Mixtape Addict #71

00:00:03: You have now entered the mixed tape.

00:00:03: addicts show Broadcasting every day with the French.

00:00:06: connect DJ King flow.

00:00:16: I just pray you feel it, and take a little longer.

00:00:19: Give you all and there's no feelings,

00:00:21: hey make these songs

00:00:23: These the ghetto gossips, listen to the many hymns You can tell I got you, me am I your posthumous?

00:00:29: Celebrate those spirits, hundred dollar triples Reminding us we did it.

00:00:34: God knows my spirit, I really need repentance.

00:00:38: I fucked too many bitches, I trust the wrong niggas.

00:00:41: A couple mine were snitching.

00:00:43: Real tears were strippin'.

00:00:44: It's crazy how this world I'm livin' is so unfamiliar.

00:00:48: Somewhere in the Ozarks Somewhere in the Hamplands Out in Calabasas Nothin' to do with rappin' Calispell, Montana.

00:00:56: We talkin' bout that real, right?

00:00:58: Two billion in context.

00:01:00: We talkin' bout my real life.

00:01:02: More than just a rapper.

00:01:03: Years removed from traffic I wouldn't change a thing.

00:01:06: I love the way you happy.

00:01:08: Some

00:01:08: call me little Sadie A few of the big homies.

00:01:12: This is Ari's Daddy.

00:01:13: See I'm the young OG.

00:01:15: Fill the curtains closer, source of different photos.

00:01:19: Lakers verse the jazz, I'm trying to pull a Kobe.

00:01:22: OGs give me flowers, I gave a lost my roses.

00:01:25: I'm tired of playing with you rappers, I just rather coach you.

00:01:29: I just miss the feeling, I just hope you feel it.

00:01:32: It take a little longer, give you all and ain't no feelings.

00:01:35: I survive.

00:01:36: thriller, you tick tock and trillers Plus the love around the way been gone for a minute.

00:01:42: Let me call you back, gon' be new Gonna be vintage, this from me to you.

00:01:47: Let me paint the picture, I just miss the feeling.

00:01:51: I just hope you feel it, it take a little longer to give you all of those feelings.

00:02:38: If

00:02:45: they

00:02:51: get to see I lost a couple of the loves, couple of my exes would say I'm numb.

00:03:36: Really was swimming in the brim, hope takin' that fit for the smile I'd be wishin'.

00:03:43: they was here with me now Shedding some candy, pinjaded by shit, PTSD.

00:03:49: I know that I got it, what I seen.

00:03:51: it really sound like a script For real, inside I cry Droppin' the gym, prayin' my voice in the wind.

00:04:55: Finally gon' bring me a win To the impossible, twice, but it's like they goin' with it again.

00:05:00: My energy, energy, no, it's on with it.

00:05:13: I love you to death, I just don't know-.

00:05:17: Now let me see your earrings, kick flow!

00:05:33: Hey, blues, put me against whole crews Throwin' niggas for Dolo, pullin' up in the logo Hittin' nothin' but the bottom of the net, no joke.

00:07:00: And the pro, what's the rookie to a vet?

00:07:02: If I had to flex, would it even be a stretch?

00:07:04: I just- Raise the bar and increase my rap.

00:07:07: Y'all niggas, it's lightweight Crown on my head, heavier than the skyscraper Views from the top, higher than the crime rate In my state, there's high stakes.

00:07:14: They call me at the wrong time, in the right place.

00:07:17: In my case, I try to play nice.

00:07:19: What's behind these bars that make your face light?

00:07:21: Step to Swink, white kitchen line, stepped on.

00:07:23: These shots couldn't penetrate, I made a teflon Bulletproof, and

00:07:27: I ain't had the

00:07:27: vest on.

00:07:28: Tell me who's left, I ain't even used my best on life.

00:07:50: That rich rocker, double breasted suit, wearing new pair props The top shot up, the big dog with the tent open This man with the clutch to the stand up guy.

00:08:00: But he ain't no comedian.

00:08:02: We gon' see him get the last laugh when they see me in that New drop, minus the

00:08:06: rooftop The price.

00:08:07: keep on goin'

00:08:07: up like a hot stock.

00:08:09: I'm takin' big risk, big roadie with the rocks.

00:08:15: How them diamonds cut on the wrist, suicide watch.

00:08:49: We only watch them games courtside of the box While all our plotters are unify, flockwop In the bag worth a lot, talk to the guy Cuz.

00:09:34: he's lonely on the path to the command.

00:09:39: Cuz I'm stallin' on you, wildin' on you.

00:10:02: D.J.K.

00:10:02: Wax gets the devil attached.

00:10:03: I hold the store with my fingers in your eyes.

00:10:06: I won't even snitch to God, I'm a die silent.

00:10:08: I kept

00:10:08: the doors open and I'm surplus.

00:10:10: Army stores are

00:10:11: ninety-four and up for certain Army hat like it's war, a fire arm, fire timbs.

00:10:15: But this year's the year, the disrespectful comparisons.

00:10:18: They jack anything on the internet.

00:10:19: Stupid kind of believing that Making funny music, it's doo-doo Gaka, brain-free, stuck face, knee-eye guapalabra.

00:10:28: Give little cute

00:10:29: mama a sada.

00:10:32: You don't keep her

00:10:32: secure like a sada.

00:10:34: Tell the truth, now's the monster that live under your bed.

00:10:37: One thirty-ninth Linux app, my

00:10:38: friend.

00:10:39: The girl was the last of them.

00:10:40: I'm glad I'm from the same graduating class as him.

00:10:42: So pay full attention.

00:10:43: Remove your hat, you in the presence of a man who used to backspin.

00:10:46: Headspin,

00:10:47: breakdance, pop-lock, the Herbie

00:10:48: Hancock and Rockbox.

00:10:49: And now we on yachts to push the drop tops.

00:10:51: Yeah.

00:11:13: You ain't got a chance.

00:11:21: A flamboyant master.

00:11:23: You ain't got a chance.

00:11:26: Got a chance.

00:11:27: There's no extremities, torso and legs

00:11:31: The big ortho and feyo, fat and ugly Trying to keep my pockets

00:11:35: fat, twirling the buggy.

00:11:37: And if that's the truth, under the down on the track In a bathing suit, telling the client she's sweeter than baby roof And how she's a working girl, not a prostitute.

00:11:46: What's in the name?

