08:06: This is like the fifth attempt.

00:08:07: Mission is to stop myself from something that I will invent.

00:08:10: People that I work for Built themselves a time machine.

00:08:12: The present life they live in.

00:08:14: Suck Solutions is what I can bring Trained for purposes like this.

00:08:17: Time travel fascinates Father time just masturbates While all you guys procrastinate.

00:08:21: first First version of me went back in time when my mom and dad had not met The second work, the hospital, where I was born but not kept Adoptions, what my folks did, I ended up a cold kid.

00:08:30: My grades in school were hopeless, but biology was dopest.

00:08:32: Number three would try to step in For all the lives I've threatened, higher zeppelin.

00:08:36: Number four would hire me for buyer wins.

00:08:38: Number five is a time machine, and it's useless luck.

00:08:44: Damn, I fucked the future up.

00:08:46: Number zero knows my luck, I'll find him.

00:08:47: Cause him I can trust, it's like I've lost my faculties Cyborgs after me, am I going insane?

00:08:52: Cause my reflexes talking back at me.

00:08:54: I know what happened, my pro-duckers When I prove the sky could fall, it happened Right when night would fall, only trust what I could call a friend See the asteroids from the future, I destroy the second chance.

00:09:03: It's very rare.

00:09:03: if God exists, I'll ask Him for it, keep it close to me.

00:09:06: Double cross, exposed and lit, I'm not the type that won't commit.

00:09:09: Sniper scope is so legit, I took the shot, but chose to miss.

00:09:12: Think it's cause I saw myself, the laws of time are so specific.

00:09:14: Cause I'm not supposed to miss, never get as close as this.

00:09:17: to end myself.

00:09:18: I chose to tell myself to help myself for help itself.

00:09:21: I hope it sells itself like science fiction off the shelf.

00:09:24: I'll bother wrote myself.

00:09:25: define wisdom over self.

00:09:26: listen man I know the world.

00:09:27: These people promise you can help You achieve the dream yourself.

00:09:30: Evil genius, be yourself.

00:09:31: You built this meme machine yourself.

00:09:33: Listen closely, kill yourself.

00:09:34: Something deep inside prevents me Guys, that set me once you dead.

00:09:37: Trust me, you won't die as gently if you don't heed the warning sun Driven by the force in you You're forced to do some awful things Except what you was born to do.

00:09:44: So kill the world, has to kill.

00:09:45: Change the futures, odds of real.

00:09:47: The future's clearly hard to kill.

00:09:48: The truth is still.

00:09:49: the heart of the mood is wallow, wallow, wallow.

00:09:56: DGK Ain't fuckin' with me, I can smash any beat.

00:10:13: You ain't fuckin' with me, you can rhyme, you can flow.

00:10:16: You ain't fuckin' with me, on a mic at a show.

00:10:18: Y'all ain't fuckin' with me, huh?

00:10:21: Mexican mixed half black, La Bamba Black Mamba, Pasta Chronic, Super Stetsisonic, Electronic.

00:10:27: And your head is bobbing, never be left poppin' Now.

00:10:29: why not I dare, cause now I'm droppin' Black as ever, state feet underground Brother fat as ever, way three hundred pounds.

00:10:36: And why these people tellin' me I need to eat my veggies Blown trees with many, pro speakers said heavy.

00:10:41: when most seek the envy they pity on and pretend really they fool the bio brother.

00:10:45: they actin like a phony friend a pen fryer wanna commit to the beat break through my x-ray a gentle giant but i become like t-two when my pen spray.

00:10:52: the flow sound better been great cuz flow rhymes make mouth ever is shaped.

00:10:57: so i'ma go and do my thing.

00:10:59: no question no second guessing.

00:11:01: so extra fresh and crap.

00:11:04: yeah you can't.

00:11:06: you can't see me on i ain't fuckin with me.

00:11:10: i can smash any beat you ain't fuckin with me.

00:11:13: this is how we rock shit Really that fresh.

00:11:15: first Johnny, flip the sample.

00:11:16: now we're ripping rough.

00:11:31: Remember Annalisa Skullcock and brother's grim lint.

00:11:43: Sharp glades, now you're Venice Sunday.

00:11:51: Shit's chest, hopefully possessed.

00:11:56: Doing shit different this time, dark hole.

00:13:18: Here's my galactic.

00:13:24: I'm about to show you what that writers list be.

00:13:28: See, I'm a writer in rap form.

00:13:30: But these are writers that

00:13:31: bomb trains and subway platforms.

00:13:32: Courageous,

00:13:33: brave as street

00:13:34: creators They synonymous

00:13:36: with DJs, rappers and breakers.

00:13:38: Arms folded, jail poses, ill portraits Forced to kiss, mixed in with the ill fortune Fat laces, back in

00:13:44: the day, shit.

00:13:44: calligraphers

00:13:45: Tagging their names, putting their signatures in places Yards,

00:13:48: sports balls,

00:13:49: landmarks, ten clocks, gyms in the park, they doing art.

00:13:53: Big bubble letters all over the city, I see it up in high places, wonder how they did it, emit it, always wish that I could do the same.

00:14:00: But now the mic is a marker, I'm tagging up names.

00:14:03: Sometimes at night, I would walk with a pen, with a marker, or even some chalk.

00:14:07: Sometimes at night, I would walk with a pen, with a marker.

00:14:29: Everything Cuz.

00:14:37: it's money I got And we can take round trips.

00:14:43: I can forth East, west, south, and north.

00:14:46: Mommy be a girl and they count for me To make sure Our route don't come up short.

00:14:51: We'll be transported You know what?

00:14:54: From bus stations, docks And there are ports.

00:14:57: Everything Everything Everything Everything.

00:15:09: We gon' spend this money, lady Brand new.

00:15:19: We gon' get this money, baby.

00:15:21: We gon' spend this money, lady.

00:15:23: We gon' go, go, money, crazy.

00:15:31: And we

00:15:34: gon' fuck you on shopping spree and store your lords in the meantime.

00:15:38: DJ King Float.

00:15:38: Tell her, tell her, also, Crab's diamonds a bitch gon' come into play.

