Mixtape Addict #99

00:00:02: You have now entered the mixtape.

00:00:03: addicts show, broadcasting every day with The French Connect.

00:00:06: DJ King Flow!

00:00:09: Yo this your boy Big Daddy Kane With

00:00:11: a message to all my mixtapedicts

00:00:13: This is it baby get ya fix.

00:00:15: I'm DJ

00:00:16: King flow Yo yo what's up world?

00:00:18: It's your boi B-A to the Z-Dance Dillinger from the legendary dog pant.

00:00:22: And you're in the mix right now with DJ King Flo, aka Mr.

00:00:26: Mixed Tape Attic from Frantz.

00:00:28: Ay yo it's Tyler Farley.

00:00:29: You checking out the mixed tape

00:00:30: attic?

00:00:31: What is Bond Rockin' with

00:00:33: DJ king Flo?

00:00:34: Yo what up this?

00:00:34: your homeboy Aze Hood Rocking

00:00:36: with DJ KING FLOW?

00:00:38: You know we got that crazy flow to hear ya heard?

00:00:40: KING FLO Let's make a move Yo check this out.

00:00:43: man This shit boy Crazy Bone.

00:00:45: Whenever I'm over in France Kicking it You know what i'm sayin doing my thug thing I'm with the homie DJ King Flo, man Keeping it real baby Down in France or Lien.

00:00:55: Y'all know how we do.

00:00:56: Mixed at it!

00:01:02: D-D-DJ KING FLOW.

00:01:13: They can't comprehend my hustle The easy cheek of popping your gums.

00:01:17: You don't want to tussle DJ KING FLO.

00:01:46: they cant comprehend my hustles.

00:01:48: Be easy cheeka poppin ya gums.

00:01:50: you dont wanna tussel Strong warm da game Baby get it off the muscle.

00:01:55: Everything is for the takin.

00:01:57: Let's not this mistaken.

00:01:58: I'm focused on the money.

00:02:00: y'all raking All investments, i gotta stake it.

00:02:02: You seeking to compete and that's why your heart is breaking At home glammed up not a hit cake in Multiple streams of income.

00:02:09: Im bringing home the bacon.

00:02:11: The beast in me was dormant And now he has awakened.

00:02:14: Work and fit.

00:02:15: activate Wordplay to captivate.

00:02:18: Catalog them.

00:02:18: parallel Seizing flow castin spells Mesmerizing melodies Keep the masses complete.

00:02:24: They pray I fall off, they try to vex me.

00:02:47: Barzo and Sima got the beats on Smolder Divine energy.

00:02:59: I ain't gon' hold ya Rugged regime And the most high soldier Sheffin up something delicious.

00:03:06: Timber similotic The other ninety.

00:03:09: You best believe it's really vicious.

00:03:10: What i'm puttin in work To manifest all my wishes.

00:03:14: Dynamic dialogue Mutant thing.

00:03:16: ma Knocked a chip off your shoulder.

00:03:21: Barzo & Sima Got

00:03:22: the beats On.

00:03:23: Smolders Knocked A Chip Off Your Shoulder Bars on.

00:03:28: Sima got the beats on.

00:03:29: Smolder Knocked a chip off your shoulder.

00:03:33: Bars from.

00:03:34: Sima Got The Beats On Smolde Divine Energy.

00:03:37: I ain't gon' hold ya Rugged Regime and the most high soldiers Shipping up something delicious.

00:03:44: Timber Similotic, the other ninety.

00:03:47: You best believe it's really

00:03:49: vicious.

00:03:49: I'm puttin in work to manifest all

00:03:51: my wishes.

00:03:53: Dining Lord Mutant, they monologues.

00:03:56: Clear vision.

00:03:57: you can see past the fog.

00:03:58: I don't deal with facades and politics All the hating and matrix tricks, i move it.

00:04:03: authenticity Simplicity over complicity, happier intentions.

00:04:08: I do this out of love not for publicity.

00:04:10: Hope all the bullshit really be missing me.

00:04:13: I hope all the bullsh**t really be missin'.

00:04:16: Peace is a hate!

00:04:17: I use that fuel to make me great.

00:04:19: You're my granddaddy Vinz Vega, thousand days he just with it.

00:04:33: My best life you know I live in.

00:04:39: Just go with it, Bob.

00:04:41: and one thousand baby just flowin' with it.

00:04:43: Stay on my ground.

00:04:44: you know I don't pivot.

00:04:46: My best life You know

00:04:47: i live in.

00:04:50: You could

00:04:50: say I'm demented If I be my DNA.

00:04:53: D.P.

00:04:53: Rudy.

00:04:53: U know cemented Straight gutter minus all the answers.

00:04:56: How bodies to pass semantics The way I drop make these motherfuckers frantic.

00:05:00: Solidify baby.

00:05:01: I don't need nobody to stamp it, hype is fucked.

00:05:03: I don' t need no body to amp it.

00:05:05: Killing all your favorites.

00:05:06: my flow was flagrant.

00:05:08: Into the paving of my presence and make a statement.

00:05:11: My auditory's immaculate.

00:05:12: The real estate back in it.

00:05:13: Confidence never lacking It.

00:05:15: Man edit the money.

00:05:16: i'm attracting them.

00:05:17: They hate my life.

00:05:18: they be attacking it.

00:05:19: Loved & lucky!

00:05:20: They can't stand it.

00:05:21: That's why they feel away And move underhanded.

00:05:24: Respect I command it.

00:05:26: I might authentic self.

00:05:27: Nobody reprimanded.

00:05:29: Queen's Gambit, try out of sass in December.

00:05:31: Who gon' disband it?

00:05:33: Speak real candy Always vocal.

00:05:35: Got this game and a choco.

00:05:37: Your shit so-so My

00:05:40: shit on gold.