00:11:47: Dog food, dancing your veins Train my frame, pimp screaming game and claim You married and broke, hold me with a shame Do shit, magnum opus Old school camera, trying to find focus.

00:12:00: Only being worn a hide with a toe is this.

00:12:03: All I know is these niggas

00:12:05: can't stop it.

00:12:06: It all just seems to be

00:12:07: logic.

00:12:08: I see what I want and I cop

00:12:10: it, bitch, stop it.

00:12:11: It's almost like you're hearing a profit.

00:12:13: You hear my baby go

00:12:14: and lay in the tropics.

00:12:16: You fuck around, you lay in the carpet.

00:12:18: We gon' crash, crash, crash.

00:12:19: Foked up today, new emails, missed calls.

00:12:25: Who's texting that?

00:12:26: What happened?

00:12:26: I just got up.

00:12:27: I'm gonna eat breakfast.

00:12:28: Too much negativity.

00:12:29: I can't digest it.

00:12:32: I don't trust anybody, dawgs I've been through it, raised by the wolves Studied

00:12:37: the killers, and if I fell off I shit.

00:12:43: I try to put niggas on, but I have different discussion.

00:12:46: I've lost a couple of

00:12:49: some state traps in the midst of insanity.

00:12:51: Looking in the mirror, I can only be mad at me.

00:12:53: I took on a soul, that shit, they shot at me Retaliated back, that's a fact Her casualties, up in there and done that, I lost a pass at me Just like DMX, half-man, half-picture Nuts of a spiritual, Blue Eddie, I ritualed.

00:13:29: Y'all never done shit on these streets, y'all Saga, thug, fuck boys, y'all get no love.

00:13:34: Cloud Jason trolling on the internet for them bucks Low self-esteem to do anything for that ghetto green Late night hustler, he the sound of the money machine I'd rather do.

00:13:43: real estate, gangsters these days Don't even make it past the interstate.

00:13:46: All that back and forth is out of style.

00:13:48: Waste the time, waste the lawyers Fighting trials, beating up fiends.

00:13:51: You can see the pain in my smile Pain in my eyes, never despised Force character, study the game No amateurs, probe-read it from the elites from these New York City streets.

00:14:02: Come on, let's just.

00:14:02: Got it, got it, get it, got it, get it.

00:14:16: J. King's Flow.

00:14:17: They got me cuffed up, chained up, shackles on my feet, hard to stand up.

00:14:23: Next to someone else from the waist up.

00:14:25: Mixed in, fly, got me case down.

00:14:27: They got me by twenty-three, like on Suicide Watch.

00:14:53: Attempt to murder, talk, and I have a nigga rock, cause I'm facing twenty-five, and the lawyer need building up a case.

00:15:02: I need out this jumpsuit, need some spot ten, stomach crumbling, ribs under gaze, hard to get.

00:15:14: I see you wanna beat.

00:15:16: I'm tired of it.

00:15:40: If I bust a flex, I have plenty of time to make them put stand by.

00:15:45: Some are full of vibes, so I install it very calmly Mix it in Galactic flow interstellar, like the year Buleuse Mine who says the association is

00:15:53: fabulous.

00:15:54: We

00:15:56: have to call it always a feeling of spirulence.

00:16:01: I have to go to the sport and stop the speculations.

00:16:04: No need to be seductive Continue to balance us, we know that it's from the wind That we will think that it comes from the heart No matter the sector Because we are a microphone, we know how to do it With these truths.

00:16:16: You come from Morocco, Canada or even Eritrea.

00:16:19: Sometimes the facts are inherited.

00:16:21: It's the facts inherited Game, we are the stars, the stars, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions, the unions,

00:17:14: the unions, the unions, the unions, the unions, First and foremost addressing eighty-fifths, cause I knew as a shorty certain things was evident, so I was hesitant when it was on sale for ten percent.

00:17:28: I saw a different route and thought that I could strive on it.

00:17:31: And now I got five on it.

00:17:32: We got a slave mentality, they got a cave mentality.

00:17:36: A black and white world and these are grazing out of me.

00:17:38: To try to surgically verbally start reversing the curse that we immersively left for the university.

00:17:44: You and that you rather send it, but still Study your lessons, then ask whose percentage is real.

00:17:48: And I ain't talkin' bout.

00:17:49: no trash, stupid gimmick Let's build, and I ain't talkin' bout.

00:17:52: no Brad Cooper limitless pig Rapper, don't do yourself, bitch.

00:18:02: The civilized ones have culture and real refinement.

00:18:07: Others try to rule to see you start to feel a

00:18:16: leak And that they're real spilled divine within year.

00:18:18: You know how to love me like Willis Heimann.

00:18:20: Please say that again Cause I can take cold squeeze into a diamond Then drop enough jewels.

00:18:26: Old picture.

00:18:27: want me to pour with you Accused of funky care, can't ain't?

00:18:30: no?

00:18:31: Sometimes the truth make you a little better

00:18:33: Because your eyes see IG and you gullible to Twitter

00:18:36: Seen ciphers at the parliament, turn it to an argument And

00:18:39: watch the way the media will go and try to target Man, all that drama ain't trying to be a part of it?

00:18:44: We don't trust it, that's where the born justice is.

00:19:13: Yeah, big in the demo, fuckin' naked hoshite Thug life like Chuck Knight, shakin' down vanilla.

00:19:44: You can drop eleven flights out, don't get it by my fist though The beats in the front, check it, I'ma gent your father's seat.

00:21:30: Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.

00:22:54: Head up!

00:23:39: Yeah, I ain't even gonna hold you, I'm dying to

00:24:38: fold a

00:24:38: few.

00:24:38: I see these bitches.

00:24:39: in my view Go with the inf, I just lit the piff, this pendulum.

00:24:43: if I'm wicked with this shit It's the bricky when I spit, sticky when I twist.

00:24:48: They tricky when they say sis, I'm on your type of time and they don't rock around.

00:24:52: I run house in a black fedora Black mac with a black roast.

00:24:57: It ain't none who could run upon us.

00:24:59: The sword is orchestrated.

00:25:00: Have these bitches sing in the chorus from misery.

00:25:05: clay born Dolores.

00:25:07: they get focused in the month of Taurus.

00:25:09: or the Horus.

00:25:10: I'm Stephen King.

00:25:11: I'm all the Horus.

00:25:12: I'm Freddy versus Jason.

00:25:13: even had to bring my nigga Terran.

