Mixtape Addict #89

00:00:02: You have now entered the mixtape.

00:00:02: addicts show Broadcasting every day with a French connect DJ King flow.

00:00:08: Yo, this your boy Big Daddy Kane With a message to all my mixtapedics.

00:00:13: This is it baby get ya fix.

00:00:15: I'm DJ King Flow Yo yo what's up world?

00:00:17: It's your boi D.A To the Z-Dance Dylan Jeff from The Legendary Dog Pan And you're in the mix right now with DJ king flow AK AK Mr.

00:00:42: Mixtape Attic from France.

00:00:47: I'm with the homie DJ King Flo, man.

00:00:50: Keeping it real baby Down in France or Lien's.

00:00:54: Y'all know how we do.

00:00:56: It would sound like some Price is right type shit, man.

00:01:08: Like you're trying to win this motherfucking award, man.

00:01:13: Yeah what's an auction going on?

00:01:14: The highest bidder.

00:01:15: catch a head shot, man.

00:01:16: D.J.

00:01:16: King Flo All heads shots, man.

00:01:19: Everything scummy, everything, hey yo Hey yo Hey yo, niggas get shot every day.

00:01:28: Pull your skirt down.

00:01:30: I'm still in the field Holding a turf dam Fire flame to get burnt down.

00:01:35: I serve rounds My young shooter spinning like a turnstile.

00:01:41: Pull the ratchet and spray.

00:01:42: Clap it your way Tech Kenny It's a flag on a plate But you're the first damn.

00:01:48: I swerve out With them hammers in the whip.

00:01:51: Let that thang rain, you gon' answer for this shit.

00:01:54: Carrying a blick, hollow tits, airing out the clink Sigs smokin', you catch more than cancer in a smidge Handin' lettin' me bricks.

00:02:04: I supply them pigeons.

00:02:05: My custies goin' haywire From the horse tranquilizer innit?

00:02:10: I whip it like a pool shore behind a shipyard Chop and hit you, corks put saliva in it.

00:02:17: That's something hard up in them, hollams hit him.

00:02:20: Here's dude, came with the scope at the top.

00:02:22: It got a clear view, shawarma.

00:02:25: He was quiet as church mice.

00:02:27: We just do what we want.

00:02:33: Look how sweaty these niggas can't fuck With me.

00:02:35: word to my soul.

00:02:37: You been tell I'm bout'a runnin', like second and gold Even when every misconception I carry the load Kendrick First ain't the only one good on control.

00:02:46: If all we had in this world was fact-wrap, you niggas would be lap-lap.

00:02:50: That's two times over and by any means necessary meet my quota.

00:02:55: You just talk about that game.

00:02:56: like you Frank O'Soula, Tim Legler.

00:02:59: Niggas run a mouth with no legwork.

00:03:01: My battle niggaz smoking on mids make my head hurt.

00:03:05: I wake up every morning thank God to get the bread first.

00:03:08: Fars bands area'be the front man nigga Fred Durkz.

00:03:11: Cause that shit with DJ Drama.

00:03:14: It's been comma after comma Like a runoff sentence Sipping repel by the ocean.

00:03:19: I don't know my limits.

00:03:20: Ain't no rules in this game, i just know I'm in it.

00:03:23: Let's go!

00:03:24: Hold me on play With your life.

00:03:26: I put a bullet in your head.

00:03:28: It's midnight, it's midnight Jesus.

00:03:30: shuttle is worth turn to cream.

00:03:32: Make the butter work DJ King Floor!

00:03:33: Here we go.

00:03:34: another verse, there you go again Front.

00:03:36: tell her friend.

00:03:37: Many men wanna see my ends.

00:03:39: They want be a trend.

00:03:41: Just another hashtag Going viral.

00:03:43: don't mean you got a bag.

00:03:45: Numbers don't lie but they lying on your ass.

00:03:48: I'm setting fire to the gas Lighting up the trash, I travel from The past with my back To the future.

00:03:54: I came back just to shoot your pistol in your computer.

00:03:57: Download this shooter Shots for my sod is getting hot But i ride With the windows down Drive by your town.

00:04:04: Spin the block spin around.

00:04:06: I ain't praying around.

00:04:07: They gon' be laying down.

00:04:09: That's how im layin it down.

00:04:12: I drew the line and you crossed it Back up lil homie, chill son get off it, saw me lost it.

00:04:20: Gave up in forfeit You countin' fish straight horse shit.

00:04:24: I hopped off the porch With a torch lit Olympic gold medalist.

00:04:28: God gifts of lyricists.

00:04:30: Bless to beat And get the priest lit On some killer.

00:04:34: preachy You at the precinct Fillin' out statements, talkin to them ages.

00:04:39: That shit so flagrant, foul get ejected Disrespected.

00:04:43: I guess it ain't

00:04:44: what you expected.

00:04:45: This is disfrecking But i won't say a name.

00:04:48: You don't deserve the shame.

00:04:50: Fuck it.

00:04:50: I take the blame.

00:04:52: Yeah, fuck it.

00:04:53: Take the blame.

00:04:54: Bottom feeders Bloodsuckin leeches.

00:04:57: Reptile creatures need to stay in their bleachers.

00:05:00: Don't ask for no features.

00:05:02: My clique full of heaters Black Jesus caught my father's feet.

00:05:09: D.J.

00:05:10: King Flyers, north side, right here with him.

00:05:14: Mixed tape addict The approach of the five-year moon.

00:05:20: I'm meditative into my clear room.