00:05:42: Just go with it Bobble.

00:05:44: one thousand baby.

00:05:45: just flow with it.

00:05:46: Stayin my ground.

00:05:47: You know I don't pivot.

00:05:49: My best life Best life To be your life.

00:05:54: on tames, they'll like partisans.

00:05:56: They say what I'm haunt But they really want acknowledgement.

00:06:00: I walk with no conscience From accomplishments that have to make a cause to make it call To get light depends You going on talk or you a course?

00:06:06: It's a common end.

00:06:07: Half an ounce breaking down the salt.

00:06:09: Make a common spin.

00:06:10: Rags down back against the wall.

00:06:12: I'm in the lion's den.

00:06:13: Makes its chains come up when i walk through Psoriasis!

00:06:16: You really better chill Before I pelt Kalana pen.

00:06:18: We already spit through yo hood.

00:06:20: That shit was moderate.

00:06:21: The rail ain't common, but they got common sense.

00:06:25: added up the right equation aint computing.

00:06:27: The water was diluted.

00:06:28: They cooked it and then they moved It.

00:06:30: I'm a

00:06:30: street fighter too.

00:06:31: shit that shot me.

00:06:32: shoot high low kids.

00:06:33: i'm a nuisance with a movement.

00:06:34: Maz down If call my lil bro Enzo its a man down.

00:06:38: TBM

00:06:38: background.

00:06:39: You know the shooters in the backround.

00:06:41: Yeah!

00:06:42: They gave no choice.

00:06:43: Im what they

00:06:44: needed.

00:06:44: Now the

00:06:45: rail gotta voice Free.

00:06:46: my city boom bye bye.

00:06:48: And we aint talkin bout the same clothes.

00:06:50: No Talkin' bout the same hoes, no.

00:07:02: And we're about to say no, they ain't done how it is.

00:07:59: Get a wish before I cut this shit off.

00:08:05: Gales trying to measure all Might need do that shit decode for four weeks.

00:08:14: Ain't see no endamons.

00:08:15: but don't get rocked to sleep.

00:08:16: Fuck like Nigel and my Nike sleeve when he touched.

00:08:20: I'm used to attitudes.

00:08:22: Now just give her dick when she cuss.

00:08:24: My Cuddy been in sticks Took on hundred trips on that bus.

00:08:27: Send em flicks of the kids While their CO's fixin his cuffs.

00:08:30: He call me self counter.

00:08:31: worried.

00:08:31: I told him Just dont get touch, draggin nuts Rippa niggum soaping if times get rough Tick-buck liars sellin stained glass Like cathedrals.

00:08:39: to raise me, it took a village came up rumble.

00:08:47: The end design stemmed from no lab work with no thanks.

00:08:57: He must ain't wanna be those two junkies.

00:09:02: That was my uncle thing.

00:09:05: Sad they discussion.

00:09:06: Glad bags in the stash Was counting cash like No Apple Count Police.

00:09:10: From the list of Jew dropper.

00:09:28: New Sinatra's metaphysics.

00:09:30: I move like Mestofa Some cold copper to vogue rock our post proper At La Casa

00:09:35: flicking it into Fox Spurk the Joceler.

00:09:38: Vave Cooper dropped

00:09:40: spur.

00:09:40: My eyeballs on beans.

00:09:42: that blocks.

00:09:42: blur Baller, set shit off.

00:09:44: I'm no scholar.

00:09:46: Don't need Jews on my neck to reflect all of them The journalist the Jew dropper Nussin', the journalist a Jew droper Nussun' ,the Journalist A Jew Dropper Nusun', the Journalist a Ju-Ju-Dropper NUSIN' ,NATURALS Metaphysics.

00:10:03: I move like Mestofa From cold cop with a vogue rock.

00:10:06: I'll post proper At La Casa flippin it in the fox fur Will not slurp.

00:10:11: Vave Cooper dropped spur, my eyeballs on beans.

00:10:14: the blocks blur BOLA!

00:10:15: Say that it's a shit off.

00:10:17: I'm no stroller.

00:10:18: Don't need Jews or my neck to reflect over.

00:10:21: Best author from Brooklyn is back.

00:10:23: tortures.

00:10:24: Five still alive.

00:10:25: i can rob and vet buffer Flow silly thumbs out.

00:10:28: what's the ghillie?

00:10:29: You see the hung jury arrive today.

00:10:31: come kill me Shotcaller.

00:10:33: never a slum wash border Feeling like bomb when he first locked the fedora.

00:10:38: Chest brought up, fruits and veggie.

00:10:40: fresh water is power.

00:10:41: I knocked a cell tower out of order Surprised

00:10:45: clowns.

00:10:46: we caught ya

00:10:47: All off guard.

00:10:48: witness to slaughter Young Pablo at the border

00:10:53: Just left

00:10:53: Cabo with her quarter Diablo.

00:10:57: this is

00:10:57: scorcha.

00:10:58: Fuck

00:11:02: it that's Skog.

00:11:15: I witness the business and ask for forgiveness.

00:11:18: Real life things that give you cause to pause And applause on reason, that your wrapped in gauze And tombs seal forehand path.

00:11:26: I flipped a few packs Washed a few stacks, jacked some knick-knacks.

00:11:29: Then i had to redirect & try cover my tracks Just to bleep facts in the horn.

00:11:34: Some calling me a sinner.

00:11:36: My excuse is getting thinner.

00:11:37: Let them beating its course Like a broke david swimmer acting Ross's third To drop a fat rack on two steak dinners.

00:11:44: You're an NFT weenie in a tacky palace beanie.

00:11:47: I'm James Gandolfini, bend your spine like Puntolini.

00:11:50: Recognize on the beat with unscathed slurps.

00:11:53: We riffin' so ill.

00:11:54: you're hook and repeat.