00:25:15: we ain't talking movies every verse.

00:25:17: it's a special victims to him.

00:25:19: it's never

00:25:19: stable in the

00:25:20: unit we make or move them.

00:25:22: fuck what they doing this rap they pursuing.

00:25:24: I'd have to slow down to catch up to him.

00:25:26: I'm talking dance with him uppercut move to the right pop with the haymakers.

00:25:31: more time neither the chest.

00:25:32: different games.

00:25:33: same players elbow Side of the temple, these bitches stay dazed.

00:25:37: What happened to them, I'm just rapping to them.

00:27:29: I'd rather burst them than to put them through it.

00:28:10: Put them through it.

00:28:21: We're

00:28:43: here man in the mixtapatic radio show.

00:28:45: I'm your host King Flo and today I have a very special guest classic of the great aka the official voice of the mixtapatic movement.

00:28:54: man

00:28:55: oh man man that's crazy to even think about.

00:28:58: sometimes too i'm thinking about that.

00:29:00: it's just something we did years ago like years ago like and so what has became right now?

00:29:07: it's like dang.

00:29:08: that's crazy man like that's

00:29:11: dope that's fire.

00:29:11: yeah man you know how to all the people that did drive.

00:29:14: for me The way you said it, the way.

00:29:18: your voice was perfect, man, I had to keep it.

00:29:21: And I'm not planning on using another one.

00:29:23: It's gonna be the same drop my whole life,

00:29:26: bro.

00:29:27: Boy, that's what's up.

00:29:28: Hey, man, I was doing drops today, so you're gonna have another little bag of some extras, probably coming your way a little bit later.

00:29:34: Yeah, that's what's up.

00:29:35: That's an honor right there for real, for

00:29:37: real.

00:29:37: Man, the honor is shared, bro, you know?

00:29:39: Real talk.

00:29:42: Let

00:29:42: me let me ask you, man.

00:29:44: I have a mixtape added question.

00:29:46: I always ask it to all my guests.

00:29:48: I think you know it.

00:29:50: Who is your all time favorite DJ, bro?

00:29:52: DJ King's flow, man.

00:29:57: The motion picture, man.

00:29:58: You know what I'm saying?

00:30:00: Definitely a vibe.

00:30:00: Definitely a vibe.

00:30:04: Might need to push that again.

00:30:05: That's definitely that was.

00:30:07: I go back and listen to that sometimes.

00:30:09: I love that little air of the music right there.

00:30:11: I ain't gonna lie to

00:30:13: you.

00:30:13: I think we need to do some new stuff, man.

00:30:16: You know, I just dropped the instrumental album.

00:30:19: Oh,

00:30:19: yeah, yeah, yeah.

00:30:20: I got that.

00:30:20: I downloaded that.

00:30:21: Hey, man, people love Hometown, man.

00:30:23: You know what I'm saying?

00:30:25: They definitely love Hometown, so, you know, they can't sleep on that, you know what I'm saying?

00:30:28: That definitely was a fan favorite around

00:30:31: my way.

00:30:31: yeah man that was really quality music.

00:30:33: man you know like the the feeling was dope.

00:30:35: you know the your voice matched perfectly with with the beat.

00:30:39: so we gotta do some more stuff.

00:30:41: so everybody that's listening make sure you you get ready to hear some new king flow and classical the great.

00:30:47: yeah

00:30:50: sir I have another mixtape question for you bro I think I know the answer already but let me ask it do you miss the mixtape format?

00:31:02: Oh man, you already know, an MC like me?

00:31:05: Yeah, like I feel like the mix-taker kind of is still sharp and still.

00:31:14: You got to hear hunger.

00:31:16: You got to hear nothing but hunger.

00:31:17: It wasn't marketing of plans.

00:31:19: It wasn't bots.

00:31:20: It wasn't followers.

00:31:22: It wasn't cloud.

00:31:23: It was like, yo, who was that?

00:31:26: Oh, it's not, you know what I'm saying?

00:31:27: Like, oh, I definitely mixed the mix-taker.

00:31:30: Yes, that was just a little different.

00:31:32: It was just a little, you got to see there was more people like you out there.

00:31:35: So it kept you on your toes and being prepared.

00:31:38: For show, for show.

00:31:40: And can we expect maybe like a mixtape or compilation from you, you know, for those that are not used to your old music and also if you have some unreleased stuff in your old drive, you know, can we expect something from that from you?

00:31:54: Oh, man, I mean, keep it real.

00:31:57: I've been in here since six o'clock last night, you know what I'm saying?

00:32:00: It's like, literally, you know, I'm putting together something right now.

00:32:04: I've really been in my production bag, so I got a lot of records I've been doing with people.

00:32:08: And like, low key, man, these last few days is the first time I've rapped this year, but as far as stuff in the stash, I can say I legit have at least a hundred songs in the stash, like, so like, I'm never not recording.

00:32:20: There's never not nothing ready to just go.

00:32:22: It's just... I don't know.

00:32:25: I go off at this point.

00:32:26: I just kind of go off.

00:32:27: You know, I'm saying like, I don't know.

00:32:30: that feeling is kind of coming back to what I like to see and what I like to be a part of.

00:32:34: So it's kind of getting me a little bit more active or whatnot.

00:32:37: Okay, dope dope.

00:32:38: So for those that don't know, you know, you're MC, but you also produce, you'll recall people.

00:32:43: So tell the people about that, man.

00:32:45: Man, so, you know, You gotta use your tools to get what you want.

00:32:50: So when I was a lot younger, my pops always used to tell me the more you learn, the less you have to pay people.

00:32:55: So I learned how to engineer very, very early.

00:32:58: You know, I'm forty-one.

00:33:00: When I was like sixteen, seventeen around my era, I was one of the very, very few people that was recording.

00:33:06: So I was like the only one that I knew if I'm honest about it.

00:33:10: And as I got older, that helped me get studio time for cheaper.

00:33:14: So I was always able to just you know, stay active.

00:33:17: And I don't know, man, just a passionate rapper from Alaska, you know what I'm saying?

00:33:21: I've always, I got a competitive nature, man.

00:33:24: I just got a real passion for the culture.

00:33:27: I just love it, you know what I'm saying?

00:33:28: And as far as the production, I just feel like it's only natural to take on this challenge, you know what I'm saying?

00:33:35: As a, not just an MC, as an artist, you know what I'm saying?

00:33:39: Just an evolution.