00:15:46: I'ma purchase everything, brand new boy.

00:15:49: Cause I want you to stay.

00:15:51: I want you to stay.

00:15:52: Everything.

00:15:54: Brand new.

00:15:55: Everything.

00:15:56: Brand brand new.

00:16:00: Everything.

00:16:04: DJ King Float.

00:16:14: Climb my way to the top of the ranks, these niggas trying to get me.

00:16:20: I can't be like none of y'all niggas, your colors don't fit me Way too hot, believe it or not, that's where it.

00:16:25: at the Ripley Ahead of my race, I'm in the first place, you hoes can't trick me.

00:16:30: Fuck up my face, I'm serving that base, I got that weight, no bitch, I'm weighty.

00:16:41: Nine-minute six speed, switch speed, blowin' on mentally Fainting to keep you safe, whip these, panties in the way, I rip these.

00:16:49: No days off, no sick leave.

00:16:51: I charged, but I charged.

00:16:52: and now I don't really take

00:16:53: none off, no striptease I'm baked out, no

00:16:55: mix-free.

00:16:56: Get on my level.

00:16:57: I'm too addicted to settle Nigga, I live in the ghetto Fripping the metal, freaking the kettle.

00:17:02: You see gold, it's like a light bulb and I dipped it in yellow Through the evil in God.

00:17:07: So we trickin' the devil know.

00:17:09: I never chase money I attract and I take money.

00:17:12: The girl got a fat ass, so what?

00:17:13: Honestly, it's kinda shape funny If I say I'm bout to put an album out there.

00:17:17: Honestly, you need to wait for me Cause I influence all y'all.

00:17:20: if you small Honestly, you need to take from me Gluing y'all superhero motherfuckers.

00:17:23: Honestly, you need to cave from me And tell your girl my dick's addictive Bitch, honestly, you need to break from me.

00:17:28: Yo, wait money, that's play money.

00:17:31: She busted open our door and a bitch can't cook Her grilled cheese, got bones, man I'm in the big league.

00:17:37: Come on, wait till the top of the ranks, he's niggas trying to get me.

00:17:41: I can't be like none of y'all niggas, your clothes don't fit me.

00:17:44: Wait too hot, believe it or not, that's where the derivative leads Ahead of my race, I'm in the first place, you hoes can't trick me.

00:17:51: Fuck up my face, I'm serving that.

00:17:53: T.J.

00:17:54: King on me.

00:17:55: Now you really tryna hear about what them niggas do.

00:18:13: Keep that shit twinning, might deploy the pair.

00:18:17: Let it carry you, had to let you down.

00:18:21: I'm not quite, I must be fair with you.

00:18:25: At least I'm clear with you.

00:18:27: Then focus on growing more Not that I'm knowing what's really real That come with age You must respect the game, my nigga You get colder, the more you play my nigga Stay at it, I got plenty But my mental stuck on, I don't have it.

00:18:55: So if they try to play me, I ain't havin' it.

00:19:18: Break your life sweatpants under my mission and that's it.

00:19:43: I got the flip of headlights on it.

00:19:51: Hold on.

00:19:52: Yeah.

00:19:57: Uh.

00:19:57: I speak out passion.

00:20:02: do it for the streets with a chicken ratchet.

00:20:05: I can stack it, build them out just hatin' it.

00:20:11: If I want that drive I spin it.

00:20:13: If you want that block I spin it.

00:20:15: If you want that watch I'm spinnin'.

00:20:16: I promise God I'ma change man.

00:20:17: If you fuck around and I'm spinnin' You a real nigga on it and I'm a real nigga on it.

00:20:39: I'm just sittin' smokin' on his haze Chillin' scrollin' up my page Thinkin' how the old Jesus rollin' in their graves.

00:21:04: How many more gon' get exposed?

00:21:06: How many souls are they gon' train?

00:21:07: When no loyalties exchange?

00:21:09: That's how solos get made.

00:21:10: I'm a hands-on kinda boss So it totally explains how I put cocoa over flames Before a lord gon' wanna change Still standin'.

00:21:17: Only lord knows what I overcame.

00:21:19: Fests still circle my face when they take Polaroids and games.

00:21:22: Fifteen thousand dollar.

00:21:23: fifth duckin' Hoppin' out of shit frontin' I pull up to the barbecue like Holla at your big buzzing.

00:21:28: Double cross always from a friend.

00:21:30: It's all that shit coming.

00:21:31: I saw that coming.

00:21:32: Ten million shoot you out the gym.

00:21:33: We call that Chris Mullin.

00:21:35: Better use them two ears.

00:21:36: God gave felicitations.

00:21:37: Hope you guys paid attention.

00:21:39: Get your top scraped and blistered.

00:21:40: The big league just like Jackie.

00:21:42: Because I do not play with niggas.

00:21:43: And they do not make a difference.

00:21:45: Not even rock, paper, scissors.

00:21:46: Touchdown, body face, bust down.

00:21:50: They want us to fail, but we up now.

00:22:01: DJ King Club is for you, false idols.

00:22:08: Doin' nothin' for you.

00:22:10: Mixing, adding.

00:22:11: Spoke for him.

00:22:13: Wrong with you.

00:22:14: Still you vote for him.

00:22:16: Wrong with you.

00:22:17: Uh, take his head off and then repeat after me.

00:22:20: That king's crown is awful heavy.

00:22:30: Wrong with Shetty.

00:22:31: Movin' in these greedy streets.

00:22:33: Yo, I'm calm and ready.

00:22:34: Y'all can't clone him.

00:22:35: Y'all can't stone him.

00:22:37: Y'all can't put him six feet in the ground.

00:22:39: Y'all can't hold him.

00:22:41: Go on.

00:22:44: Lives in that castle, cause he's count.

00:22:48: Eastwood, if you couldn't, he could.

00:22:50: Distribute that mad prod.

00:22:55: Shot you.

00:22:56: Damn.

00:22:56: If Sherlock Holmes gettin' caught.

00:22:58: They got you open the door and I heard you.

00:23:02: I ain't trying to murk you to work you.