00:11:54: I'm under your under-the sheets.

00:11:56: A full step heat straight down.

00:11:57: it was for person to leave.

00:12:11: Discrete.

00:12:11: there's this creep strapped up underneath of me.

00:12:14: He'll find those strannies hid up here With a bent stick at my forties with a new physique.

00:14:38: I don't pay attention.

00:14:43: these trends are right.

00:14:44: Losing sleep.

00:14:45: who's the lion's?

00:14:45: who aiming For The Stars?

00:14:47: but you lose your reach.

00:14:48: Piece the cool key, there's still sheets of loose leaf and dreams that are too steep or two feet to conquer But never had a doubt since I was eightin'.

00:14:55: rotten tacos Me and this industry is a monster.

00:14:59: Hostas want a profit off you takin' off like Rockets no astronomers.

00:15:03: So honoris even through the drama and destruction i'm still runnin'

00:15:06: off.

00:15:06: That little light inside us Traveled a hundred thousand kilometers In

00:15:10: shine like a rubber borealis across the drama The suavella bow to a clown of a pop moniker.

00:15:16: The saga's upon us.

00:15:17: The end todays on your monitor Rich get richer, the poor will absorb it.

00:15:22: The mits about it, but ignores it And knows they can't afford It.

00:15:26: while world is out of orbit.

00:15:27: Sit and sip their coffee Doin' waitin', doin' the one-on-one.

00:16:09: Write your congress, gonna

00:16:26: laugh about it.

00:16:47: Good luck, write your congress.

00:17:03: I tell them good luck, good luck Self in a forbidden screen Unload the message.

00:18:03: Shoot the themes for those symphonies.

00:18:04: Here's the trilogy.

00:18:05: Cutthroat guillotine Is to order dialogue.

00:18:08: My fearless biggest jeans.

00:18:09: You tell her truth, play in the vein.

00:18:11: DJ King's flow!

00:18:13: Let the pain bleed until it's dry.

00:18:14: Not a state set

00:18:15: to sin, I mean I... Mixed in!

00:18:17: I lost far between the crossroads.

00:18:19: I played a game that changed consoles Marbles and a box.

00:18:22: I tripped and lost those I rappin' lost souls.

00:18:24: Put my heart up out my torso The way the sauce

00:18:27: glow.

00:18:27: I sold her back and made the cost low.

00:18:29: With no surprise though I'll pour me twice for my provado.

00:18:32: As far as I go I want the views of Marble Nago.

00:18:35: Now tell Tonto

00:18:36: No talk Pay pronto The type of time I'm on show.

00:18:39: movado Crack the egg and hatch to blend A couple hours on a half of sand.

00:18:44: Stick the stage up while I laugh at bands, ha-ha Soul chain.

00:18:49: We bring you to

00:18:50: N.F.A.'s

00:18:50: dead animals and hunger.

00:18:53: Drugs left us dead animals in this world of war.

00:18:59: In my collection.

00:19:00: Heavy metal vests Pirates other papyrus.

00:19:02: We coming for that treasure chest Highly sedated Silently waited For this day and age To crash the economy inflating.

00:19:10: See what i'm saying?

00:19:11: I smash burger to beats, further the streets Top earn a pop, burners and tweak For your shoulders.

00:19:17: I will have you look.

00:19:19: Your mother won't come.

00:19:21: see You cause'.

00:19:22: you'll be hard To look at

00:19:23: casket clothes.

00:19:24: If i got a problem with you trust me You'll be last to know

00:19:28: And the first to go.

00:19:30: Gang star take it personal.

00:19:31: These two-two threes we're really close to.

00:19:33: true.

00:19:33: I've got my palace standing in partner that popped up

00:19:37: Shy sharp in your blade, we bout

00:19:38: to have them chopped up.

00:19:39: The guy covered in

00:19:40: garbs to snipe you at your potluck.

00:19:42: All black and honor that was not us.

00:19:44: Hung

00:19:45: derby, brothers left with dead animals And hung derby.

00:19:48: Hung derby Hey y'all don't play the back-and forth word games.

00:20:00: I prefer pain.

00:20:01: Put a brick on ya head, yer bird brain.

00:20:04: Take one week to disturb things.

00:20:10: Weak niggas don't deserve gains.

00:20:12: I splurge mainly in December.

00:20:14: Every one of the first change.

00:20:16: Your man ran when he heard bang You nerves lame, you been

00:20:20: robbed twice.

00:20:21: But this your third chain Got

00:20:22: nerve pain that i ain't aware of And abandoned me.

00:20:26: issues but my pistols is taken care of.

00:20:28: Only competitions when I face the mirror Hibernating, but your low vibration's gonna wake the bear up.

00:20:35: You can't compare us in any era.

00:20:37: I won a twenty million dollars state and lake Riviera.

00:20:41: First time i opened the brick i teared up Like oh shit, we bout to tear it up.

00:20:47: Get at me.

00:20:48: yo And I mean Rapido

00:20:50: Can't go the cackin' sackie and back the way in for tackies.

00:20:53: yo A shell a crack your head like you cracked a shell on pistachios Producer.

00:20:57: this track was snipped a key off of Cassio.

00:20:59: The Reaper had to dough and Jesus own the main line.

00:21:03: The Reaper have to dough.

00:21:04: get Jesus on the mainline The Reaper half the dough.

00:21:07: Jesus on that mainline.

00:21:08: Strange times gotta take good and bad at same time.

00:21:12: DJ told him if they save a little cash It's simple math, I better learn the game or remain middle class Used to dribble bags to fiddle cash.

00:21:20: None of my ops didn't last unless they got to their hospital fast.

00:21:24: I hit a block with a triple jab since a nickel lab We used to serve nickel slabs and brillipads.

00:21:31: You niggas like the pillow brag!

00:21:34: Get at me, yo.