00:33:41: and I like the, It's almost like it's the breath of fresh air.

00:33:45: It's a challenge, you know what I'm saying?

00:33:46: It's something.

00:33:47: This thing bars, you know what I'm saying?

00:33:49: Learn.

00:33:50: But to bring it back to the bars, it's just like, I feel so complete right now.

00:33:54: And to be part of so many different careers with it right now and to be able to bounce ideas off.

00:33:59: Like I said, I got a whole other session going on.

00:34:02: Four Rooms Down with an R&B artist, you know what I'm saying?

00:34:05: Going on over one of my joints with this, what?

00:34:08: I just thank God he allowed me to be this person.

00:34:11: He felt me like, I'm just thankful it's me and I ain't give up, you know what I'm saying?

00:34:14: I'm still happy.

00:34:16: I love it.

00:34:16: I would change it for nothing.

00:34:18: I think it's in your blood, man.

00:34:20: You know, you still gonna be able to do that, you know, forever.

00:34:23: When it's in your blood, it's in your heart, man.

00:34:25: You just... That's your shit, you know?

00:34:28: Yeah.

00:34:28: Like, man, my grandmother, you know, rest in peace, you know what I'm saying?

00:34:31: She was... She played the keys in the Oregon at the church, you know what I'm saying?

00:34:34: She was a very, very musical person.

00:34:36: And on my dad's side, there's a famous jazz singer named Jermaine Vassel.

00:34:39: You know what I'm saying?

00:34:40: She's a... has a. Jermaine Basel, Daniel Warren, it's March of the fifties.

00:34:44: Look it up.

00:34:45: You know what I'm saying?

00:34:45: It's a real thing.

00:34:46: But kind of starting looking like, you know, you hear for a reason, you know what I'm saying?

00:34:52: Like, this isn't, you know, this is this is an energy that's been stowed upon you throughout your family and your people forever.

00:34:59: So what you gonna do?

00:34:59: You know what I'm saying?

00:35:00: So I'm just kind of, you know, take it to.

00:35:03: I'm just trying to take it there, man.

00:35:04: I just want I want to be a legend, but I want to be a part of the culture

00:35:08: at the same time.

00:35:08: You know, so just leave.

00:35:09: That's what

00:35:10: I'm going to take.

00:35:11: Just leave your mark in hip-hop history, you know?

00:35:15: Exactly.

00:35:15: That's all I'm trying to do.

00:35:16: I'm just trying to... As long as you can tell I was here, I'm cool with that.

00:35:21: You know what I'm saying?

00:35:22: As long as you can tell I was here, that's all I need.

00:35:24: You know what I'm saying?

00:35:26: I feel like I'm working my way there.

00:35:28: You know what I'm saying?

00:35:29: I do feel like flowers are coming.

00:35:31: For sure.

00:35:31: For sure.

00:35:32: It is good to see you working also with, you know, different artists.

00:35:35: Like you just mentioned, the R&B artists.

00:35:37: It's dope, you know, to be able to... work with people not only in hip-hop you know.

00:35:42: so you can expand and make your music evolve you know.

00:35:45: yeah i mean that's that's the one thing i feel like at least ever in their production and stuff.

00:35:49: because it's like man believe it or not bro i don't even really i do.

00:35:53: i listen to what i like to listen to when i study here and here.

00:35:57: but man i listen to a lot of r&b bro i ain't gonna hold you.

00:36:00: i listen to a lot of neil soul and like european jazz and like just Italian theme music from the seventies, my mind be everywhere for real for real.

00:36:09: So I feel like making beats is like the first opportunity I get to like, oh, let me mix all these things.

00:36:16: And yeah, it may not be R&B, but we're going to call it alternative.

00:36:20: And let's see what happens.

00:36:22: You know what I mean?

00:36:24: But yeah, it's definitely dope.

00:36:26: And it's almost like, you know, I know, I know my lyricals, you know, I'm not going to say lyrical, spiritual, but I know I'm a lyrical.

00:36:35: You know what I'm saying?

00:36:36: At least a little bit where produced and allows me to express ideas.

00:36:40: I may not even think

00:36:41: about rapping.

00:36:43: Yeah, but you're not the only one, man, because you know, I heard of people like Exhibit, for example.

00:36:49: He barely listens to New Hip Hop.

00:36:51: He just, you know, vibe, just saw music.

00:36:52: I

00:36:53: mean, I'm not going to sit here and say that I don't listen to stuff.

00:36:55: You know what I'm saying?

00:36:56: Because I mean, it's... I think there is a lot of good stuff but it's like there's not things that are separating themselves to be great where it's just like when you listen to good for so long.

00:37:06: this is like ah ah you know what I'm saying.

00:37:10: everything is like it's.

00:37:12: you know it's just a similar where I don't know.

00:37:16: but I do feel like we kind of get in a space where they want to see talent they want to see creativity.

00:37:21: you know what I'm saying.

00:37:22: I thought ransom say something along the lines of rap is a skill.

00:37:27: You know what I'm saying?

00:37:27: Anybody can learn how to do this.

00:37:29: Anybody can learn how to do this.

00:37:31: It's the talent and how you do it, that separates it.

00:37:34: And I feel like we've kind of been through an era where there was a skill that was being learned just good enough to be good.

00:37:41: But now we need the ones that got the talent with it to kind of like carry us along, you know what I'm saying?

00:37:47: And make it entertaining because the only people that's losing now is the fans.

00:37:50: Yup, yup.

00:37:52: I agree with you.

00:37:53: And what do you think about that past year, you know, twenty-twenty-five?

00:37:57: You know, it was a really big year for hip-hop when you think about it.

00:38:01: I mean, for me, I feel like, I feel like I got to see what I grew up on, show myself again, where, you know, I'm a little older, something like that whole, yo, it's coming back this year, hip-hop's coming back, hip-hop.

00:38:14: That whole is like, hey, yo, hold up now.

00:38:17: Hold up now, you know what I'm saying?

00:38:19: Hey man, the OGs is the one kind of holding it down.

00:38:22: The same ones, I was talking about them or the ones doing it right now.

00:38:27: And they ain't written on me, so I think it kind of just, it lets you know how far we've came as far as evolving as a genre, but still it's letting you know that the very beginning fabrics of it will never go away.

00:38:44: There's just certain elements that are always gonna work as a certain Feel it's just a certain energy.

00:38:51: You know, I'm saying that you gonna feel that you are a breakbeat with a crazy baseline and a James Brown, you know, I'm saying or whatever.