00:23:05: I'm just trying to get you to vote for the right guy The same dude who lied to you's the rents.

00:23:12: do you looking at me like the Lord?

00:23:15: We're feeling that you get when dad called with you vote for doing nothing about it.

00:23:49: official tishy scasses order.

00:23:51: surrealist linguistics riddles spitalistic missiles not moving smooth like Cali scots.

00:23:59: three ways and avenues we're checking in the world.

00:24:01: tones like the begin again.

00:24:04: seconds on my retina numbers tatted on my skin and turn these letters.

00:24:08: two from Faf machine to contrast the brass off the phonographs corner chorus.

00:24:14: don't narrate other my data too many fake invaders cross fader.

00:24:20: I blend the grammar bars a mixture slick like ice and liquor poking how it's spoken.

00:24:24: with the mix to mixes I integrate my inner peace to imitate embrace the time to coach on dinner plates I leave the scene as cautious flawed as the process Often time needs all this nauseous garbage leaving in the closet.

00:25:35: All

00:26:14: right, let's get to it.

00:26:15: Let's get to it.

00:26:16: We here, man.

00:26:17: Connecting the dots from friends to the U.S.

00:26:19: once again in a mixtape addict show.

00:26:22: I have my special guest today, you know, battle rap legend, E-Ness in the building.

00:26:26: How are you, bro?

00:26:27: What up, people?

00:26:28: Salute, salute, salute.

00:26:30: Shout out to DJ King, flowing the building.

00:26:32: You already know, representing that two-on-five Philly.

00:26:35: Got the new single out, Jingle and Baby, E-Ness featuring P.D.

00:26:39: Crank, produced by Godpire.

00:26:41: You already know.

00:26:42: Yes, sir.

00:26:43: You know we got that all-rotation, you know what I'm saying?

00:26:45: Making the... overseas people hearing that good stuff, you know, that silly shit, bro.

00:26:51: But Shorsky, you already know, bro.

00:26:53: Got to, man.

00:26:55: You know, I have a tradition in the show.

00:26:57: I have to ask you, man.

00:26:58: I always ask the opening question to all my guests.

00:27:02: Who is your all-time favorite DJ, man?

00:27:08: True, that's a good one.

00:27:09: You caught me off.

00:27:13: Well, DJ King, my new... My new favorite DJ, but my all-time favorite DJ, because it means so much to me in my career.

00:27:25: I'm sorry?

00:27:29: It's DJ Cosmic Kev.

00:27:30: I had a Philly representative power, right?

00:27:32: You know, on FM, you know what I'm saying?

00:27:34: Claire Channing.

00:27:35: Yeah, you're a legendary DJ.

00:27:37: And tell the people exactly why it's your favorite DJ.

00:27:40: You know, for those that don't know the name, they're all not familiar with the legend.

00:27:44: What can you say about him?

00:27:46: DJ Cosmic Kev is Strictly Skills Kev.

00:27:49: like a cornerstone of Philly hip-hop culture.

00:27:53: I mean, he was in Gilly's first video, Major Figures.

00:27:57: Yeah, that's us.

00:27:59: You know, he was passed a torch by DJ Rand, which is like hip-hop hierarchy, as far as the radio and DJs is concerned.

00:28:08: And, you know, Cosmic Kev has just been holding it down for the past twenty-five, thirty years on Part eighty-nine and up.

00:28:15: Why he's so special with me is because coming off the success of the band, when we all got dismantled and broken up into like, you know, I mean, kind of like solo acts, my hood was like kind of my lead out single.

00:28:31: That was like one of the songs that was supposed to be a single off of the second band album.

00:28:35: When we got broken up, the album was scrapped.

00:28:38: So like the songs was just a limbo.

00:28:40: So I gave the song my hood, which was originally had Freddie P on it.

00:28:46: and they just start gaining buzz and Philly.

00:28:49: So Cosmic Cav is always special to me because he always invested in what I was doing, being from the Biddy, being from Philly, being from the city.

00:28:57: You know, he put a lot of time and energy into making that record a cult and regional classic, that's what it is today.

00:29:05: You know what I mean?

00:29:07: Yeah, that's what I like about, you know, Those OG DJs, man, they represent with the right mentality, the right spirit, you know, like putting people on, making sure the record lives on, you know, for months, for a year, sometimes, you know, spinning that shit until it becomes classic in people's head, you know?

00:29:25: Sure.

00:29:25: There's a lot of other DJs along the way that I've built relationships and alliances.

00:29:30: Shout out to DJ Self, shout out to DJ No Frills, shout out to DJ... I know you're gonna kill me about this.

00:29:39: Alamo from Coast to Coast DJs.

00:29:41: We got a project out right now.

00:29:42: It's called The Takeover Files, hosted by DJ Alamo.

00:29:45: It's online right now.

00:29:46: You can go download and stream it.

00:29:49: Yeah, that's just a collective of all my unreleased material over the past five years, starting from the pandemic to now.

00:29:56: There are a lot of unreleased tracks and features that people haven't heard.

00:30:01: And I released that, put that on a kind of a mixtape.

00:30:05: like as in the old and as a tribute to the mixtape DVD era.

00:30:09: Put that out.

00:30:10: You know, people don't do hard copies.

00:30:11: You know, we don't do hard copies no more, but I actually got the hard copies passing them out.

00:30:15: People want to buy them and support.

00:30:17: That's like part of the merch now.

00:30:19: So everybody's like, why you still got hard copies, man?

00:30:21: That's merch.

00:30:22: Along with the, along with my cheesecake, you know, I don't turn the limits and eliminate, start selling my own cheesecake.

00:30:27: So make sure y'all go, you know what I mean?

00:30:29: Support that online.

00:30:30: That's a Enes cheesecake at Enes Cheesecake on IG.

00:30:34: You know, just kind of get back into the culture and really being in the mix and kind of like linking up with the young energy, the D-Thirties, the two rares, the Jibrils, you know, the young guys, man.

00:30:47: And just being bridging that gap because it always been this cultural gap between the young guys and the older guys that's making music.

00:31:02: Some of the older guys feel You know that the shit is not.