00:05:23: Keep six, watch the side man zone Fightin'.

00:05:25: never hit your city.

00:05:26: Bet that I'm dead.

00:05:27: slow Blood spilled.

00:05:29: turn a white ass rouge Had to shut the shop down.

00:05:32: They had to stay close.

00:05:34: Moonshot mix it with mech dose.

00:05:36: Low in the grey loads I touchdown bombados Shorty's last name Raymo, she get to pay.

00:05:42: so Then it back home with a hard score.

00:05:46: I just wait till the story hit the door to do.

00:05:49: Hit the bank once at art school where far go Seen in five four while flash like a parkour.

00:05:56: I brought the sandstorms into the square dish From the heart of fields not to fear less.

00:06:08: This is the old man that's in a press dance Still run up, make you shake with my

00:06:52: bare hands.

00:06:53: I step fire to your town To the stage till the ride papers Tying some fire, turn on high speed cop chase Fire and the whole fightin' back

00:07:40: when it's

00:07:42: done.

00:07:43: Tryna face ya, my tear gas Striped

00:07:47: an expensive fabric, couple two

00:07:51: of four heavy ones Foolish

00:07:52: like I like you got like you.

00:07:54: don't have to do this Nights.

00:07:57: I cried for this.

00:07:59: My pasties

00:08:01: was running paper.

00:08:05: Everything done in the darkness is like a

00:08:10: reel DJ

00:08:14: King

00:08:16: Kong.

00:08:16: I'm a whole

00:08:18: theme.

00:08:18: still watch for me Cause it's conspiracy and rap.

00:08:32: Don't work my old plug, you gotta blot.

00:08:33: But it is not the urgent courtesy of currency.

00:08:36: And what your got?

00:08:37: sure story My prison bed ain'a kept cope with who shot you.

00:08:49: I don't know whos stabbed you but go integrity Lesser pride.

00:08:54: niggas be far from gangsta by land style.

00:08:57: I probably wanna kill somebody if ma bitch plant gets.

00:09:01: Niggas are already established as a s- More or less nigga.

00:09:06: this.

00:09:07: is it Just murder?

00:09:08: if i had to Prandos I'd be glad to.

00:09:37: Hey, only wasn't like a bumblebee Ain't?

00:09:54: no one can humble me Bitch don't get that bag and score that seven while you fumble Gee I'm on a roll like tumbleweed The best believer's infinite Coming for the top of the throne.

00:11:35: I'll never stop.

00:12:08: I'm never flopping till i'm dropping in gold.

00:12:27: And this shit

00:12:47: is infinite.

00:12:48: Man, I'm a rare breed.

00:12:55: Be going til'.

00:12:55: I'm bad weed.

00:12:56: Nobody can compare G!

00:12:58: Man this shit is infinite.

00:12:59: Keep goin' above and beyond.

00:13:01: I'm gettin' love from the dawns.

00:13:02: For sure you fuckers are gone.

00:13:03: This shit's infinite.

00:13:05: I'll be building my legacy.

00:13:06: Let nobody ahead of me Homie.

00:13:08: just let it be as infinite.

00:13:10: with a mo- DJ King Float Yo yo check Infatuated with the door to success.

00:14:07: I have to go.

00:14:08: get it, had no genie to grant all my requests.

00:14:10: Put your best for four if i never settle for less.

00:14:13: Go buy acres before you go.

00:14:14: put that metal on ya chest.

00:14:16: I met your fucking neck.

00:14:17: the god never give a devil arrest.

00:14:19: Far pierced, few I respect and rest Just easy wrecked The car.

00:14:22: I'm staying for fifty-one Before i seen a check was trying to hit my mark.

00:14:25: We're jukin' on the dark internet Reversed.

00:14:28: all my fucked up odds Took more than intellect.

00:14:30: The hustle was the other part of them.

00:14:32: far from finished yet Fifty thousand two are underneath their milli necks.

00:14:36: Then I could really step.

00:14:37: No regret, duck the cousin adept.

00:14:39: Sleep is not an option.

00:14:41: A thousand mile marathon run For number one.

00:14:43: I got a drum for your top ten.

00:14:45: Real shit throw away that key.

00:14:46: if we locked in to the end could be an L.O.E clock wins.

00:14:51: I rocked rings, the sinner and Christians was rhyming noodles.

00:14:54: now it's thousand dollar dinner.

00:14:55: shit different.

00:14:56: they get.

00:14:56: live but not livin'.

00:14:57: i look up in the sky wonder how stevee's eyes saw the ribbon.

00:15:01: a wise blind man with a vision saw me winnin', ima lord this all religion.

00:15:06: its the bible or rhythm?

00:15:07: we're selling games.

00:15:08: three hundred for five on.

00:15:09: my kibbin on at the deep end took a dive before tried swimmin Left it all in faith like Biggie did.

00:15:16: Now we so far ahead of this race Ain't no one in the shit.

00:15:19: I'm bedded to all on my face.

00:15:44: And then I hit and I hit J. King flow.

00:15:55: Fill with no replies, No love for them guys And hate those approaches of niggas who do the most.

00:16:00: So feel mostly objectified But have a D heart to hide.

00:16:03: Jade it so you don't see the majesty when u rise Faded so ya feel even colder if they inside.

00:16:09: Amazing how you hold up your shoulders.

00:16:11: With all its pride and need have a lead To this side lies deep.

00:16:14: Her turn to prize through her side piece Streets make it harder just to find peace.

00:16:18: Define PC.