00:38:58: it's just.

00:38:59: it could be the same one over and over but it's that feeling.

00:39:02: They got nothing to do with the sounds is the feeling or whatever.

00:39:04: So I think it's great.

00:39:06: I think it's amazing right now, but at the same time, there is a lot of new shit that I like.

00:39:10: I do like the creativity and you know, I'm saying like hip-hop to a fifty year old man.

00:39:18: You know what I mean?

00:39:18: When you and I got it, it was like, been like, twenty or thirty.

00:39:20: You know what I'm saying?

00:39:21: So we're still a little immature.

00:39:22: So now we got country in the hip hop.

00:39:25: We got violinist trap player.

00:39:27: You know what I mean?

00:39:28: You know, it's always like, I can't like, I can't get mad and limit them to them.

00:39:33: What I only have, you know what I'm saying?

00:39:35: Where it's just like, hey, I'm using the tools.

00:39:37: Like, it's fire, you know what I'm saying?

00:39:40: But

00:39:41: I do feel like the refresher of this last year we

00:39:43: had

00:39:44: was necessary.

00:39:46: It became like rock music, like jazz music.

00:39:49: You cannot really put a sound when you say rock music.

00:39:52: It's so wide and different.

00:39:55: You know, you have different type of rocks.

00:39:57: Metal rock, alternative rock.

00:39:59: You know what I'm saying?

00:40:00: Same thing goes for jazz.

00:40:01: You have smooth jazz.

00:40:02: You have the bebop.

00:40:03: You have the free jazz.

00:40:04: You know, acid jazz, jazz fusion.

00:40:07: It's very, very wide.

00:40:09: So hip-hop has become like that.

00:40:11: I

00:40:12: feel like it's unfortunate that they pick hip-hop and R&B against each other.

00:40:18: You know what I'm saying?

00:40:18: Within those two genres, it's like there's so many different things, but it gets limited to this, where we're having to call this, that, and this, that.

00:40:27: And it's not kind of like this.

00:40:29: We clearly tell it's something different, but it's competing for these awards or whatever.

00:40:34: So, but I think that's a whole another conversation.

00:40:39: You know what I'm saying?

00:40:40: Or whatnot.

00:40:41: that at the same time, it's still amazing how the culture dethrots through, you know what I'm saying?

00:40:46: Like, it still finds a way to recreate itself, and then it still finds a way to come back to itself to remind you of what it was.

00:40:52: Yep, yep.

00:40:53: To me, I think, you know, the best music is the one that you cannot really put in a box, you know?

00:41:00: And that look, that's the type of beat I'm trying to make.

00:41:02: Mm-hmm.

00:41:03: Yeah, yeah.

00:41:04: Some shit you listen to, they'll be like, what is this?

00:41:07: You know, kind of like Outcast, for example.

00:41:10: When you heard the outcast sound you were like, damn, this is different.

00:41:15: Same thing goes for if you go back in the days, Michael Jackson, you go like, the Traylor album, you cannot describe the genre.

00:41:22: It's not pop.

00:41:23: Pop doesn't mean anything.

00:41:24: It just means popular.

00:41:26: Yeah,

00:41:26: it just means that everybody's listening to it.

00:41:28: You know what I'm saying?

00:41:29: That's all that's really going on.

00:41:31: But I think the difference is now too, man, just imagine if we grew up and we got Spotify.

00:41:37: You know, or like, I just imagine.

00:41:38: if like, you know, I don't know like, you know how you got onto your first, but I remember like going to my cousin's CDs and my mom's CDs, where it's just like, you know, to a certain degree, you know, the era we grew up on, the taste was kind of handed down.

00:41:53: Or, you know what I mean, or you were influenced by the culture, like what was around you, but now it's just like, you're on the phone.

00:42:00: What is your phone saying?

00:42:01: Like, it's kind of regionless.

00:42:03: I like regional music.

00:42:04: To me, I want to hear where you're from.

00:42:06: I want a different vibe, but I want to feel like, oh, no, that's the Chicago flame.

00:42:12: Nah, he talking like Jersey shit.

00:42:14: You have to go up there to understand if you're not moving around.

00:42:21: That's the fabric of it.

00:42:23: We all see a star in the sky from a different angle, but it's different, you feel me?

00:42:27: I feel like right now, we're looking at the same star from the same angle.

00:42:31: We was just trying to call this red, not crimson, not burgundy, not small world.

00:42:35: And it's like, there's stain in there, but it's like, yo, it's all red.

00:42:38: You know what I mean?

00:42:40: Like, it's all red though, bro.

00:42:41: What about blue?

00:42:42: What about green?

00:42:43: Like, why are you fighting for this one color?

00:42:45: Like, you know what I mean?

00:42:47: Like, why are we fighting for this one space?

00:42:49: Like, when there's all of this, you know what I mean?

00:42:52: But like I said, I feel like this is definitely coming back.

00:42:56: I definitely feel like the, it's like, it's hungry.

00:43:02: Like the machine is not feeding itself.

00:43:04: The streaming error is dope because I like to be able to hear everything.

00:43:09: But if you don't have any real music where people are coming to listen, don't get like this playlist error.

00:43:18: Like nobody's making you listen to an album.

00:43:20: Like they're telling you single, single, single.

00:43:23: And it's like, yo, we the artists.

00:43:25: At some point, we have to take back in control of how we're going to make you

00:43:28: listen to music.

00:43:29: You know

00:43:30: what I mean?

00:43:31: Like that single shoot is their business model from the businesses.

00:43:34: That's right, man.

00:43:35: You know what I mean?

00:43:36: But as far as it's almost like we kind of all have to have to collect the thought of like, yo, let's put mixed things back up.

00:43:42: Let's start getting back to, you know, just collab.

00:43:44: Let's just start putting music out for the sake of it.

00:43:47: Not views, not all this other stuff.

00:43:49: Like let's be creative to create an experience.

00:43:52: Yeah, I think people forget that.

00:43:54: they should treat music like a piece of art, you know, and not just like you say, the business or dropping singles back to back.

00:44:02: It's cool, you know, if it works for you, it's cool, but don't forget about the piece of art thing, you know what I'm saying?

00:44:10: It's an experience, like you said, man.

00:44:12: It's like going through the artist's world and discovering his identity, his style, who he is, where he's from, all that,

00:44:20: you know?