00:21:50: And I'm in Rappy though, can't go to Cackin' Sacky and back the way in Patek is yo Shella crack your head like you cracked a shell on pistachios.

00:22:10: producer this track with his back to the keel.

00:22:13: I'm always chasin' the drop off of top for the wing.

00:22:24: I'm aways chascin' that drop on the... I'm all... I-I'm all.. I'm All... I'M ALL.. I'M ALWAYS CHASIN' GJ KNOCK TO MY STUMPIC AND KNOTS IN MY HEAD.

00:22:56: ON SPIN.

00:22:57: I GOT THE ADELIME.

00:23:00: BUT IF I QUAKE I GET TRUMPED TO THE TAKE DON'T POP.

00:23:03: I GOT THAT ADELUME POT HOLDING BOWS ON THE ROAD TO THE RIM.

00:23:09: DON'T CHOP This soil got my system on lock, your odds is one to save.

00:23:13: I'm the type that twists a knob until it break.

00:23:15: I've been stuck in the lode for so long.

00:23:17: without it.

00:23:18: i get the shakes.

00:23:19: They ain't no limit out and push, other corners out and straight Rock bottom takes the cake.

00:23:23: That's on any given day.

00:23:25: Pushing

00:23:25: buttons trying to stop all the static I swear without their

00:23:28: subs.

00:23:28: some time life feels so

00:23:30: average But im knowing the ones who go the hardest Blow out the fastest.

00:24:23: I tried

00:24:28: turn

00:24:30: it

00:24:39: down but couldn't hit

00:24:48: you when u asked.

00:24:51: I'm always chasing the drop off the top of a wing Dang,

00:25:55: I got to add a little more Not till my stomach it nods and my head don't speak.

00:26:54: I'm a petty

00:27:17: purse thirsty.

00:27:25: Played every role like Eddie Ma Steady working heavy hurting Kinda cake.

00:27:32: you gotta watch every person Kinda hard to stop Fetty serving Tryna.

00:27:37: give em dope but they want the synthetic

00:27:39: deli version.

00:27:40: Heavy burdens was carried lightly.

00:27:43: I ain't had it ring money when i married wifey.

00:27:47: Now, buy things that's very pricey.

00:27:49: All my side bitches Aries and Pisces treat me very nicely Ain't no tellin' where I might be.

00:27:55: Hit the road in February slightly.

00:27:57: It's very icy.

00:27:59: I seen niggas get buried nightly.

00:28:01: They're very shiesty.

00:28:03: Its really likely.

00:28:04: they fairly fight me.

00:28:05: I fuck that shit to get the room hot.

00:28:07: My room drop

00:28:08: pumps like a boom box Lowering my suit spots.

00:28:12: I

00:28:13: don't give a fuck.

00:28:14: whoop-a-buck Who dollars on me?

00:28:17: I'm like whoop hop pop.

00:28:18: I remember popping my taping Whenever crew drop over yellow tops, see that blue top.

00:28:24: Six thousand cash in the shoebox.

00:28:26: I made it smooth drive True shot

00:28:28: Tiger up pocket, park at the cool

00:28:30: pipe Two socks stashing my nicks, damns and my dubs.

00:28:33: I played.

00:28:33: the rooftop On top of my projects climbed out to slums.

00:28:36: My balloon popped these hoses.

00:28:38: not

00:28:38: my type.

00:28:38: Im'n not gon budge.

00:28:39: im thinkin drew mine On Friday but my bro keep

00:28:42: talkin plugs.

00:28:43: This shit i got is

00:28:49: pure Q. It's the

00:29:01: mixed-apathic radio show, I'm your host King Flow and today my special guest is none other than one of the illest female MCs in the game Indigo Phoenix.

00:29:12: How you doing?

00:29:13: I'm great, I

00:29:14: am grating yourself.

00:29:16: I'm doing great thank you.

00:29:17: Thank You it's cool to have you here and now that i've been spinning the tracks.

00:29:21: on a show It is always some heat Always delivering some dope bars.

00:29:26: The beats are our own points so its good To Have you

00:29:28: On There.

00:29:28: Thankyou i

00:29:31: can see it too.

00:29:31: Hey hey you're welcome.

00:29:33: And Now let me start with First mixtape Attic question.

00:29:36: in this tradition In A Show i have to ask Who Is your all time favorite DJ?

00:29:41: Oh, that's my favorite DJ.

00:29:44: Ooh!

00:29:45: You're putting on the spot!

00:29:49: I'll have to say DJ Premier.

00:29:51: Okay?

00:29:52: Why especially DJ Premier?

00:29:54: DJ Premier Classic...I mean from when i was young it was like him and Guru Gangstar always just gravitated towards that.

00:30:03: And..i was just thinking about this earlier somebody who has a lot of GFB Stands the course of time still elevates to sound over-the-year.

00:30:15: So Definitely and then I met him in person one time, he was really Nice and humble And I think those are the big things that like somebody who's talented but somebody who is also relatable and you know personable

00:30:34: To people who admire them.

00:30:35: yep That's one thing that a lot of people are missing.

00:30:37: They can be good musician, good rappers but they forget sometimes you have to be nice person for others.

00:30:47: What is your favorite track from DJ?

00:30:50: Do You Have A Favorite Song?

00:30:51: I don't think i have a favorite.

00:30:52: It will always be something from Guru.

00:31:00: Maybe just get a rap or something like that For me, I just have some dope stuff.

00:31:09: Then for the most part what i like about him is that he's still in touch with keeping a classic sound but having fresh sounds to his artistry.

00:31:27: So that's what I like.

00:31:29: If, if i had to delve...I will always stick with the classics for him and he is going be something gangster or something with guru on it because I felt like That collab was just like Kismet.

00:31:41: It was such a great industry.