00:16:20: You can legitimately Cause what might be your feet, might slide in them sheets now.

00:16:25: They sure like the Winnisosus and damn she the coldest.

00:16:36: Five is deep right through my mind drive.

00:16:38: a space game turned into a brutal fight, they try to peel Mars' cousin's ring.

00:16:42: DJ King Flow, hallway action, filler caption, liquor fights, niggas and nikes hit the lights.

00:16:47: here they go all of niggaz paid suede on blades with their deal.

00:16:51: little niggahs the moment is amazing.

00:16:53: I sat back called him and come his own son.

00:16:55: come home All he wanna do it get rich in bone luxury shit cribs.

00:17:00: let her gear head.

00:17:01: who wants bitches and minks?

00:17:03: don't fear feds.

00:17:04: Who stayed fresher than ever to real reps?

00:17:07: They barely see him in streets, the real ex, chillin' multi-million or civilian.

00:17:13: Who slid back into bank baglillion?

00:17:15: I swam on everything fly.

00:17:17: so aliens Bust my gun.

00:17:19: one run.

00:17:20: yeah done.

00:17:21: Who went for mountain bikes and champagne at a sofa?

00:17:24: Who fucked it.

00:17:24: love you designed up else as a holster?

00:17:27: Taping the culture.

00:17:29: You know.

00:17:30: they know what's up.

00:17:33: We still up DJ King Flow.

00:17:50: I never dance with the devil To finally protect it, baby You know i'm just a rebel.

00:17:54: Shares and hard work Just to get to this level Limitless success.

00:17:58: Therefore I'll Never settle Locked in With this rap shit Holdin' my captive Semifire tracks.

00:18:04: And you Know I Get Active Shots from a Morseburg.

00:18:07: Make you do backflips Miracle clips From My Lips They Making Hits On My Throne Cuffee.

00:18:12: That's Why I Sit.

00:18:13: I Never Quit.

00:18:14: I Keep She Lit.

00:18:15: So Winning Despite Some Rejection Up on further introspection, some sort of reflection Grow a T-O in my complexion.

00:18:22: I want you to hear it.

00:18:23: like its the weapon.

00:18:24: The ancestors step in, blessings and blesses.

00:18:27: Take that bullshit and reroute It.

00:18:28: I promise this year Im gonna go all in about it.

00:18:34: So reflect i'm lookin' next Reading these things better.

00:18:37: show me some respect.

00:18:38: Hear the bill of legacy.

00:18:40: stepping niggas neck.

00:18:41: Give me your beat in the mic.

00:18:43: im catching red.

00:18:45: So reflect, I'm the connect Routing in this thing better.

00:18:48: show me some respect.

00:18:49: Hit it build a legacy Happens.

00:19:21: fake trappin' skate actors poppin shit Instigators tricks and haters.

00:19:24: so i keep my clock with clips Droppin' knowledge on the populace, no common sense.

00:19:28: Planting seeds that make some conscious Smiley whoppin' cops and pigs.

00:19:31: I walk with confidence.

00:19:32: They jealous of my opulence.

00:19:34: Your plastic lifestyle is just a crock of shit.

00:19:36: Acknowledged it And you burn them mic or white Kickin' screaming like a bitch.

00:19:40: You fuckin' wear warlocks.

00:19:41: See that's da demons.

00:19:42: bout they shit The audacity for even thinkin', you can touch me.

00:19:45: Fuck a gun, fuck an eye.

00:19:46: Doggy's hands will do ya.

00:19:48: lovely.

00:19:48: Square bin and scared pictures, y'all like a ball of haters praying on my downfall Y'all ain't no energy's contagion.

00:19:54: I take it.

00:19:54: fuck shit flippin the fuel at night to fire.

00:19:56: No spread rumors.

00:19:57: like hood rats snitches and lights.

00:19:59: You look in the mirror with despise Everything.

00:20:01: you see it, I'm out here making moves getting loo.

00:20:05: Fuck if human being.

00:20:05: Black poet and cashcard leaving the track scarred.

00:20:08: I rap Queen's Bridge like thwarted.

00:20:10: Asgard All rappers.

00:20:11: I'm flaming them The head start naming him.

00:20:14: Don't need me.

00:20:14: after point.

00:20:15: the AK at em Furio beat, got me on a mission.

00:20:19: No competition could survive this collision.

00:20:22: Blunt smoking, gun towing.

00:20:24: I use the henny bottle just to bust your shit open.

00:20:27: no joking.

00:20:28: This real master shit can't do nothing but wait for the bomb to hit.

00:20:33: Ask around they'll tell you don't fuck with him Middle ain't trouble down wit' the brother's grim True story.

00:20:40: I beat that fuck out of you Like a great white knight in chunks DJ King Flow, mix tape addict.

00:23:08: Now we free to wait and then they care.

00:23:19: We can't seem to get it.

00:23:20: these silver.

00:23:23: These are the subjects that you will state in trauma No food, broken shelf inflicted on black or mamas.

00:23:32: Kids wonder why a son joining broke Can be proud like clearance timers.

00:23:42: Food deserts no nutrition and poison water.

00:23:45: Clawing up is when starters divide us.

00:23:47: All ingredients are in civilization require satisfaction and farming But You can't enrich white men Treated Like Second Class Citizens.

00:24:08: We don't look like them, no hands and knees.

00:24:12: It's to be free.

00:24:16: Now we freed.

00:24:17: Kids are graduating And they can read.

00:24:19: How do you plan seeds?