00:44:22: Yeah, I mean, I think that's why you see, like, you know, like my comedy, you know what I'm saying?

00:44:26: The B.S.S.

00:44:27: and Brazil, the boys, how they're able to get the records off from the street.

00:44:31: That's why they're able to get them off because it's like that genuine, I'm able to touch the feet like you're out of the fact.

00:44:39: Like, I'm just like, my boy, he talks about me all the time.

00:44:42: I'm like, yeah, I'm about to put the CD out.

00:44:44: He's like, no, you just let me know how old you are.

00:44:46: You know what I'm saying?

00:44:48: Every time I say CD, you be like, you let me know how old you are by saying that.

00:44:53: But just the whole physical being able to read the credits, see the inserts, it's almost like being able to see your complete creativity is, you know what I'm saying?

00:45:03: It's taken away from you by just throwing something up.

00:45:05: Like I grew up on credit.

00:45:07: It's like, here in Spanish, I wanted to know what the song was.

00:45:10: Oh, let me listen to some other songs from this, but you know what I'm saying?

00:45:14: Oh, I wonder what made him listen to this, you know what I mean?

00:45:16: So I think it's dope if it does come back.

00:45:21: But I mean, from the just the vibes of the clubs and just trying to see what sounds is going, like you said, this last year album, it's in a good space right now.

00:45:30: I feel like it's in a good space.

00:45:35: It's giving motivation back to all the people that were maybe losing motivation and, you know, Like when you see Ghostface dropping his album, Rake One, you see Slick Rake dropping his album, you know, that gives you that motivation back.

00:45:49: Real music is not dead, you know, it's still the hardest right now.

00:45:53: that are putting the work in and treating music like a piece of art, you know what I'm saying?

00:45:58: It's people that are still doing it.

00:46:00: So, you know, it gives us faith for the future.

00:46:04: Yeah, I mean, like I said again, I can only imagine what it's like trying to come out as an artist and you're being told you gotta drop content.

00:46:12: You know what I'm saying?

00:46:13: It's like you're told to do the other things more and you're saying, yo, just go sharpen your sword.

00:46:18: You know, get in the lab, stay creative, stay free, stay vulnerable to the music.

00:46:23: Be free.

00:46:23: Don't be open, you know what I'm saying?

00:46:25: Like, give them you, you know what I'm saying?

00:46:27: Don't worry about what they give them.

00:46:28: It'll be you.

00:46:29: Like, they're just more of hasty what they're doing over there.

00:46:31: So, they're making you Copycat, you know what I'm saying?

00:46:35: And they're forcing them, I mean, with these new Spotify fans, they basically are think-wise and they're basically, it's the whole life.

00:46:43: They're turning it to data.

00:46:45: Like, they're basically turning it.

00:46:46: Music is basically data.

00:46:47: It's like how many people in this song get to click on here, but it's music.

00:46:53: We still have some control over this.

00:46:55: There's still methods of ways we could get it out to our

00:46:59: people.

00:47:00: Gotta be creative you know.

00:47:01: like recently I was on Instagram I checked out Lloyd Banks page.

00:47:05: he dropped many freestyle using industry beats and he said to his fans you can only get this compilation of freestyles through physical releases because it's gonna get flagged on Spotify and the fans are buying the project.

00:47:19: man you know they want that authentic stuff.

00:47:22: look man my man John Stevan out here.

00:47:24: you know I'm saying he just dropped a project a very wisdom project And he's out here burning physical copies.

00:47:31: He's only made, I think, like, ten, fifteen certain spots.

00:47:34: And you know what I mean?

00:47:35: Like, that's the kind of energy, like, I think nowadays you should be worried about curating your village opposed to trying to reach the masses.

00:47:47: I think everyone should stop worrying about reaching the masses and worry about yours and just let that grow.

00:47:53: and then as that gets bigger, let your fans tell other people and you know we'll see each other at festivals or you know I'm saying we'll find out what music I need.

00:48:03: to get back to that where it's like if we go into different wine stores we don't see the same wines.

00:48:09: you feel me like it like but you go to your favorite whatever store for that whatever for a reason.

00:48:15: you know what I mean like.

00:48:16: you need to go back to that so you can appreciate that.

00:48:19: travel you know I'm saying when you come across something for real.

00:48:23: so

00:48:23: yeah we're sure man You know, I think every hip-hop fan, you know, the one that grew up with real hip-hop, man, they always like to have those physical copies, you know, get a shirt from an artist.

00:48:35: It's memories at the same time, because on the phone it's different.

00:48:37: I mean, it's dope to be on Spotify and all that, but you gotta be able to do both, you know, mix the digital

00:48:43: world with street.

00:48:44: They don't understand.

00:48:45: the purple tape was a purple tape, you know what I'm saying?

00:48:48: It's like little, little gems like that, you know what I'm saying?

00:48:54: Like, where is this like?

00:48:56: I can't explain, you know what I mean?

00:48:59: You had to be there, you know?

00:49:01: Yeah, and like, to be like, dang, what nobody doing, they just came out, you know what I mean?

00:49:06: But like, that hip hop, it's kind of like, it's a structured rebellion.

00:49:10: Show them, show them.

00:49:11: You know what I mean?

00:49:12: It's an arranged rebellion.

00:49:15: As much as I could say, I don't, you know, like, this or that, I could say a lot of things that I love as well.

00:49:21: Like, you know what I'm saying?

00:49:21: But I just love that.

00:49:24: You know, something they told me when I was younger, when it last, it was this day and the third, it's like, it's everywhere.

00:49:32: You know what I mean?

00:49:32: Like, y'all said it wouldn't last, and it's everywhere.

00:49:35: And every walk of life, just say everything.

00:49:38: I've never seen any other genre influence the way I'm watching.

00:49:41: hip-hop influence and continue to influence.

00:49:44: It changed the world, it influenced the whole society.

00:49:47: You know, the way people talk, the way people consume music, even the return of vinyl, for example.

00:49:54: The music industry can actually tank hip-hop culture for the return of vinyl.

00:49:58: You know what I'm

00:49:59: saying?

00:50:00: So that means

00:50:01: a lot.

00:50:01: It's supported a lot of business.

00:50:03: It gets a lot of businesses to room.

00:50:04: It does a lot of halftime shows, including Super Bowl.

00:50:08: It's a very... I can only imagine how much the genre has made in the last fifty years.

00:50:14: It's totality with everything involved.