00:31:43: so all of that

00:31:44: catalog Yup yup yup!

00:31:47: Its one thing thats amazing.

00:31:48: you know the chemistry those two have.

00:31:51: rest in peace to Guru.

00:31:53: but you know it created so many other groups, influenced a lot of MCs to go in the duo with another DJ and sometimes create some magic.

00:32:03: And see what's happening right now?

00:32:05: In twenty-twenty five or twenty six we've seen alot people doing this like rappers you know, teaming up with DJs or producers doing projects.

00:32:14: just two people.

00:32:16: Because like ten of fifteen years before You had a gang of producers on the album

00:32:20: Like

00:32:21: different producer for Ease Track.

00:32:23: And nowadays we're coming back to this Just too hard.

00:32:27: it's working together.

00:32:28: and that what your doin' I've been seeing.

00:32:30: yo project.

00:32:30: Yeah!

00:32:32: I like work close to my producers.

00:32:34: one because most of them are in-house producers are my record label.

00:32:41: And then a lot of the other producers, they're just fresh stage producers that want to get a chance be heard and since I have a platform i work with them because they're new Just giving him a chance to get out there.

00:32:55: so like to you know collaborate.

00:32:58: but I feel like collaboration is a big thing Because if it was across promote My fan base might not have heard of them vice versa.

00:33:07: So I feel it's always a good way to work with somebody that is still collabed, whether be producers or artists.

00:33:15: Yep for sure and tell us about your platform.

00:33:18: you told me she had promo platforms so tell us all about them?

00:33:22: Yes well i've worked with certain artists.

00:33:25: um i started in detail basically doing some public stuff like press releases.

00:33:32: uh i do email blasts basically like when I help set up interviews, stuff like that.

00:33:39: So i do that for Tiban Sadiq as well John Jakes, Reno Rx and other artists out there that I work with.

00:33:48: so...I just like to help as much as I can to send those email blasts out to DJ's yourself and get the artist out there and help my boys out because sometimes you know It's a lot when you're trying to promote yourself as an artist and everybody doesn't have that built up email blast.

00:34:08: Like I've been doing this for six years, there has been some people who work with record labels through me their DJ list like look i believe in you his list of these.

00:34:18: you can send your stuff off too.

00:34:21: so You know how try To help other People In that capacity As well.

00:34:24: plus I'm A writer So writing Ios And press releases That's kind of my thing.

00:34:30: Yeah, that's dope what you're doing because You creating like your the middle woman between The hardest and the DJs And all that.

00:34:39: so that's though that should do in there.

00:34:41: It makes sure you keep sending those records my way.

00:34:43: So I can you know put them on a show?

00:34:46: I feel like it's great cuz.

00:34:47: this is.

00:34:47: I have

00:34:48: a bigger family so to speak, shockingly.

00:34:51: So it's nice.

00:34:53: you know how DJs who are spending my music abroad and...I plan on coming over there soon!

00:35:08: It is like still be able to network that way globally with the DJs in getting their music heard.

00:35:17: Yeah yeah but your doing some great music.

00:35:19: as a DJ i have to spin this when ive hear its just.

00:35:23: It's just dope, good hip hop.

00:35:25: I like the beat selection and things that you're talking about or the flows.

00:35:30: You have a nice voice

00:35:31: too.

00:35:32: So overall it is just dope.

00:35:34: so my job as DJ to put music in your ears of right people.

00:35:40: Thank you.

00:35:41: Sometimes there are a lot of politics with this music stuff And thats the problem.

00:35:48: Some people may hear me, you know just because like you said.

00:35:53: You liked the music and there's others who won't spend it for other reasons due to The politics of somebody else or something going on.

00:36:03: or Oh, she's doing drugs crack.

00:36:06: so this is hip hop.

00:36:08: here It's like the gravy sounds everything but I keep going DJs like you who respect the artistry that I'm playing now.

00:36:21: Yeah, it's dope and i'd love to see you doing collaborations with other female producers.

00:36:28: You just don't care about what people are saying or focusing on your music.

00:36:32: We

00:36:33: can hear them!

00:36:34: It sounds authentic.

00:36:36: That is why we're coming back authenticity in the music world, you know?

00:36:42: Because like for last ten years there's been a lot of bullshit.

00:36:46: Music people are trying to be commercial for no reason just staying away from their real self.

00:36:53: and we're coming back to authenticity.

00:36:55: what do you think about that?

00:37:01: yeah definitely I mean i've always been authentic...I feel like a lot the audience with what they think you want instead of actually giving what they have to offer.

00:37:14: You know, copy this, resale the sound when it be hardcore, remind me that's the other and I don't glorify gangs or things like that but i've lived at life.

00:37:31: I was in gangs...I ran away from home.

00:37:35: all this before the age of sixteen, like you know.

00:37:38: I was just out there and it's a life that i lived in even after taking my shahada.

00:37:45: You know?

00:37:46: I regressed back doing some other things I had been doing so.

00:37:52: I knew game left and right.

00:37:55: I've lived surrounded

00:37:58: by

00:37:59: gangsta people.

00:38:01: It is always about that but changed a lot.

00:38:06: but I still live that life and i feel like a lot of people pretend to have lived the life they never lived.

00:38:12: just put out content, put our music.

00:38:15: So anytime I put up something it's definitely authentic to me in my experiences and I felt like that's more genuine...that's more relatable when you put out that people can't understand, you know?

00:38:31: People understand heartache.

00:38:32: People understand struggling.

00:38:34: People understanding being hurt.

00:38:36: People in the same game suicidal.

00:38:38: I don't mind expressing myself about that.

00:38:41: People understands how it hurts to lose your mom and the impact they have on you And not speak of all those things but also realize if we can overcome adversity You can thrive as well.

00:38:56: So I feel like it's always best to be authentic self and pretty much, i just hope people hearin' in the music.