00:24:21: Will we discuss it?

00:24:35: We community Is just what I wanna see.

00:24:39: Mind is suck.

00:24:40: MCs.

00:24:40: Take away all the fuzz And bust an ID Where the poor?

00:25:28: So you the rich On a finished line Facing a wreck.

00:25:59: On a finish line Faced in a wreck Come back here Up another heritage Man.

00:28:37: guess who did it?

00:28:42: Make ya same topic.

00:28:46: Just not much more To say about that.

00:29:16: Last about us You know,

00:29:57: connecting the dots from France to the

00:29:59: U.S.,

00:29:59: it's a mixed apathetic show.

00:30:01: I'm your host DJ King Flo and today my special guest is super producer Bramble Bull in The Building.

00:30:08: How you doing?

00:30:10: All good man!

00:30:11: What's up

00:30:11: man?!

00:30:12: Are we here man?

00:30:13: You're no chilling Getting those interviews done.

00:30:16: You know what I'm saying?

00:30:16: Pushing the hip-hop culture forward

00:30:19: man Man...you've been doin' some good interviews

00:30:23: man.

00:30:28: Yeah, Smith and Wesson the DJ scream Rock Swift.

00:30:32: You know that the list goes on and on man.

00:30:33: That's what's up man.

00:30:36: this is talking into some shit here but you're back there!

00:30:40: You know what I'm saying?

00:30:41: I already know The Drillie.

00:30:42: Yeah yeah we have our tradition in a show.

00:30:44: may not have to ask you about that.

00:30:46: it's the tradition of the mixed apathetic show.

00:30:49: who is your all-time favorite DJ man question.

00:30:55: Oh, you can give me a top three if you prefer?

00:30:58: Um no I mean...I think about this all the time.

00:31:01: it's gotta be..it-I mean i think about and see.

00:31:05: old video is got to be D.D.

00:31:07: Vermeer.

00:31:09: he has just solidified a certain scratch.

00:31:15: You know what I'm saying like.

00:31:17: I used to practice that scratch for months.

00:31:22: You know, Nas is like.

00:31:24: that was my template of trying to grab it, whip it until my parents turn their shit off.

00:31:33: They didn't know what I was doing.

00:31:34: you know what i'm saying?

00:31:39: Q-Bert practiced a lot with the pixel crew but when it comes to integrating beats and scratching, DJ Premier DJ to ever do that blend of that type of stuff.

00:31:55: You know, I like Static Selected but DJ Premier is number one on my list of doing it

00:32:01: you know?

00:32:02: I think DJ Premier said when he's doing like scratches on a song It's like a

00:32:07: rapper doing

00:32:08: verse on the song...you know

00:32:09: what i mean?

00:32:10: I agree with that.

00:32:11: yeah!

00:32:11: Like and you KNOW when its about to hit And that's probably why I like it the most, because you know its him.

00:32:21: The way he beats... That is what i try to mirror when my beat comes on.

00:32:27: Okay thats Brahma Even if this not the drop in front You Know Its Me.

00:32:34: Thats What Im Trying To Get And DJ Premier has guided me with watching his career, so yeah he's the go on that side.

00:32:46: Yup yup and what you just said is one of the hardest things to do as a producer.

00:32:50: Is there having this sound that's recognizable by people?

00:32:54: You know like the first few seconds of a song if she can recognize who made the beat...you make a great job As a producer!

00:33:03: Right I ain't done man i'm still fighting for that You know, and I like the journey of taking to stairs or trying do that.

00:33:14: And-and...I'm never gonna stop trying to do that because i don't switch up sounds every season as much you know?

00:33:22: I try keep those staple kinda things in there.

00:33:25: That um..that I can brand for my career.

00:33:29: And if had a few words to define your style For people who dont'know you yet What could just say To Define Brumble Sound?

00:33:37: Uhhhhhhhhh You know, I had a couple years but uh i've worked on the east coast and the west coast.

00:33:46: A lot you know it's almost like balance in my life from Philly New Jersey new york And then out here in los angeles.

00:33:55: So i've been exposed to maybe not just one side of things.

00:34:00: so...I would say like East and West Coast kind of combo kinda thing.

00:34:06: because You know, it gets to the point where the sample's chopped and its time for the drums.

00:34:13: These days I don't know if Im putting in drums you know what im saying?

00:34:16: But i know on that kit that I talked about before there is going be a sub or some kind of trunk rattling thing in here.

00:34:27: That's part me.

00:34:30: We're working with Artists In The Bay.

00:34:32: we are workin out here you know, seeing how records get spun in the club.

00:34:37: If they don't got that it ain't gonna get on!

00:34:40: You know?

00:34:42: So that's just a hybrid of the way I was raised.

00:34:44: so i would say like an east coast west coast kind uh hybrid kinda thing going on but elements that I was just...in my journey That I was exposed to and just keeping at one hundred inside myself.

00:34:58: so..I was gon' make some hybrids- I think my next series is gonna be The Hybrid you know after the roller is done.

00:35:05: so yeah a hybrid.

00:35:08: Yeah man I think it's in your DNA.

00:35:10: like you said, You lived on both coasts.

00:35:12: So its just natural to you.

00:35:14: i think...you're not forcing things It's just that way you feel music and your heart and blood.

00:35:19: That's how he comes out.

00:35:21: Thats all you can do because if I was following and chasing I'd sound like somebody

00:35:25: else.

00:35:26: Yep yep you are right man.

00:35:28: Im gonna ask yo A question that a lot of producers get asked a lot.