00:50:16: It's contributed to the world.

00:50:20: Not just the house city.

00:50:22: state or whatever.

00:50:23: I can only imagine.

00:50:24: Yep.

00:50:24: And talking about the future, man, you said you had like a hundred songs in the stage.

00:50:29: Are you planning on dropping a album

00:50:32: or new mix?

00:50:32: I mean, right now, like this is like the first time in a minute that I've been feeling like projects.

00:50:39: So kind of what happened was like I got into producing it and I wanted to make sure I was into producing.

00:50:45: I didn't want to be fighting artists while I'm working with artists wanting to forge beats or whatever.

00:50:50: And then at the same time when I was producing, I wasn't really thinking about rapping.

00:50:53: Like I was right here near, but I just wasn't feeling it.

00:50:57: But then like you said, this has been a hell of a year as far as the drops where it's like, I don't know, like when, you know, Benny came out and a lot of these guys were like, oh, it's all right.

00:51:06: It's time to be our agent.

00:51:08: Still get it off, you know what I'm saying?

00:51:09: Or what not?

00:51:10: Like, it's still all right.

00:51:12: You know what I mean?

00:51:13: Like I said, I'm always doing it, you know what I'm saying?

00:51:15: But the landscape has just been different, but.

00:51:18: Yeah, you're definitely about to get a lot of music.

00:51:20: I think I got this little tape I'm about to put out.

00:51:23: It's going to be called Love Me In Person.

00:51:26: You know what I'm saying?

00:51:27: Like, I mean, that's kind of like the session I'm in.

00:51:29: They're working on some of the songs.

00:51:30: They got a song on there called Love Me In Person, Moving Mountains, Concrete Roses, Marvin in Eighty One.

00:51:37: I don't know exactly which songs.

00:51:39: These are songs we're just doing now.

00:51:40: Michael through the stash, try to ask something.

00:51:43: Yeah, we're going to get something.

00:51:44: It's just now that I'm in the production.

00:51:46: Now I'm hearing everything differently.

00:51:48: You know what I mean?

00:51:49: So it's like, I got hella songs, I got ten versions or what.

00:51:53: Not because it's like, I keep evolving as a producer.

00:51:56: You know what I mean?

00:51:57: Like, oh, now I know this, now I know this.

00:51:59: But nah, we definitely going to get some music out pretty soon.

00:52:02: Probably going to get some music in the next couple of days.

00:52:05: Yeah, and let's do something, man.

00:52:06: I told you I dropped the instrumental album.

00:52:09: Go

00:52:09: get your

00:52:09: joints from there and we rock something.

00:52:11: We drop on band camp.

00:52:12: You know

00:52:13: what I mean?

00:52:13: No, no, no, no.

00:52:14: We win it, man.

00:52:14: We definitely win it.

00:52:15: We can definitely do the same together, man.

00:52:16: That's enough for me, man.

00:52:18: You already know, man.

00:52:19: This is the whole theme, you know what I'm saying?

00:52:21: We definitely, you know, we ain't got to do something every day for it to not be there.

00:52:25: But you know, I've been there since the beginning, you know what I'm saying?

00:52:28: Like I said, man, that drop is crazy.

00:52:31: It's like, that's your Maybach music, bro.

00:52:33: That's crazy.

00:52:33: Yeah, it is.

00:52:34: That's fire, man.

00:52:38: I'd be listening to some of your tapes, and I'd be like, oh, shit, that's me.

00:52:43: I forgot.

00:52:45: Yeah, I like it.

00:52:46: when I do, like, live sets, concert festivals, clubs, everywhere I go, they hear it.

00:52:51: Bro,

00:52:51: that's fire, bro.

00:52:53: That's fire.

00:52:54: That's

00:52:55: dope.

00:52:55: See?

00:52:55: I just click on those buttons right there.

00:52:57: That's the voice,

00:52:58: bro.

00:52:59: That's fire.

00:53:00: That is dope as hell here, man.

00:53:02: That is dope as hell, man.

00:53:03: Yo, man, what's the next time you coming out here, man?

00:53:06: That's crazy, man.

00:53:07: Twenty-five minutes from Winston-Stalin right now.

00:53:10: Yo, I didn't know that.

00:53:11: I thought you were still in Alaska, so

00:53:14: I was like, man, he spoke for me.

00:53:18: Yeah, man, we gotta tell the people about that.

00:53:20: That's a crazy story.

00:53:22: So I went for the first time in North Carolina to meet with Lex Leguizer in April or May.

00:53:28: I don't remember exactly.

00:53:30: So I was in North Carolina for the first time, and when I left, I heard from you, you said you were twenty minutes away from where I was, I was like, damn, where?

00:53:39: That was crazy.

00:53:40: I was thinking pictures with people that I don't necessarily personally know, but I know of, and I was like, wait a minute, are they over there or is he over here?

00:53:49: I'm confused right now.

00:53:49: He's like, yo, I was at WISC, I'm like, get the fuck out of here.

00:53:53: I'm like, yo, I'll be back in force.

00:53:56: He was right here, and I was like, that's crazy, bro.

00:54:00: Where we started, we started on the internet and it was like, yo, he was just in my neck of the woods.

00:54:04: Like, what's the chip?

00:54:05: I felt a whiz there.

00:54:06: I was like, yo, bro, tell me why Flo is out here with this family.

00:54:12: That's great,

00:54:13: man.

00:54:13: I

00:54:14: thought you were still in Alaska.

00:54:15: So I, you know, I didn't send a message or anything.

00:54:18: I thought you were far away.

00:54:19: Then you told me you were twenty minutes away.

00:54:22: Oh man, I was mad because I wanted to, you know, see you in real life, bro.

00:54:25: Yeah,

00:54:26: yeah.

00:54:26: As long as you make it.

00:54:28: I mean, I'm like, you probably gonna beat me before I make it out there.

00:54:32: Who knows though, you know what I'm saying or what not.

00:54:34: But, like, next time you out here, man, you definitely got to look.

00:54:37: Man, I got to show you the hospitality, man.

00:54:39: Got to show you the class hospitality out here in the bar,

00:54:42: man.

00:54:42: And I love it out there, man.

00:54:44: North Carolina is cool, man.

00:54:45: You know, I like the music.

00:54:47: I like the culture.

00:54:48: The nature is beautiful, too.

00:54:49: And, you know, now I'm friends with Lex LaKaiser and his wife and kids, you know, so you're definitely going to be able to link up again.