00:31:06: you know, I mean the contemporary music is not good enough or it's watered down and and I find you know The beauty out of not all of the music.

00:31:17: But I do like some of the tracks and those are the ones that I do like some of the tracks I try to link up with them and collaborate on music and doing that and I'm and I'm a big um Herald to that because a lot of the older guys be like man, I'm not doing that.

00:31:33: but you know, I mean That's how hip-hop was created man.

00:31:36: It gotta get passed down and niggas gotta link up with niggas and create and not be scared to.

00:31:43: you know to mix those two fucking energies man because I still got something in the tank and evidently obviously the inner new energy has got all the eyes and attention and that's just beautiful music when you put those two entities together.

00:31:59: Yeah man, I think that's the right mindset man because otherwise you kind of live in the past.

00:32:04: if you think that you know the OGs cannot make music with the young ones.

00:32:08: You know we've seen that, you know like Jadakiss for example that dropped a video not too long ago where the young game sees, you know what I'm saying?

00:32:16: Yeah, we shot the D-Jones representing the city man.

00:32:19: It's time to know Raspy.

00:32:20: So Raspy on.

00:32:22: He's from my city, he's from the DVD era.

00:32:25: He used to like, you know what I'm saying, be linked up with Joey Jihad and the whole go getters foundation.

00:32:30: So he, he was a childhood friend of Dave East.

00:32:34: You know what I'm saying?

00:32:35: And Dave East brought him into the mobile forefront, didn't forget his childhood friend.

00:32:40: Now he got to track out with Jada Kis and Beanie Sieg when they're doing like over a million views on YouTube.

00:32:47: It ain't countin'.

00:32:48: Yup, yup, and that's the wonderful use of AI, you know, to bring back Benny's voice, man.

00:32:53: And that

00:32:53: was fire.

00:32:54: That was fire.

00:32:55: Mm-hmm.

00:32:56: One good, I cannot wait to hear what he does with the AI.

00:32:59: Also, it's the DOC, man.

00:33:00: You know what I'm saying?

00:33:02: DOC was one of the most prolific MCs of that time and was cut short by an unfortunate accident.

00:33:10: So, like you just said, I would love to hear how he uses the AI to the best of his ability to restore what we know he could be.

00:33:21: Like you say, man, a tragic accident changed everything, but I think without that accident, he probably was going to be one of the elastempsis from the West.

00:33:30: Without a doubt, man.

00:33:34: And also, I know you're from the mixtape era.

00:33:38: I know the answer to this question, but I have to ask you, man, do you miss the mixtape format, bro?

00:33:45: You motherfucking right.

00:33:49: I'm going to

00:33:51: tell you why.

00:33:52: Now everything is a pay to play.

00:33:53: You got to pay to be on a playlist.

00:33:55: You got to pay Instagram.

00:33:57: You got to pay Facebook and Meta for the little ad space for your shit to be

00:34:00: shared

00:34:01: amongst people that wouldn't normally see your shit.

00:34:04: Back then the mixtape game was the most.

00:34:07: keep its way to premiere your music and try to kind of get what the fans wanted from you.

00:34:15: If you had a hot song, you could put it on a mixtape, you could put it on your mixtape, it'll be sold three, four different ways.

00:34:20: You know what I'm saying?

00:34:21: You'll have it on your mixtape, then DJ such and such, have it on your mixtape, then DJ such and such, and depending on the popularity and the clout of the DJ, people would hear this record, you know what I'm saying?

00:34:33: And it would become bigger.

00:34:35: Now everything is just a pain to play, like starting with your own Instagram page, like nigga, you gotta pay for the ad boost and all that, man.

00:34:42: Before, it was organically, Music was shared.

00:34:45: We didn't have Napster.

00:34:46: We didn't have all these outlets and apps and platforms that share a half of a record.

00:34:53: Back then, music was, it stayed with you longer.

00:34:56: Nas would come out of an album and it would last the whole year.

00:34:58: Nigga's Nas would be lucky if he'd get a week and a half until people moved on to the next.

00:35:04: whatever is new out.

00:35:05: You know what I'm saying?

00:35:06: There's no disrespect to Nas.

00:35:08: He's one of the greatest.

00:35:09: I'm just showing you how time has evolved.

00:35:12: Being a prolific MC, if that statue like Nas, he should deserve at least a six-month attention span to a project.

00:35:21: And we just not getting that.

00:35:23: Everything is so microwavable.

00:35:25: I call it the era of the microwavable music.

00:35:27: You know what I mean?

00:35:28: You heat it up and get cold, then you heat up the same shit again and get cold again and you're reheating the same shit.

00:35:32: You know what

00:35:34: I'm saying?

00:35:35: What do you think about like the... Talking about Nats, you know, like the album that dropped on mass appeal.

00:35:40: Also, the Clips album, for example, I think it kind of changed that, you know what I'm saying?

00:35:45: Like, people are going back to that.

00:35:48: They kind of manipulated the numbers.

00:35:49: Like, I believe that Clips is as dope as everyone knows them to be.

00:35:55: But, you know what I mean?

00:35:56: We in the days that are roll out.

00:35:58: We in the days of, you know what I mean?

00:36:03: Just having a name makes you jump over a lot of the legwork that you have to do now

00:36:10: to days out

00:36:11: here.

00:36:12: And I think the Clips had a good rollout and that played a big part of the six of the album.

00:36:16: Not to mention they two dope MCs, but cats like them, Reselda, Lock still around here doing anything.

00:36:24: Jimmy and Cam with the podcasting and then transcending to a whole another genre of the culture.

00:36:30: I think it's good for, for being up MCs, you know what I mean?

00:36:37: We have to remember it's an ever-changing climate in this game.

00:36:42: And we have to stay on top of the new information.

00:36:44: And I think the guys that last along and is resilient and perseveres, the guys that hop on the updated information as quickly as they possibly can before the general public gets it.

00:36:54: If you understand what I'm saying.

00:36:56: Yeah, yeah.

00:36:57: The show, man.

00:36:58: And how do you handle that pressure, you know, that comes with being the hardest right now in twenty-twenty-five?