00:35:34: When do you know when the beat is finished?

00:35:40: That's a good question.

00:35:43: I just think if i'm going in too much on sound, um...when I try to like do some little my fake little raps over it It's done and Just by experience.

00:35:59: If its taken too damn long And if I'm trying to and then sometimes uh, i'll make a beat put all the sounds in but Then I'll subtract right.

00:36:09: so If I feel like It's not enough space breathing room in it.

00:36:15: I'll start To subtract you know?

00:36:17: I'll Start to reduce.

00:36:18: So that's when I Know I can start to program and sequence The progression of it.

00:36:25: and That one is done.

00:36:27: You know um do that phase In my career already It sounds like one time in a day, you know?

00:36:34: That was my boost kind of phase on my career.

00:36:38: When really subtraction... You gotta have that too!

00:36:42: You know what I'm saying?

00:36:44: Yeah some sort of bringing it back and that's just from making a lot of beats.

00:36:51: And then when someone tries to take him into the studio is like this simple one gets picked over an intricate one way like things are happening in the world.

00:37:02: Like, it doesn't have to have a lot of sounds.

00:37:05: and the way modern boom bap is right now I'll take the drums out!

00:37:11: And even if uh i work with an artist you know be like yo If you want me to take their drums out that's...I'm not gonna feel no type away.

00:37:17: You Know what I'm saying?

00:37:19: Um working with Bob Styles a couple times He was just like y'all just eat the drums.

00:37:23: though I'm like okay bet I didn't feel No Type Away.

00:37:26: That Was The First Person To Ever Tell Me take the drums out.

00:37:30: so when I feel like my drums is right there, i listen to a lot of alchemists you know um.

00:37:38: When I feel that it's right here and can give an artist option or sometimes if they're just hitting too much... I'm like fuck it!

00:37:45: You know what im saying?

00:37:46: I want this shit be that way because it compliments me.

00:37:49: So If Im going in a little bit towards the end then the hi hat im EQing the high hat.. I don't even need that!

00:37:58: It's like an overall feeling that you have.

00:38:02: You mentioned the Bay Area music, it is kind of same thing but in reverse they had a lot of drums and almost no instruments there.

00:38:10: just knocking drums.

00:38:12: No, it's all like... I mean There has been some beats with only knockin' drum and little ass synths on the background And i'm not downgrading myself But its about the rapper!

00:38:26: You know what im saying?

00:38:28: So if this is a good enough talent for them to showcase, I feel like i've done it.

00:38:34: You know?

00:38:35: And um and always give that little option because modern boom bap really the... It's-it's really like a lyrical time period that we're in you know?

00:38:44: Um..and The Beat just complements uh what the artist is uh saying!

00:38:51: Yep yep

00:38:52: okay say this best

00:38:54: twenty five minutes because I mix and make the beat sometimes.

00:38:59: Okay, so if i'm doing too much mixing it's like okay it's done.

00:39:04: but If I started to mix

00:39:05: yeah The alchemists say that best.

00:39:08: you know when he comes to producing a lot of producers they forget That at the end of the day the beats are we making up for the artist to

00:39:15: rap on?

00:39:16: Right right real talk.

00:39:18: So It is just Like A palette.

00:39:21: I have a lot of drummers in my family and i've worked in studios.

00:39:25: And the drums are just to keep the tempo, you know what I'm saying?

00:39:28: It's it's just that.

00:39:30: so if you haven't up there... ...and a lot people aren't as like producing like you or me Like they listen into the pattern.

00:39:38: you your drums You know what im sayin'?

00:39:40: Its got a fit together at one.

00:39:43: You don't go like.

00:39:44: oh listen to that pattern.

00:39:45: Oh he put the open hi-hat there.

00:39:48: Nobody's favorite.

00:39:50: You're right, nobody really paying attention to the small details.

00:39:54: They just care about the feeling that they get when you listen to the beat.

00:39:58: so... And fifty percent

00:39:59: of it is on the way to being done!

00:40:01: So why are you gonna try and fill in that open space?

00:40:05: It's impossible.

00:40:07: Yeah man let's talk a bit more about some mixtape shit.

00:40:11: I'll ask who were your favorite DJs?

00:40:13: you told me DJ Premier.

00:40:14: i'm going to ask another question.

00:40:19: Do you miss the mixtape format?

00:40:22: I do.

00:40:25: I tabled with it, I patched from live mixtapes and yo let's go!

00:40:31: You know what i'm saying?

00:40:33: And I used to want that so bad To be on the front page of that piffin' live miXTAPES.

00:40:40: But its just like Distribution kinda knocked all this shit off.

00:40:46: You Know What Im

00:40:46: Saying?!

00:40:46: I was going through that whole era where they were taking the songs that were like, you know.

00:40:54: The Drake songs and those really big records that drive a mixtape... And then we're taking them off the internet!

00:41:01: It was like.

00:41:01: what the heck?

00:41:02: I wasn't really like street mixtapes hustler because it's about love for me or making money You know?

00:41:11: I just would print up and sell my school or something by No distribution kind of thing, but I do miss that era.

00:41:18: But it's like people hit me.

00:41:20: Like y'all bring the mixtape back and i'm like For what?

00:41:23: All these songs are out there.

00:41:25: you know What'd ya want to just put the drops on it Just too like You don't understand Or maybe

00:41:33: you can come up with uh With another concept because if I remember correctly you did the watermark mixtapes Back then.