00:54:57: And I'll be back for sure, man.

00:54:59: What was your favorite thing you ate out here?

00:55:01: Did you go to cook out?

00:55:02: Uh, yeah, I had some, I don't know, I went to a barbecue place.

00:55:06: I can't remember the name.

00:55:07: I also had some, like a brisket burger.

00:55:10: Yeah, you want to take care of a lot of brisket out here?

00:55:14: Yeah, yeah, yeah, yeah.

00:55:15: Here a lot of no for the barbecue.

00:55:17: That's the only thing that got out here a bit.

00:55:18: Yeah,

00:55:18: yeah, yeah.

00:55:20: I went in the mountains.

00:55:22: What's the name?

00:55:22: Like Mount

00:55:23: Violet?

00:55:23: Like, uh, Asheville Boone?

00:55:26: Uh, Boone, yeah, yeah, yeah,

00:55:27: yeah.

00:55:28: I was just up there a couple of days ago.

00:55:29: I was out there in Long Rock this past week.

00:55:32: Yeah, beautiful.

00:55:33: The state park also, I don't remember the name of the state park, but I went out there.

00:55:38: Like

00:55:40: above

00:55:40: Winston Stadium, there's like a state park.

00:55:42: Asperil?

00:55:42: Don't get me lying to you about where

00:55:51: the state park is.

00:55:52: Don't get me on camera right now.

00:55:53: North Carolina is dope.

00:55:54: It's good to go out there because it's different.

00:55:57: You don't see many tourists.

00:55:58: People usually go to New York, LA, Miami.

00:56:01: You know, and I like to visit those places, man.

00:56:04: Carolina is like, one thing I love about.

00:56:06: out here, it's like, man, I don't live all over the States, man, but out here in Carolina, it's like, everybody got family from somewhere else.

00:56:14: You know what I'm saying?

00:56:14: You either came out here from school, you came out here, you retired, you had a kid, you know what I'm saying?

00:56:18: Like all my friends, the portion of it, they all from somewhere else, or the parents from somewhere else, so.

00:56:24: You get a, it's a nice little, like you can't call it the South, it's the South, don't get me wrong, but.

00:56:30: It's a very multifaceted representation of the South.

00:56:37: You know, we got HBCUs here, you know what I mean?

00:56:40: We got a lot of higher learning here.

00:56:41: So, excuse me, it's a lot of different things out here.

00:56:46: Yeah, man, I'm glad they treated you well while you was out here.

00:56:49: You got some brisky while you was out here.

00:56:51: That's how I experienced the sound like.

00:56:53: Yeah, sir, I smoke some good butt, too.

00:56:55: Oh, yeah,

00:56:55: man.

00:56:55: Yeah.

00:56:55: I'm awesome now, yo, man.

00:56:58: I'm out here, so I can only say so much, man.

00:56:59: Yeah, you know, it's a beautiful thing out here with the Carolina Streets, man.

00:57:06: Nice, let's shake

00:57:07: it out here.

00:57:08: Yep.

00:57:08: I can't wait, man.

00:57:09: The next time, man, we're going to link up for sure.

00:57:11: Now that I know that you're around, we're going to link up.

00:57:13: Yeah,

00:57:13: man, love, man.

00:57:15: I'm in the studio right now, man.

00:57:17: Like, sent on Wigs.

00:57:18: This is the spot I be at.

00:57:20: It's my man, Lou.

00:57:22: Shows me love over here and stuff.

00:57:24: You'll definitely get familiar over there next time

00:57:27: you out here, man.

00:57:27: Yes, sir.

00:57:27: Yes, sir.

00:57:28: In the meantime, man, we're going to work on some new music.

00:57:31: So when I come back, you know, we have a whole new set of material, right?

00:57:34: Oh, yeah, yeah, no.

00:57:35: I'm going to get on with that beat tape in the next couple of days.

00:57:38: I'm going to prove this to that a little bit later, you know what I'm saying?

00:57:41: See what I can find on there.

00:57:42: Yes, sir.

00:57:43: Yes, sir.

00:57:44: Do you have any last words, man, for your fans across the globe that are listening to this interview right now?

00:57:49: Amen right now, man.

00:57:50: I'm pleased to hear that.

00:57:50: So I'll listen to this interview, man.

00:57:53: Class go to grade.

00:57:55: Right now, I ain't no way produced by me.

00:57:58: You know, I'm a boy's day four, forever, Gibran.

00:58:01: New music with my boy Antoine Scales.

00:58:03: Like I said, love me in person coming from me soon.

00:58:07: A lot of other things and stories, well, you know, just go to the page, come to the page and see what I'm on, you know what I'm saying?

00:58:14: I'm pretty, I'm pretty... I let you see what it is or not, man, but nah, I just appreciate my gospel, you know, y'all gotta understand.

00:58:21: What was it?

00:58:21: Ten thousand, I mean, two thousand and ten, eleven?

00:58:24: Something

00:58:25: like that.

00:58:25: Yeah, yeah, you

00:58:26: know what I'm saying?

00:58:29: Like, yeah, yeah, something like that.

00:58:30: So it's like, this connection kind of goes pretty far back to.

00:58:32: let you know, man.

00:58:34: Stick with your dreams, man.

00:58:35: You never know what a shit can take you, man.

00:58:37: For sure, man.

00:58:37: That's what we're about, man.

00:58:38: We're connecting the dots worldwide, and we, you know... Like, I like to change those internet relationships into real stuff, real music, real content.

00:58:48: That's what we did over the years.

00:58:50: And look at us now doing this kind of view.

00:58:51: We're still here, you know?

00:58:53: It's

00:58:53: beautiful, man.

00:58:53: We're still doing this.

00:58:54: They like, we're still having the same places, having the same conversations, doing the same thing.

00:58:58: Exactly.

00:58:59: Just on

00:58:59: a different scale.

00:59:00: You feel me, Phil?

00:59:00: For sure.

00:59:01: Yeah, it's a beautiful thing, man.

00:59:03: More yesterdays than tomorrows, man.

00:59:05: You got it?

00:59:05: Mm-hmm.

00:59:06: Real shit, man.

00:59:06: Well, appreciate you, man.

00:59:08: Thanks for your time.

00:59:09: and everybody that's listening make sure you go check out classical the great aka the voice of mixtape you heard.

00:59:19: peace my man.

00:59:19: take care

00:59:21: bye.