00:37:04: Just like you say, the attention span.

00:37:06: It's maybe a week or two weeks and people sometimes they forget about shit that just dropped.

00:37:11: And it's a lot of pressure on artists, you know, because you always gotta be creative and drop something all the time.

00:37:17: How do you manage all that?

00:37:20: If you don't, you just live in it.

00:37:23: It's like being a champion of the world.

00:37:27: Who knows what that feels like until you're in that space.

00:37:30: And black people been poor, not to get all racey and political and economical.

00:37:34: And the black people all been poor.

00:37:35: So what's going back to being poor if we get a little money and blow through it and go back to being poor?

00:37:40: We was already dealing with those conditions.

00:37:42: So sometimes you don't notice you're in the chaos until you step out of it.

00:37:46: So the expectations with social

00:37:49: media

00:37:50: and just being a seasoned artist, you got to keep reinventing yourself.

00:37:53: I mean, it doesn't hurt that you really hasn't aged.

00:37:58: Since the first time you see it, that plays a big part.

00:38:00: A pill, a parent's likability, having a women's fan base, all that plays a part in them.

00:38:07: But back then, it just was a little bit more genuine.

00:38:10: It was a little bit more love.

00:38:13: People was a little bit more artsy than they are now.

00:38:16: People just want the dollar.

00:38:18: They want to blow up, get the money, and they really don't really respect the art.

00:38:23: And I think People like myself and a few other artists are things that have passed.

00:38:28: We ain't shit relics because we just in a dog heat, dog heat climate in economy when it comes to music.

00:38:35: Like if you even, if you got it or you don't, nobody really wants to buy into your story.

00:38:42: They just want to see the finished product and then they want to really your everyday content outside of the music.

00:38:51: Makes people want to listen to the music.

00:38:52: In our era, you listened to the music first and then you did your research on the person.

00:38:57: You did what I'm saying?

00:38:58: Yup, yup, yup, yup.

00:38:59: That's why, you know, people get, you know, they feel obligated to post like they are, you know, regular life, you know what I'm saying?

00:39:04: Like shit that should be private, but they post it on social media so they can get more streams after that, you know.

00:39:12: But the beauty, my bad.

00:39:15: I didn't mean to cut you off.

00:39:17: The beauty of social media.

00:39:19: is that it gives everybody an even playing field.

00:39:23: Like, all the power used to lie in the hands of the labels because they had all the influence.

00:39:28: But now, social media can turn somebody into a nobody overnight and a nobody into a somebody overnight.

00:39:35: And that's just the way of the world.

00:39:36: now, you know what I'm saying?

00:39:37: So it's all a content-driven data, electronic data thingy going on.

00:39:46: And I've yet to tap into all these platforms and um outlets and um I would say uh uh uh vessels that you can earn money like the sound exchange and this and that it'll take you two lifetimes to learn.

00:40:04: and so like I'm navigating it as I go through.

00:40:06: so to answer your question The expectancy be so high and living in all that pressure and expectancy, you never get a chance to breathe because you always creating and moving and trying to get to that next big look a moment.

00:40:20: You dig

00:40:20: what I'm saying?

00:40:21: Yeah, a hundred percent, man.

00:40:22: It's hard to handle, man.

00:40:24: And people don't realize that, you know, the way they consume music is sometimes can drive all this crazy, you know what I'm saying?

00:40:29: Like, no exaggeration, man.

00:40:31: Like, you know, I know shit happens to me for a reason.

00:40:35: You know, that's a fact, man.

00:40:36: So.

00:40:37: but do

00:40:37: you realize sometimes like the the impact that you had on hip hop?

00:40:41: because you went through a lot you know not only in terms of battle rap but hip hop in general with the mixtape game.

00:40:49: and now you see the reactions of people when you post a freestyle on the on instagram.

00:40:53: they go crazy

00:40:54: right right right yeah.

00:40:56: do you realize

00:40:57: the impact?

00:40:58: no the impact is crazy.

00:41:01: i fill it out in the street pause and when i say i fill it i mean the energy from the people from the regular everyday people is the testament and it'd be like the reward to me because it used to be a time maybe some of my years ago when I would walk through the door and people's eyes, their eyelids would go down.

00:41:21: I mean, like, aw, that's just nuts.

00:41:23: You know what I mean?

00:41:23: I became so accessible and so normal that I wasn't, you know, people didn't take me as serious as they take me these days.

00:41:33: So... You know what I mean?

00:41:35: Being from a city that's real competitive and jumping back in battle rap, the reason I jumped back in battle rap was to reintroduce myself to people that might not have caught the first part of my career on a mink in a bin, because that was almost twenty-odd something years ago.

00:41:48: So battle rap was the way to kind of slip back through the backdoor pause and get in there with the new talent and the people that, you know, everybody was watching and the battle rappers that had the most views.

00:42:02: So I used that as the strategy to get back in front of the people, the Gen Z, as we call them.

00:42:07: You feel

00:42:08: me?

00:42:08: Yup, yup.

00:42:10: And do you think like people are going back to authenticity, you know, because there might been a few years in your career, like you say, maybe people didn't really care too much.

00:42:19: I think it's coming back now.

00:42:20: They see real hip hop is coming back, you know, the ball, the flow, the cadence in you, and your story, your life story is also special, you know.

00:42:29: So I think it's coming back.

00:42:30: What do you think about that?

00:42:31: Now, I think it's all about process.

00:42:33: I agree on one hundred percent.

00:42:34: It's all about process.

00:42:35: Bars is coming back.

00:42:36: Guys like Kendrick, guys like Cole, even though they had their little dispute and drink, I think, I mean, it's needed for the top guys to show that lyrical prowess because it's one of the staples of hip hop.

00:42:50: The wordplay, the cleverness, the authenticity, the personality, being clever, being funny.

00:42:58: Being a comedian, I try to encompass all those things in my bars, as well as the new slang.

00:43:06: It's all about updating your terminology and linguistics, too.

00:43:11: So you have to talk like the new kids is talking.

00:43:14: Not even, not basically convert or, you know what I mean?

