Mixtape Addict #75

00:00:03: You have now entered the mixed tape.

00:00:03: addicts show Broadcasting every day with the French Connect DJ King Flow.

00:00:13: I won't let a label come and enterprise me.

00:00:16: I ain't just a pie

00:00:17: piece So a fifty up ain't just a five piece.

00:00:20: So my pinky up drinking my tea My mind cleared when I'm too quiet.

00:00:25: You guys here don't ruin my cheese.

00:00:28: Everybody live, everybody buy.

00:00:30: Cool, you give off a million.

00:00:32: I'm the fear

00:00:33: of a child and then the kid inside his eyes.

00:00:35: It's a

00:00:35: national anthem for so so everybody buys.

00:00:37: Don't keep saying In the song

00:00:38: forever, whenever

00:00:39: it up the fears and tears,

00:00:43: I close my fucker, this is South Park, and you

00:00:46: are Kenny Don.

00:00:47: Everybody losing, you can pick like it

00:01:08: was

00:01:12: a sea lion.

00:01:16: It's like I was C.J.

00:01:23: King's Louder.

00:01:23: You can feel the sense of welcome, the newest, we the truest, I can see you through it, teach you how we occupy.

00:01:36: I

00:01:37: came afraid of bundles, shovels, coolers,

00:01:44: and

00:01:48: with excellent prerequisites.

00:01:50: And next to my Pegasus, you stepped into your exodus at

00:01:54: Festivus,

00:01:55: and only on.

00:01:55: my old heads know about that.

00:01:57: I call my son Nas, cause I fucking represent, and I watch every sunrise, put all my eyes on

00:02:02: every cent.

00:02:02: All my guys are getting sent to Yo-Krim with a death,

00:02:05: which

00:02:05: put a horse's head up on you.

00:02:09: The second

00:02:24: witness for circumstances Surgeon, your Birkin bag is delicate, I rob it for the hell of it.

00:02:57: I'm the predicate felon, catch me yelling at some wellen kids.

00:02:59: Selling bricks, best way that I could reap the benefits.

00:03:02: My boy's coming out the trenches, stenches, reek of cannabis.

00:03:05: You ignore amicis, you shouldn't have went against Sam.

00:03:07: It's just he'll butcher at the back of the human centipede, eating asparagus.

00:03:10: He makes you eat your shit, the piece of shit with such arrogance.

00:03:12: There's no preparing kids for the sudden turn in the narrative.

00:03:15: There's no comparison, it's like beats by beat chef or imperative.

00:03:18: I'll turn your fucking paradise to nine eleven Fahrenheit

00:03:20: and I ain't talking about hijacking planes in the air at night.

00:03:23: Talking bout steppin' on stage and fuckin' tearin' mics.

00:03:26: Better be prepared to fight the narrow-minded stereotypes Wherein' life is paranoid, he's tryin' to repel some parasites.

00:03:56: Good shot!

00:04:05: Buh shot!

00:04:10: It'll be when you get it DJ King, come on!

00:04:34: I've probably seen the uberger In my holy possession, King Klover's the second Still holding my head, it's supposed to be second Still, nobody better, get alone and get legend.

00:04:46: Some past being royal, have asked before I dash for you, it's local.

00:04:52: The King came to the world, lost his soul Never parted, his story for all the false hails Frickin' on walls of gold.

00:05:11: I still have your friends and royals out, ayy, what the hell is up?

00:05:44: Boatstags, cannibals, dwarfs We'll off your whole head, new deli beds Host the King, big down, Vincenzo, wine and cold red.

00:05:50: Never saw nothin'.

00:05:51: No seeds, not even over.

00:05:53: Pussy to call you Hot Tuna.

00:05:55: I get the pounds from the Rupa, cause we trying to maneuver.

00:05:57: Down to Peter Lurak, I'll stay loyal to the sewer.

00:06:00: Super Cuff and Don Rickles, the face of the shooter.

00:06:02: Pushing them out of the Blue Hawks, in the Mitch, with the inverted cross.

00:06:05: Ubi brothers dipped in the Jaws before they hit the corpse.

00:06:08: I'm in a dash, she gave me a lick up the cloth.

00:06:10: Master Deke Moratik sought the sword off.

00:06:11: Soldiers some bad speed, breaking doors off.

00:06:13: Pull out in the Corvette, that's what the war's for.

00:06:15: Get awards for corner store.

00:06:34: that niggas is shootin' back.

00:06:36: I got the taste for out on bail, bigger gun than the one I got the case for.

00:06:41: Never can't tell what I might do.

00:06:43: I ain't nothing like you.

00:06:44: I put my dutch out on your night boots.

00:06:47: Pull my nuts out on your wife and the mic booth.

00:06:49: Then sit your way with her at the end of the night, too.

00:06:52: Those were the happy days.

00:06:54: These the real years.

00:06:55: Niggas is brain dead with shit bags and wheelchairs.

00:06:58: For the record, I don't give a fuck who your team is.

00:07:00: And you don't want it with me, because I'm an extremist.