00:39:02: And I hope that they understand that im sending them a message that if I could overcome those things then you can overcome those too.

00:39:10: Yup yup and its stuff that people cant relate to Like u said They cant understand and they cant see that your life is authentic again.

00:39:18: You've been through some shit you know?

00:39:21: That one thing that ive liked about you was Like for example, there's a lot of female MCs that talk about sex.

00:39:29: You know what I'm saying?

00:39:29: It's cool one or two tracks but they do it all the time and i am tired.

00:39:33: so... I like when females take their mic to say some real stuff That can motivate other people maybe change their life around.

00:39:42: So I respect you for that, perhaps too

00:39:46: much pushing that.

00:39:52: I think Foxy and Little Cam broke the mold with it, but there's more to offer than just speaking on your body like.

00:40:08: i feel women should go out of respect if you don't get it from talking about things.

00:40:15: so yeah never speak on sexual things.

00:40:21: something sexual because I'm grown, of course.

00:40:24: You know?

00:40:24: Yeah!

00:40:26: I never going to delve into.

00:40:29: you know um sexual nuances Um...I just not gonna do it.

00:40:34: i already have enough people in my inbox.

00:40:37: I don't want any more ideas.

00:40:40: Yeah your right you're right.

00:40:42: and talking about like girls like Foxy Brown Like Lil' Kim Who's your all time favorite female MC?

00:40:49: Oh everybody knows Bahamadiah.

00:40:50: Yeah, the Queen Bahamadia.

00:40:55: And I always tell people that had the pleasure of her reaching out to me and we did give you a number?

00:41:05: We spoke for days on end for hours like who are you talking about?

00:41:11: I'm like Bahamadiya leave me alone!

00:41:15: That's dope, that's dope.

00:41:16: To deal with somebody whom you idolize and they notice your work And they're like, look let me give you some pointers.

00:41:24: So definitely Bahamadir.

00:41:26: Yep yep yeah dope music dope music.

00:41:30: Me my favorite female MC of all time and it's still... It has been like this since I was young as MC Light

00:41:35: See?

00:41:35: Okay yes!

00:41:36: I love Light to me!

00:41:38: Especially here from Brooklyn.

00:41:39: so you

00:41:40: already know Yeah she represents

00:41:42: BK all

00:41:42: day.

00:41:45: Let be ask her some mixtape questions.

00:41:47: You know i asked who were your favorite DJs And like, do you miss the mixtape format?

00:41:54: Of course.

00:41:57: I mean listen...I used to love listening to mixtapes.

00:42:02: There's nobody in hip-hop who can say they didn't delve into mixtapsed even right now.

00:42:09: i was thinking of starting a mixtape series and started with Alchemist & Hitboy joint then got couple more lined up that wanted to mix tape on.

00:42:20: so I love mixtapes, i love when adult mixtape comes together and you get to hear all the joints that you really loved one there.

00:42:29: And i kind of miss that era of the mixtape-the remixes...and just all different artists on.

00:42:38: you know..one mixtabe which is hot joints.

00:42:42: so i respect

00:42:43: it.

00:42:44: Yeah, that's dope.

00:42:45: You told me you wanted to do some mixtapes too.

00:42:49: When can we expect a mixtape from your freestyle or unreleased stuff?

00:42:56: It is coming!

00:42:57: I already started working on one.

00:43:00: The first joint i dropped was not too much which is the remix of Alchemist and Bully James' joints.

00:43:09: I'll say that because actually nobody has it.

00:43:13: I just seen on Instagram so i'll make sure to see you.

00:43:15: Oh yeah, for

00:43:16: show!

00:43:16: For a show!

00:43:16: That's an exclusive!

00:43:19: Dope, dope.

00:43:20: yes, send it to me and we will play in the show for

00:43:22: sure.

00:43:24: Yes And when your listening to a mixtape like what do want hear when you press play?

00:43:33: Man for one I wanna hear a dope intro.

00:43:39: I love to hear the drops.

00:43:41: that is another thing.

00:43:42: if there's any

00:43:43: skits

00:43:43: I love those too but i just love to hear like a pulsating beat.

00:43:48: I love the beat that really grabs me as you can tell,I'm very particular about beats.

00:43:55: so I need a beat that starts off with a little nuance and then it builds up in your next thing.

00:44:04: you know It has me going.

00:44:06: okay this.

00:44:07: is it

00:44:08: because A mixtape just has layers to it, like you have to have layers and dope transitions from song-to-song?

00:44:16: so that's what I look

00:44:17: for.

00:44:18: No doubt no doubt your mixtaped guy gotta feel a bit like a movie he knows got.

00:44:22: take you into an ambience You know?

00:44:25: Like some type of grimy place

00:44:26: when you hear it Like everything just needs to be flow with each other.

00:44:32: So the transitions have like really dope, all the cuts and scratches things in between.

00:44:38: I need all of that.

00:44:40: And if you had to choose a legendary mixtape DJ to Austin mix your mixtapes?

00:44:47: Who would you chose?

00:44:48: Rest In Peace, DJ K-Slayer.

00:44:49: Yeah, Rest In peace with K-Slayers.

00:44:54: Yes yes...I mean his words are my favorite.

00:44:59: so i'd love to listen.

00:45:01: has like, there was so many unreleased joints that I could recall till today.

00:45:08: And I'm like wow!

00:45:08: I've never even heard this played anywhere.

00:45:11: K-Slade would do it all.

00:45:13: I think it was a joint...I can't remember if it was Papoose called Across the Tracks or something like that and they were on the K-slade mixtape?

00:45:22: And i just love them.

00:45:23: Never heard anybody else really play that joint.

00:45:26: Nice,

00:45:27: nice.

00:45:28: I kind of stuck with him like that.