00:41:42: Yeah, you know

00:41:44: I love it so much.

00:41:46: I would like extend the beat So people could have the instrumental and in an instrumentals series i was just trying to give The tools to the people that Like didn't have them.

00:41:57: You Know what i'm saying?

00:41:58: Like those certain Instrumentals That were hard to find Johnny Giuliano And all that shit.

00:42:05: It's Just now it's everywhere.

00:42:12: I love the mixtape game so much, but it's just like... It's hard to.. Like on the distribution side of it.

00:42:19: For The Love inside me?

00:42:20: I would do it!

00:42:21: You know what i'm

00:42:22: saying??

00:42:22: I don't care What people

00:42:25: think!!

00:42:26: I dont' care if its a resource or not.

00:42:29: And it was ten years that I've been doing that shit.

00:42:31: I made an R&B series But now I have transitioned into Me Doing It.

00:42:38: What if I put out an instrumental series with my drop one and they all think it's about beats or I'm like stealing them beats, you know what i'm saying?

00:42:44: So...I think was a good uh- And now just love the whole mixtape culture.

00:42:51: Now its flipped on me Like im doing

00:42:54: it in an interview with you.

00:42:55: You know whats that?

00:42:57: A leader, international leader of the mixtapes.

00:43:00: shit If it comes down to it yeah!

00:43:04: If you say yo Brahma, let's do a mixtape with your stuff or like.

00:43:09: if you kick it to me the right way of course I'm gonna do.

00:43:11: You know what i'm saying?

00:43:12: But as far as putting in on that piff and that pif is gone but live mixtapes...I did one!

00:43:20: I did The Showoff Gang series.

00:43:23: we did three of them.

00:43:25: All the fire stuff was on there.

00:43:31: It hit, you know?

00:43:33: And I know this isn't like an instant.

00:43:35: put out three mixed tapes and your gonna be DJ White Owl or something.

00:43:39: Yup!

00:43:40: I just felt all the songs that i've put out were old by the time.

00:43:47: Like I talk to it every week yeah but every tape a month things are moving pretty

00:43:54: fast.

00:43:55: Yeah, man.

00:43:55: They're moving fast but maybe people out there that are listening to the show will be fun too.

00:43:59: hear some Some mixtape by like a compilation of your the tracks that you produced.

00:44:04: You know what I mean?

00:44:04: Like

00:44:05: fire.

00:44:06: now we'll be fired.

00:44:07: I would beat down for that, you know.

00:44:09: and Maybe just get it into those networks have really look out for me.

00:44:13: You know I'm saying um And I like only they've turned tables right.

00:44:17: no, you don't even turn tables in life three years, you Know.

00:44:22: I wanted to get back into that space because it's like an itch, you know what I'm saying?

00:44:26: Even if i just put that shit on mixcloud or something Like That Or Just Mixed My Tracks With Other People Stuff.

00:44:33: But It's Just Like The Production Is Taking Over Everything And Interviewing with You King Flow It's Motivating Me To

00:44:43: Move On

00:44:45: Dreamline Because I Felt At That Time I Was Doing Too Much.

00:44:49: You know, Stax Selectors he's a goat.

00:44:54: He does it kind of show on serious but I just felt like...I needed to really streamline my shit right now and if people are liking me as producer this kinda adds some story.

00:45:07: the other things that i do And how I got into this.

00:45:11: Yup yup yup and talking about how you get through these man Let us go back in the past.

00:45:17: What made your want start your career?

00:45:20: Seriously, you know like take it there's a professional.

00:45:22: Like what made you want to do that?

00:45:24: Man!

00:45:25: It was just...like I had done mixtapes..I have done shows in South by Southwest curation.... ...I'm still making

00:45:32: beats!!

00:45:33: You

00:45:33: Know??

00:45:34: Uh...I was still struggling for money.

00:45:37: Um...I've done social media marketing and it was just like time is going by where i am like making beats on the side of this

00:45:45: right?!

00:45:46: And I couldn't really get their identity of production.

00:45:50: Like, okay oh I didn't know you made beats from them?

00:45:53: You do so good with putting on the shows!

00:45:56: Y'know i have Rome Street so much so take care!

00:45:59: y'know I did so good at like picking the underground artists to kinda support and it was overshadowing my production...I'm like- I really gotta get serious with this..like im not playing no more.

00:46:13: ya know what I'm saying?

00:46:15: And there were certain things where I tested the waters.

00:46:19: maybe six, seven years ago I hit up Chris Crack and i was like yo!

00:46:24: I've been a fan because I had put them on the mixtape.

00:46:27: so I was gonna put people in the mixtures to get them familiar with me when I transitioned over kind of thing.

00:46:33: That's old f***in' you know?

00:46:35: So uh...I hit up criss-crack and he walked the freaking park with

00:46:38: me!!

00:46:38: I was like oh

00:46:39: s**t!!!

00:46:39: You know what I'm

00:46:40: saying?!

00:46:41: Like for

00:46:42: real??

00:46:42: Like..you know what im

00:46:43: saying??

00:46:43: Like make a track with

00:46:46: it???

00:46:46: He was one of the first people that I reached out to.

00:46:49: Then I'm like, yo let me try this again!

00:46:51: I had a big Spencer.

00:46:54: Damn it's cold as shit is hot and you know what I mean?

00:46:58: So that kind of motivated me into.

00:47:00: if i just put everything in... People are gonna respect my putting everything in.

00:47:06: You Know What I'm Saying.