00:43:17: Basically be a Y in, but you got to understand when they're having a conversation, if you don't understand the words and the language they're using, then you'll be out of the picture.

00:43:27: That's what I'm saying.

00:43:30: Old people, well, seasoned people thrive in their community with the updated information from the young people.

00:43:39: Young people thrive in their community from the updated information from the old people.

00:43:47: Yup.

00:43:48: Yup.

00:43:48: I agree with that.

00:43:49: I want you to put the same thing.

00:43:50: He's doing

00:43:51: what I'm saying, though.

00:43:53: It does man, you gotta be able to understand the new slang, the new... When you compare situations, when you do punchlines, you always do compare stuff, you know what I'm saying?

00:44:04: To make the punchline sounds fun, you know?

00:44:06: And you gotta be able to understand in those different categories, times have changed.

00:44:11: So, you know, if you're able to do that, then you're winning.

00:44:14: I think that's what's going

00:44:16: on, you know?

00:44:17: Like I said, when people look at your freestyle, He be like, damn, who wraps like that, man?

00:44:23: You know what I'm thinking, slapped in the face like that?

00:44:27: It's not too many MCs that can do the things that you do, man.

00:44:31: And a lot of people, I go around people that I hadn't been around in a while and they be like, man, well, that's so dope, but people just don't take him serious.

00:44:41: Sometimes I'll be letting it get to me, but I gotta understand that not everybody is gonna like you, not everybody is gonna take you serious, not everybody is gonna think what you're doing is worth the time that you're putting in for it.

00:44:53: But you can't focus on them people.

00:44:54: You gotta focus on the people that are.

00:44:58: You know what I mean?

00:44:58: That think you are dope and think that you are one of them ones.

00:45:02: You got a special pen and you got a special gift and a talent that was God given and you share it with the world.

00:45:07: You can't really focus on the people that's not taking you serious because Why the fuck we gonna focus on them?

00:45:12: We can't

00:45:16: just cannot please everybody.

00:45:18: They take Wayne's series after Cash Money had fell apart before he dropped the card of one and card of two.

00:45:24: I remember when they wasn't taking Gillian Wildo series before they blew up one of so media shit.

00:45:29: Like I'm right here in Philly.

00:45:30: So I seen everybody's glow up and everybody's clown where they was at a point where niggas

00:45:34: was like,

00:45:35: I mean, you know, all right, we'll see it.

00:45:38: But okay, you only become supernatural when you do things that people didn't expect you to do.

00:45:45: You only move up in boxing when you beat the guys that they say you cannot beat.

00:45:50: You only move up in battle rap when you destroy the guys that they say you cannot destroy.

00:45:55: And

00:45:56: they gotta respect the facts too.

00:45:58: I mean, if you're a real hip hop fan, you know

00:46:02: what

00:46:02: a bar is, you know what a punchline is, you know

00:46:04: what the

00:46:05: rhyme pattern is.

00:46:06: If you're simply a fan of real hip hop, You just cannot ignore the

00:46:10: facts,

00:46:11: you know what

00:46:12: I'm saying?

00:46:12: No, for sure.

00:46:13: With the vibe like over there though, I'm Pat Wee.

00:46:16: Man, you

00:46:17: know we love that real shit out there, man.

00:46:19: We've seen it come back to in the last like five, six years, we've seen it come back.

00:46:24: You know, people going back to the authentic stuff.

00:46:27: We got some, like I talked to, you know, Master Ace, Guy Zoo, those guys,

00:46:32: when they come to Europe,

00:46:33: they do sold out shows, man.

00:46:35: Now keep

00:46:36: guys through.

00:46:37: And the crazy thing is that people sometimes, they don't even speak English like that, you know?

00:46:42: But it's just the vibe, it's the beats, it's the ambience, you know?

00:46:47: We like that shit out there, man.

00:46:48: We like it.

00:46:48: Why

00:46:49: do you bilingual?

00:46:51: You from the

00:46:51: state, so you was born and raised over there?

00:46:54: Born and raised in France, but I've traveled to the states many times since I was eighteen years old.

00:46:58: So I had to learn the language.

00:47:01: I spent times in the studio working with artists, so... You know, I practiced a lot.

00:47:06: Bro,

00:47:07: I could tell you, I mean, you're a foreigner and you're from, you know what I mean, a different continent, but I can tell you have mastered the communication.

00:47:18: You know what I'm saying?

00:47:18: It's like a certain, you know what I mean?

00:47:19: You feel me?

00:47:20: You tapped into it.

00:47:22: That's not easy to do when you're from a whole another place.

00:47:25: That's one of the things that I always wanted to do, challenge myself to do is to learn a whole another language.

00:47:30: When can we expect you in Europe, bro?

00:47:32: Like, do you have any plans, like the UK, France, Netherlands, stuff like that?

00:47:38: I would love to come over there, love the tour, but, you know what I mean?

00:47:41: In some people's eyes, I'm just not commercially successful to command a full front tour.

00:47:45: And even the guys that's really having a commercial success can't even sell tickets now.

00:47:49: So this shit is all, like, I wouldn't definitely need a reason because I've been working as a content creator for Kanye for the past three, four years.

00:47:58: So, like, he been... flying me here and there, and we've been working on certain shit, but I haven't yet come to Paris, and I definitely want to get there.

00:48:07: That's one of my bucket lists and shit.

00:48:10: Yeah, for sure.

00:48:11: I don't think you need to do any commercial stuff.

00:48:14: You know, like, I talked to Graf, too.

00:48:16: You know, Graf, he don't really do the commercial stuff.

00:48:19: He be in Paris, you know what I'm saying?

00:48:20: Right control.

00:48:21: Maybe

00:48:22: you can set that up.

00:48:23: King, we do a little five-date.

00:48:25: join out there, man.

00:48:26: See what they talk about on the money side of things.

00:48:29: I got another tier to hold it down.

00:48:31: We can get some opening acts, man.

00:48:32: Try to make some dough out there.

00:48:34: Make it a reason.

00:48:36: Make it a reason.

00:48:37: Yo, yo, well, I'm talking about that with my partner in New York, Young Amsterdam.