00:45:30: Yeah rest in peace to K Slay you know?

00:45:32: Yes.

00:45:34: I always have respect for him.

00:45:36: even before he passed away it did the freestyle with fifty MCs or a hundred

00:45:40: MC's two hundred and

00:45:43: five.

00:45:43: Oh yeah!

00:45:43: It is so dope.

00:45:44: nobody told about doing this before him but they did it

00:45:48: right now.

00:45:51: He was innovative.

00:45:52: I love that series.

00:45:56: When i was managing jazzo, he did a mixtape with

00:46:08: him on it and i think it was jazz twister, somebody else.

00:46:10: Oh yeah what's his name?

00:46:11: Lazy Bone, Jazzo.

00:46:12: Yeah

00:46:13: you remember that

00:46:14: one.

00:46:14: So yes so he did THAT one when

00:46:17: i was management in Jazz And i was like okay

00:46:23: this is dope!

00:46:23: Yeah, I think it was a sixty seconds.

00:46:28: Super dope super dope.

00:46:30: that's cool because you know jazzo deliver the hill verse You know what?

00:46:33: That makes people be like oh shit is still

00:46:36: doing it.

00:46:36: yeah he is

00:46:37: Legendary Jazz.

00:46:39: Oh Yes!

00:46:39: That

00:46:39: was my boy right

00:46:41: there.

00:46:43: So let me show him Do that and be highlighted in a dope way again with music.

00:46:49: And i really appreciate That joint and him being able to really shine

00:46:56: on them.

00:46:56: Yeah, you know in showcases skills as a MC because he's a pioneer when it comes too.

00:47:01: You know that.

00:47:02: tongue twisting rapping Yep, yep, yeah, that's the name.

00:47:09: Let.

00:47:10: let's go back in time like you told me.

00:47:12: no you went through some stuff, you knoja When you were young.

00:47:16: What made you want to start a career as an emcee?

00:47:20: like do remember the day when You say to yourself, okay.

00:47:23: This is what I'm going.

00:47:46: Sometimes, you know we take a little break.

00:47:49: I used to write poems

00:47:50: Okay,

00:47:51: and he's the right song.

00:47:52: so they select the right songs and poems And of course all like a little rap here in there.

00:47:58: So There was one time I was in the Tabernacle when i went and put on the TV You see no it's just me A couple To the sour and some am their little couple and they bought me.

00:48:12: cat says me and the cat the doors come on.

00:48:17: And so Jim Morrison is one of my inspirations for actually turning my poems into music, and when I watched that movie i was inspired to try means a different way it's to turn the poems into raps and turned the poems in two songs...and so that wasn't at the point where I started writing.

00:48:41: They were righteous raps, of course.

00:48:42: But they was still raps and I was like okay you know...I can rap a little bit!

00:48:49: I never really took it seriously because on the spiritual journey but later one when i returned home probably around in two thousand three or two thousand four I started to take more seriously write my first song And then wrote this song called I Lost Daughter And I put it up on MySpace, which shows you how old that is.

00:49:15: Put it in my MySpace and...I get a message from Professor Griff from Public Enemy and he was like yo ya dope!

00:49:25: He's like a hardcore Brooklyn dude.

00:49:27: so well i am a Brooklyn girl but yeah thank you so much.

00:49:32: So..he took me to the dinner And he was just giving me gems and words of wisdom to keep pushing forward with my music.

00:49:45: You know, don't let anybody stop me or things like

00:49:48: that.".

00:49:50: So it was really Professor Griff did kind of catapulting me forward to consider taking my craft to another level.

00:49:59: I recently ran into him at an art show a couple weeks ago too so putting that battery in my bag to keep going.

00:50:10: That's super dope, you know?

00:50:12: To have dinner with a legend like that and influence

00:50:15: you too!

00:50:16: You know go holler into doing music...that is super dope right there.

00:50:20: Much respect for him much respect

00:50:22: to him.

00:50:27: Thankyou!

00:50:27: What can we expect from you musically in twenty-twenty six and beyond?

00:50:31: I know you just dropped two projects but tell the people about what you got going on.

00:50:35: Oh my

00:50:36: God, I'm just gonna drop bombs!

00:50:39: Watch what i say because then they try to make a terroristic threat.

00:50:42: But now...I am not supposed to drop some music

00:50:46: More

00:50:46: Music!

00:50:47: I just dropped Apex Rituals featuring Tekzilla, Sequoia Symphony from my boy Tuna and Gale in Japan, Texan Nigeria, I've got Vince Vega coming up in Paris, so for me if it's big about the Vangana then I got my boy brand new beats and all of my reggae triad crew B-Spot Boogie, K-Daro, Goldfings, Quain New like um My Boy Saved Me, True Cipher.

00:51:18: So i'm just coming with a whole bunch on projects that have A dope collab project with a hip-hop legend coming.

00:51:25: I'm not going to name them yet, so we're working on it.

00:51:28: when we drop and we're dropping hard So they come over the music become what the visuals Working with you are.

00:51:37: no band camp doing interviews.

00:51:40: Dusty's vinyl magazines have some more vinyl interviews that I did coming up.

00:51:46: I'm just staying busy.

00:51:48: Working on film, because i am a film writer as well.

00:51:51: so I'm working on completing the tarot film that I've been working on is well it's two books.

00:51:58: So shout out to Suñez La cause.

00:52:01: he's one of my inspirations for journalism.

00:52:04: He writes books...he interviews us and has been doing this forever since double excel.

00:52:12: You name any hip hop magazine.

00:52:14: he's worked with them.

00:52:15: So, like my mentor and inspiration He has many books out so that what I'm aspiring to do just hone my craft keep putting up content.

00:52:27: One book is for the culture another book it's a self-improvement.

00:52:32: And then I write horror films.

00:52:34: so i'm converting some of my horror films into books.