00:47:07: My Instagram was flooded with photos I did And shows That I've put on And I was like, yo let me just go in.

00:47:18: Imma release a track every month until I'm done you know?

00:47:24: Until the wheels fall off and it didn't start fast.

00:47:29: but i kept going Every single month for six years bro You know...I had to load up the clip a little bit.

00:47:37: You know what im saying?

00:47:38: I have that Chris Crack Track.

00:47:40: I went into my emails of people who supported me put together that first evolution and then I was like yo, i started to see people reaching out DJs yourself.

00:47:53: And it just snowballed six years later!

00:47:57: Like...I'm a little bit further.

00:48:00: you know what im saying?

00:48:01: So.. That's six years ago when I stopped and wanted to hone in on this.

00:48:08: It was just do or die with too many years of me.

00:48:11: Do another shit, you know what I'm saying?

00:48:14: Like let me really get in the game and give everything i got.

00:48:18: You Know not over here try to do this And The beats.

00:48:22: I wouldn't Really have time To focus.

00:48:25: I said forget all that!

00:48:26: You know and those little hits of confirmation from artists That I've been looking up too.

00:48:33: You know ransom just added my beat uh My beat folder to his phone.

00:48:37: you know What I'm Saying.

00:48:38: so it's like Stuff was happening.

00:48:41: that motivated me.

00:48:42: maybe a comment every week like this is hot They sleeping on.

00:48:46: you would propel my battery fill up the battery a little more and then I knew if i stay consistent That was gonna work.

00:48:54: You know, I wasn't expecting Being all the Grammys from one song And hate to fucking.

00:49:00: I hate to fuck in Grammies.

00:49:02: I'm sorry All that shit.

00:49:05: do not say it's an elitist type of thing going on.

00:49:09: I don't even pay that shit.

00:49:10: no mind, sorry but that was opinionated.

00:49:13: But i'm just saying like...I've stayed ten toes down and knew who's taking the stairs.

00:49:21: in a few years they gonna know who am if keep running it up.. I didn't think anything would happen overnight.

00:49:29: No miracle are going to happen.

00:49:31: you gotta keep working.

00:49:32: put your foot on the gas man.

00:49:34: That is what we did.

00:49:36: I hear the level of production is going up and again.

00:49:40: Like, I played that Trunch you did with Rick Haydn and

00:49:43: J.A.,

00:49:44: it's called Miss Me.

00:49:46: Man!

00:49:48: You took me back to them.

00:49:49: deep set days... You know what i mean?

00:49:51: Yeah,

00:49:52: the crash was awesome!

00:49:56: I still joke about my homies when they went to school.

00:50:00: Yo, the crash on a one.

00:50:01: I got this same crash he uses.

00:50:04: you know what i'm saying?

00:50:05: And those are certain things like...I look up to fuck this man.

00:50:09: come on!

00:50:10: You know what im saying.

00:50:12: so Those little Things that were in my heritage of My career..i don't really try To let those go because That was The perfect time to do it and He would do it like yeah!

00:50:25: Yeah!

00:50:25: Hell

00:50:27: yeah man It's because it is something that inspired you, when you were a young girl.

00:50:32: It became instinctive to you

00:50:35: You

00:50:35: know?

00:50:37: To the producers and upcoming producers who are maybe listening right now.

00:50:42: What type of advice would you give them?

00:50:46: Being original man There so many like follow-the-leader shit out here right now Like soon no AI.

00:50:56: You know what I'm saying?

00:50:57: Little sample sites that tell you exactly what this dude did.

00:51:03: And Alchemist said it the best, like... ...you could find a same sample but just don't do it the same exact way.

00:51:11: your predecessors didn't and i was like yo!

00:51:14: Even if you do finding because i found the freaking The No Jumpers, the last video we did that video while with kind of buzz back up.

00:51:24: It's like a pleasure sample for no jumper.

00:51:26: Like my whole life, you know what I'm saying?

00:51:30: I found it years ago.

00:51:32: You know there was no live distribution or nothing.

00:51:37: So but iIm not going to do with the same exact way that young Lowez did.

00:51:42: so its such...I found it and didn't search up to get it..so I just flipped it a little bit.

00:51:50: I don't search out what's the sample of this song and shit.

00:52:11: And, uh... you know, that's instant gratification of what is going on today.

00:52:23: You know what I'm saying?

00:52:24: Like...I used to play video games back in the day and you couldn't say there was no continues!

00:52:29: Do you know what i'm

00:52:30: saying?!

00:52:30: So

00:52:30: cool!!

00:52:32: You had to restart then get back at that point figure out what did last time it didn't work.

00:52:37: so..i am really trying hold onto this and not be affected by outside.

00:52:42: so....you just make your own sound because its like.

00:52:47: YOU'RE YOUR OWN INDIVIDUAL.

00:52:48: That's what makes you, you know who I'm saying?

00:52:53: You do.

00:52:54: And if it may be corny but develop it and use inspiration then just mold something that you do.

00:53:02: now there is core eight-oh-eight since seven oh sevens.

00:53:05: yeah this core breaks.

00:53:07: Yeah!

00:53:08: Thats the core.

00:53:09: But you

00:53:09: still

00:53:10: need to like build it all of a way.

00:53:13: so Just try to find your identity.

00:53:16: thats all.

00:53:17: Thats all i can do.

00:53:18: I agree with you, man.

00:53:19: People gotta be original and stay creative in all that.

00:53:23: Don't try to copy anybody... Just do your thing!