00:48:41: You know, we working on that.

00:48:44: Okay, okay.

00:48:45: In the next five years, I'll be able to do some things like that.

00:48:48: You know, I tried in the past.

00:48:50: I fortunately didn't work out, but you know, I keep trying, man.

00:48:53: I think that's the next step in the mixtapeatic movement.

00:48:59: You know, I do beats, I do radio shows, mixtapes.

00:49:03: You know, traveling back and forth to the States, making up with artists, I think the next step for me is being able to bring the dopest of the

00:49:11: U.S.,

00:49:11: bring them to Canada, bring them to France, you know.

00:49:15: They have been a community.

00:49:18: I've been to Toronto.

00:49:21: Have you been to Quebec?

00:49:22: Would you speak French?

00:49:25: Nope, I ain't been to Quebec.

00:49:26: I just been to Toronto.

00:49:27: I've been to Toronto.

00:49:28: Actually, I spoke to the devil.

00:49:33: Nas was having a joint out there and I forgot one of the guys.

00:49:36: They used to play for Toronto was out there.

00:49:39: I got from New York.

00:49:40: They used to be like a fort or a center out there.

00:49:45: back in the early two thousands.

00:49:49: He played for Toronto.

00:49:50: He's from New York.

00:49:52: Damn.

00:49:52: He was on stage with Nas.

00:49:54: Where?

00:49:55: On stage with Nas.

00:49:56: Yeah, I forgot what guy's name.

00:49:57: I used to play two K all the time and I used to always use Toronto.

00:50:01: He was my go-to guy in the middle.

00:50:03: But yeah, yep, yep, yep, yep.

00:50:05: He was out there in Toronto.

00:50:08: I mean, Nas was doing a show out there.

00:50:11: What's the guy from out there?

00:50:12: He just hit me on Instagram.

00:50:14: He had a real big wave out.

00:50:16: He still do.

00:50:16: He's real big.

00:50:17: He's legendary out there.

00:50:18: Not E. Clare.

00:50:19: Socrates.

00:50:23: Not Socrates, the other guy.

00:50:24: He do like the Caribbean Jones.

00:50:27: Cardinal official.

00:50:30: Cardinal official.

00:50:31: Here you go, Lil.

00:50:32: Here you go.

00:50:33: Yeah, yeah, yeah, yeah.

00:50:34: Yeah, super dope, man.

00:50:35: They got some dope MCs in Canada.

00:50:37: I don't know if you heard about Daniel Sun.

00:50:42: You know, I come from that, you know what I mean?

00:50:45: that eighties, nineties era.

00:50:47: So like, you know what I mean?

00:50:48: Up until that, we only knew like the person only really got write ups in the source and shit like that, that we could actually see was car now and then he cleared, he cleared.

00:50:59: Chocolate.

00:51:00: My bad.

00:51:00: Chocolate.

00:51:00: Yeah,

00:51:01: yeah, yeah.

00:51:02: Chocolate.

00:51:02: I send you some Daniel Sun stuff.

00:51:08: They got a whole new drill scene with the ball.

00:51:11: Uh, top five.

00:51:13: I ain't

00:51:14: know they had a big scene like that.

00:51:15: And I ain't know they was like multicultural out there with the ethnic groups out there like that.

00:51:20: I ain't know that was like that.

00:51:21: So when I went out there, I ran into like, these guys like kind of like the Dominican, more of Latin descent.

00:51:28: And it's a real big weed like culture up there.

00:51:32: We culture up there.

00:51:34: Oh yeah, you know what man?

00:51:34: I stopped smoking weed a few months ago when I smoked weed for fifteen years before that.

00:51:39: I'm telling you, Canada, as the best weed in the world.

00:51:43: I went to America, France, Amsterdam, Canada, and I can tell you, Canada is the place

00:51:50: to be.

00:51:51: You ain't do nothing wrong.

00:51:52: You didn't do nothing wrong, bro.

00:51:55: But you said Canada is one of the top spots for marijuana?

00:51:58: Yep, yep.

00:51:59: Yeah,

00:52:00: I agree.

00:52:01: You know, in terms of quality, in terms of accessibility and price too, of course, you know.

00:52:08: For sure.

00:52:10: Yeah, I remember getting like, I think it was a three point five grams of white widow, some good shit that had it for like, fifteen bucks.

00:52:18: And it was... Yeah,

00:52:19: I was with a grower, I was with a grower out there so that he owned the studio.

00:52:22: So we actually, I did record some of my first material for one of my classic mixtape hate mail featuring Bruno Brinks.

00:52:30: You know, he was real big when the DVD sided things being self-proclaimed freestyle kink, but make a long story short, I was out there with a grower and he just had guys coming to the studio with this weed red as fucking Chuckie's hair.

00:52:49: Red as Chuckie's hair, like I swear, like I never seen a weed this color.

00:52:53: And like that shit was fire.

00:52:55: And I think that was called, that's what it was called, like fire engine red or New Jersey devil, some shit, some type of shit like that, but then shit was bright.

00:53:04: like a fire truck and this shit was fire and the nigga had trash bags and this shit.

00:53:09: He was like, yo, if I can get somebody to take it to the States, man, I'd be a, I'm already rich, but I'd be like a billionaire.

00:53:17: Yo, have you ever smoked like Ashish?

00:53:19: Do you like that?

00:53:21: I love Ashish.

00:53:22: All that shit.

00:53:23: Uh, what's the shit that come on the, the, the, the pack woods?

00:53:27: Yeah.

00:53:27: In, in France, we call it, uh, we call it Ash.

00:53:30: It comes

00:53:30: from Morocco.

00:53:31: That's the thing that we smoke.

00:53:32: The shit

00:53:33: that we want to pack was the CTA-C build up.

00:53:36: What is it called?

00:53:37: The hemp?

00:53:38: What is it called?

00:53:39: The shit that be in the pack with pre-robes.

00:53:41: It be like all these crystals be like all this fuzzy shit on it.

00:53:44: It's called something.

00:53:48: Shit, I can't

00:53:49: remember the name of that man.