00:52:39: Nice I am staying very

00:52:40: busy.

00:52:41: Yeah I can hear that.

00:52:43: That's crazy, you got a lot on your plate!

00:52:47: Yes!

00:52:48: So music books and movies?

00:52:51: Yes

00:52:52: Nice nice nice.

00:52:54: That is dope.

00:52:54: much respect to you.

00:52:55: You know putting girls in the map.

00:52:59: Do we have any words of advice for young female MCs?

00:53:04: or maybe listening to us right

00:53:05: now?

00:53:08: Ladies keep integrity Keep your emotions intact use your discernment when it comes to people.

00:53:17: Always be authentic self and just keep going even when you feel like It's getting hard, and that's not worth.

00:53:26: It is always gonna Be worth in the end.

00:53:28: keep going.

00:53:31: yeah

00:53:32: real world of advice right there.

00:53:33: make sure follow what Indigo Phoenix just said, you know?

00:53:37: Because we want to hear some more dope female MCs.

00:53:41: Word!

00:53:42: I really do like to collab with females and it's hard working with females sometimes because of the stigma that gets put up where women feel they could only be one thriving female MC.

00:53:58: so this is a caddy competition but i don't see.

00:54:03: Um, we should support each other more And we should uplift each other.

00:54:08: We could collab more.

00:54:10: Yeah, we do more shows together.

00:54:12: We should do videos and content to gather the more projects Together.

00:54:16: like.

00:54:16: I would love to do a joint album with just me in another female be it a producer or A rapper but is hard because so many people move off of egos sometimes, cadmium jealousy and when I hit those hurdles i just kind of...i've learned to refocus back to myself.

00:54:43: And stop the wishful thinking!

00:54:45: Yeah yeah

00:54:47: yeah..I understand you know it's not easy.

00:54:49: you gotta deal with the egos like you said the personalities this should be a Wu Tang-like female Wu Tang type

00:54:56: group.

00:54:57: exactly Man listen, you know who is fam?

00:55:03: You know I've been there through the inception of Wu-Tang and it takes a lot of stuff to get that level they were at.

00:55:16: For me being a teen watching them come up like...I remember us passing out the method man cassettes for meth.

00:55:27: They would come in town To my daughter's grandmother house all come chillin', like, um... Eson was my daughter's uncle.

00:55:36: So it-it just a vibe to see them.

00:55:39: It takes a lot of work To get that close knit Like they were and really put the business forward above everything else.

00:55:50: so I respect and commend them for The work They did behind the scenes Just before they really blew up And when they blew up Keeping it all together.

00:56:00: So It's a lot of work.

00:56:03: I'm not gonna live have people in my crew and just doesn't last, and there has to be lack of the ego.

00:56:10: Everybody has to do on the same page.

00:56:13: Nobody has to take anybody else's spot And is hard-to-find.

00:56:19: Seven People who are going to stay on that Plateau which you can really build with You and There's Not Problems That Arise.

00:56:27: so i commend what saying for always thriving in that element.

00:56:31: Back then I didn't even want to rap when i was around, I was just content hanging out and you know showing up at the hotel rooms and just partying man.

00:56:44: we were jumping down on ghostface bedding suites stuff like this.

00:56:50: being kids y'know?

00:56:51: We went before The Girls at night because one of my cousins friends with them too My daughter's father, you know like I said he was like brothers with their son.

00:57:01: So yeah hang out in the day but not late at night.

00:57:06: Yeah it is not for kids.

00:57:09: I mean I was there.

00:57:12: Rave did his first performance here with RZA and now i'm as pregnant on that show!

00:57:18: Like I have a picture of Blackhall to Jersey my stomach just out then.

00:57:23: Then they were RZA Watching the group and I'm still in touch with Ruquan.

00:57:28: And it's just crazy like The things that i went through to watch those groups thrive, Like It was this dope To be a part of That.

00:57:39: so i think Wu-Tang Rock & Roll Hall called the fame.

00:57:44: Shout out!

00:57:45: I hope everybody is voting to put them In there because they really deserve

00:57:48: that.

00:57:49: Of course They influenced So many MCs not even mcs but Just people in general.

00:57:56: You see kids right now in twenty-twenty six with Wu Tang shirts.

00:58:01: It's crazy when you think about it, there is no other rap group that can pretend the same thing!

00:58:05: No

00:58:05: not and I don't think its an easy game to do what Wu Tang did.

00:58:11: they made through so much adversity So much loss And i really respect them admire how far have come from when seen them.

00:58:22: Yup, yup shout out to the woo and we only have a few minutes left in this calvo.

00:58:27: do you have any last words for your fans worldwide?

00:58:31: Oh man I love y'all.

00:58:33: thank y'alls so much.

00:58:34: i mean...I never thought people would gravitate to my music..and I'm really deeply humbled by all of the love and response that get from everybody!

00:58:45: I appreciate it too for supporting me, all the DJs to blogs.

00:58:53: My fans and I like calling them fans and listeners my supporters.

00:58:57: some of them have my phone number so i appreciate the text messages y'all give me buying music.

00:59:05: And there's more to come and i promise that will not disappoint.

00:59:09: No doubt, no doubt.

00:59:10: Well you know we'll be here to support the music so make sure you send me the new stuff.

00:59:14: I played in this show and it was a pleasure to have your home then hopefully meet real life when i get to New York You know?

00:59:20: Yes!

00:59:21: We're

00:59:22: connecting with that's.

00:59:23: how do it out there

00:59:24: Exactly!

00:59:27: Well take care Peace.

00:59:28: thanks for your time.

00:59:30: Thankyou so much.

00:59:30: thank you for opportunity

00:59:31: Cam.

00:59:32: You are welcome.

00:59:32: Thanks For Your Time

00:59:34: Peace.