00:53:26: Work with your instinct That's what i say for people

00:53:29: too And try get like a signature sound that u use every time or something.

00:53:32: Yeah yeah yeah

00:53:33: Real talk

00:53:33: man You're hard worker man.

00:53:36: I play shit all the time at mixed apiatic show.

00:53:39: You work alot, drop lots of music.

00:53:42: What can we expect from you in twenty-twenty six and beyond?

00:53:46: Oh man, I mean the same consistency that little formula.

00:53:51: I use really help and it builds later.

00:53:56: so six seven years in.

00:53:58: It just gets bigger towards The more you stay consistent You know?

00:54:03: Get acknowledgement And um...I'm working with a lot of people right.

00:54:09: now Just seems like Now i didn't did whole bunch of twenty-twenty five And now it's starting to come out kind of summer.

00:54:17: Now, um I got a Eddie Kane and i'm really excited about probably really excited About that album just because he's cool as shit.

00:54:26: the way works is He's a professional all the way.

00:54:30: Um, I gotta I Got another Jay Hayes coming out like Of new stuff.

00:54:38: Um?

00:54:39: I got uh A three-way slim album coming out.

00:54:45: He's from Virginia, works with like Gray Matter and Domogenesis and Casey Veggies.

00:54:53: he is in that little clique.

00:54:54: Niko G-Four really linked on there.

00:54:57: I might put a single up before of that.

00:55:00: From New Jersey.

00:55:02: i got an Album Bosses & Thieves too With Boomblake and JP.

00:55:08: the Illest been my friends for so long, like when I had bullshit beats.

00:55:16: They was rocking with me when I didn't have shit.

00:55:18: you know what i'm saying?

00:55:19: And they just kept going and progressing!

00:55:22: So it's kind of one those New Jersey Philadelphia connection type shit that we go to.

00:55:28: bosses in thieves.

00:55:29: ten um...I'll probably switch up- I wanted to get to Rona X before I switched the name.

00:55:36: So four instrumental tapes are gonna be coming out.

00:55:41: I got a couple songs and some documentaries.

00:55:44: Nice, you know as submitted some stuff to some friends that live in Los Angeles.

00:55:49: so there's some stuff like I sent out okay?

00:55:54: There is more albums but those were the ones they're coming up really right now.

00:56:02: Just consistency.

00:56:03: You're gonna, it's going to be more.

00:56:05: ScoHeat the Chief.

00:56:06: when we got an album he has been holding on the beats.

00:56:10: It was just a lot of stuff On The Way that is going to filter all the way through winter More instrumental tapes And I'm hoping then i get the ransom call soon.

00:56:21: you know what im saying?

00:56:23: Me and Rika are gona do another Album.

00:56:25: We'r starting make that uh Street Reggaetory.

00:56:28: We gon' Do Another One with That.

00:56:30: as He Excels Monday night tape probably is happening.

00:56:35: We've been working so much and we might as well put out a tape.

00:56:38: I'm just really excited on the on everything that i got brewing this year because it's going to be better than last year, little more then last year.

00:56:46: So and the rona instrumental tapes are gonna keep coming And hopefully you know some people travel out here.

00:56:54: You see me all stage like MC in african show or something.

00:56:59: Yeah

00:57:00: And I'm going to Italy in a couple of weeks, so it's like you know Don Enzo he is from there.

00:57:06: you know um Tusco they're gonna try and hook me up with some places.

00:57:11: Some record stores that go too and stuff still the little international.

00:57:15: uh uh war and uh i'm on with you!

00:57:19: You know what i'm saying?

00:57:20: So...I think its spreading to worse spreadin' a little overseas a lil bit.

00:57:27: Yeah man, if you ever come to France make that call.

00:57:30: I'll be there to link up with you for sure man!

00:57:32: Alright let's get it yo!

00:57:35: For sure!

00:57:36: So you have a lot on your plate man working the line.

00:57:39: Make sure you send those records so we can spin them.

00:57:42: And do you have any last words?

00:57:44: Man for your fans across the globe they're all listening to Bramble.

00:57:49: I just sometimes...you got your head down and run in but you got to look up and see like the impact that, I think.

00:57:59: You're making it...you may not expect it because i don't expect it cause'I've been down for so

00:58:05: long.".

00:58:05: You know what I'm saying?

00:58:06: Like struggle all the way!

00:58:08: I really took the stairs with this stuff cuz', you know, I am forty three right now.

00:58:13: You Know What Im

00:58:13: Saying?,

00:58:13: I´m Not A Shame That I Am

00:58:15: That!,

00:58:16: As In The Production World But Kind Of Like a Late Bloomer!

00:58:20: So just Wake up, and sometimes you gotta stop work to check it out.

00:58:26: And I appreciate everybody that supports me like...I try to say thank-you to every body.

00:58:31: life!

00:58:32: This email blasts is the backbone of my promotion because DJ's are key for everything!

00:58:41: Shoutout to all the DJ's man!

00:58:43: Real

00:58:43: talk!!

00:58:44: The support from the DJS & fans Because i'm gonna be printing a lot more pressings bars over BS a little more DITC, so there will be more tangible things from me this year and I just appreciate the support from everybody.

00:59:02: No doubt no doubt.

00:59:03: well I appreciate you for your time man you know for being in a mixed-apathic show.

00:59:08: oh yeah

00:59:09: it won't keep spreading new worlds about the good music that you do.

00:59:12: let people know.

00:59:13: man thanks for your talk my G.

00:59:16: thankyou king see brother

00:59:18: take care.