00:53:50: Do you know

00:53:50: what I'm talking

00:53:51: about?

00:53:51: I know what you're talking about.

00:53:52: In France, we just call that shit Ash, man.

00:53:54: You're the good

00:53:55: Ash.

00:53:55: Okay, okay,

00:53:56: okay.

00:53:58: Oh, that's what it's called.

00:53:59: Keef.

00:54:00: Oh, okay, okay.

00:54:02: See, in Europe,

00:54:03: the kif is the pollen

00:54:06: for us

00:54:07: that you get from the weed.

00:54:08: You know the pollen?

00:54:10: Because I see a kif.

00:54:14: Yeah, well, you know, there's some good spokes up.

00:54:18: Let's talk about the new music that you have, bro.

00:54:20: Like, what can we expect from you in the end of twenty-twenty-five and twenty-twentieth?

00:54:25: I got two projects out.

00:54:26: I mentioned earlier the takeover files hosted by DJ Alamo.

00:54:29: That's like a mixtape type of thing without industry boots.

00:54:32: It's all original material on release tracks.

00:54:35: But the main lead project and And the front line is the Enes and Friends Part II project.

00:54:43: I dropped it earlier this year, around March.

00:54:46: And the first single was called Back Home.

00:54:50: Enes featuring Black Thief, Black Thief from the legendary Root Crew.

00:54:54: Featuring typewriter.

00:54:56: Produced by the legendary Black Key Beats, you know what I'm saying?

00:54:59: My mentor, my lifetime long producer.

00:55:04: You know what I mean?

00:55:05: So yeah.

00:55:06: And that's the first lead out single, Back Home.

00:55:09: I'm featuring Black Door from the Roots.

00:55:11: And we got that.

00:55:13: We got the backup single for the dance, the club.

00:55:17: It's called Leg Up.

00:55:18: Featuring Zabmula.

00:55:19: That's like a little more dance party track, like trap party type shit, sexy drill type of thingy.

00:55:26: And you know, just, you know what I mean?

00:55:28: Just experimenting, having fun and not being afraid to be myself in the second win, as you call it, that I

00:55:37: have.

00:55:38: Yeah, always gotta stay original, stay creative.

00:55:40: And like you said, just be yourself, man.

00:55:42: It's more than enough.

00:55:45: Yeah, so

00:55:45: make sure y'all go get that, man.

00:55:47: We all see this interview.

00:55:49: It's been out for some months now.

00:55:51: Go running numbers up.

00:55:52: Enes and Friends, part two.

00:55:55: Make sure y'all hit up the YouTube page.

00:55:57: Enes-Lewfield on YouTube at Enes Bad Boy.

00:56:02: You can find all the music, all my projects on Enes Topic on YouTube and on Apple and Spotify.

00:56:08: So there's a lot of pages.

00:56:10: I know you get confused, but you type in Enes.

00:56:13: Type it in all together, E-N-E-S-S, and then you type in E-Ness-Loo-Foo.

00:56:19: That's E-Ness.

00:56:20: Dash L-E-W-P-H-I-L.

00:56:23: That's my personal YouTube page.

00:56:25: I'm trying to get the numbers up.

00:56:26: I haven't had my job since two thousand nine.

00:56:28: And if I would have been smarter, I would have invested all my time in YouTube instead of Instagram and Facebook because they got the biggest payout, that and TikTok.

00:56:35: Make a long story short, those two projects are what I'm pushing right now.

00:56:38: Those are the two singles.

00:56:40: Everybody go run the numbers up and go hit those YouTube pages up.

00:56:44: E-Ness Dash, Lou Phil and E-Ness Topic.

00:56:47: Yes, sir.

00:56:47: Yes, everybody that's listening.

00:56:49: Make sure you go do your research, you know, listen to the music, new shit, old shit, freestyles, mixtapes, singles, all that, you know.

00:56:57: And if you don't know enough about Enes, man, just, you know, write the name on Google.

00:57:01: You can ask the fucking AI.

00:57:03: They'll tell you everything that you need to know.

00:57:06: Check out the battles, too.

00:57:08: I shopped at Tea Top.

00:57:09: I battle Tay Rock this year.

00:57:12: He's regarded as, you know, I mean, one of the most, I mean, highest view battle rappers ever.

00:57:20: And I'm saying we had a dog fight and shit.

00:57:22: Make sure y'all were running numbers on that.

00:57:24: And I just recently battled Rum Nitty too, which is like a crowd favorite.

00:57:29: And you know what I'm saying, a cultural favorite too.

00:57:31: We had a dog fight.

00:57:32: So make sure y'all go run those battles up on YouTube.

00:57:35: Eden S versus Rum Nitty, Eden S versus Tay Rock.

00:57:37: Yes sir,

00:57:38: yes sir.

00:57:38: Do you have any last words, man, for your fans out there across the globe?

00:57:43: Shout out to everybody.

00:57:44: that's been, you know what I mean?

00:57:47: Keeping up with the journey, keeping up with the movement, keeping up with the motion, and shout out to the haters too, man, for the disbelief, because you keep me going also.

00:57:56: So yeah, make sure y'all go runnin' numbers up on those projects, and request that song when you hear it, man, on any platform.

00:58:03: Jigglin' Baby.

00:58:05: And that's featuring P.D.

00:58:07: Crack, produced by GodPie.

00:58:09: Yes, sir.

00:58:10: Yes, sir.

00:58:10: You know, we keep that on rotation.

00:58:12: And whenever you have some new shit, man, make sure you send it to my email.

00:58:15: I put it on rotation in the mixtape addict show.

00:58:17: so you know we let the overseas people know about the good shit man.

00:58:23: Thanks for your time my bro.

00:58:25: Thanks King.

00:58:25: I appreciate it man.

00:58:26: Shout out to Pat Wee.

00:58:27: Yeah yeah.

00:58:28: Two on five representing the building.

00:58:29: That's your boy.

00:58:30: Yes

00:58:30: yes.

00:58:31: Big up mon frère depuis Paris, depuis la France.

00:58:33: Big up.

00:58:34: Peace man.