00:07:03: Ugh.

00:07:08: DJ King Flow.

00:07:11: Mixing at it.

00:07:14: Three and a half years they catch you with a cat.

00:07:17: all that mean now's that niggas is shooting back back war something I got the taste for out on bail bigger gun than the one I got the

00:07:24: case for.

00:07:25: never can't tell

00:07:26: what I might do ain't nothing like you?

00:07:28: I put

00:07:29: my dutch

00:07:29: out on your night bolts.

00:07:31: pull my nuts out on your wife and the mic booths can sit your way with her at the end of the night to.

00:07:36: those were the happy days.

00:07:37: these the real years.

00:07:39: niggas brain dead with shit bags and wheelchairs.

00:07:42: for the record I don't give a fuck who your team is and you don't want it with me.

00:07:46: cuz I'm an extremist.

00:07:49: cuz I'm an extremist.

00:07:52: give a fuck who your team is cuz I'm an extremist.

00:07:58: I ain't come for thrones.

00:08:01: I just came to bring my brothers back home.

00:08:04: Inside alone, might turn a stone.

00:08:06: I just came to bring my brothers back home.

00:08:09: They called you radical.

00:08:10: You're down here like an animal.

00:08:12: They act like you don't got a soul and some kind of mechanical product.

00:08:15: They could just toss.

00:08:16: Just so they could stay bosses.

00:08:17: Just so we could stay lost until we're slaves

00:08:19: to the source.

00:08:20: They made me what

00:08:21: I am.

00:08:21: Made you what you are.

00:08:22: Made us understand.

00:08:23: They could build us up and take shit from us.

00:08:25: My man, stay strong, rebuild.

00:08:27: Scars can't be held.

00:08:28: Scars just Ugh.

00:08:29: Cuz I'm an

00:08:30: extremist.

00:08:31: He will fuck

00:08:32: with

00:08:33: your

00:08:33: teammates.

00:08:36: Cuz I'm an

00:08:39: extremist.

00:08:39: I ain't come for cops.

00:08:44: I ain't come

00:08:52: to DJ King Flow.

00:09:19: My ex bitch feeling puzzled.

00:09:20: been a year

00:09:21: since I fucked you shit

00:09:22: in the name like we still a couple.

00:09:24: It take

00:09:24: six figures

00:09:25: to fill his duffel.

00:09:26: Broke niggas and steal your bitch A rich nigga or steal your hustle.

00:09:29: Huh, I come from a hidden jungle.

00:09:31: Can't afford to slip and fumble When drug dealers and killers come

00:09:34: through.

00:09:35: Made my first million and still was humbled.

00:09:37: Then I made that million double.

00:09:38: Can't say

00:09:38: how I did it without building trouble.

00:09:40: Niggas still and niggas stumble For whale squilla.

00:09:43: mumble My killers that had your crib.

00:09:45: Well, gone smoke, caught.

00:09:46: cases had to sit and rumble.

00:09:48: I feel disgruntled, how niggas burn

00:09:49: bridges like they go build a tunnel.

00:09:51: The thing landed in Cincinnati.

00:09:53: You see, I gladly took

00:09:54: trips to

00:09:55: Cali with a list of addies.

00:09:56: When

00:09:56: I'm hurting, I tell my workers to pinch the baggies.

00:09:59: It's

00:09:59: a process, turning

00:10:00: the bird into chicken patties.

00:10:02: Stick

00:10:02: to the book, we'll listen to crooks Y'all taking pictures, but we the reason pictures is took A head

00:10:08: shot, you like a fish on

00:10:09: a hook A leg shot, he like twelve inches short, nigga missing a foot, trust.

00:10:13: Then I had told to bring me two magles in a helical eye water.

00:10:33: I'm sick with the scribble, sick with the dribble, sick just a little liquid once it's mixed.

00:10:56: so we're cooking like six sticks of licorice with a piece of fish in the middle.

00:11:04: when it comes to this you'll be simple different, a little different.

00:11:11: but I was different with several dipshits.

00:11:18: you'll then wish they could have all of them vicious with this and I never stop.

00:11:26: had a stick rich in chips and I'm in a pot.

00:11:33: when I'm cooking up me lock up blocks me lock up streets me kick up wide with soccer cleats from soccer leagues.

00:11:50: so back up please me chop up beats.

00:12:10: so shut up please and knock up peeps.

00:12:14: and I'm not gonna repeat I'm sickin' with this tricking with this sickness with sickness sick.

00:12:20: this nickname don't exist.

00:12:22: feel this sickness consist on the ricks that I spit like four clips.

00:12:28: that would add a shred of more.

00:12:33: I like.

00:12:34: would ya rip it rip it.

00:12:41: the shreds like I'm possessed who come feed this any time they come, me come refresh when time to beat.

00:12:54: drop the heat dropping to the beat.

00:12:58: bruh me jazz.

00:13:00: any time I talk new bits to start nibbling it off middle finger cus.

00:13:07: I'm bigger than guitars thinking like I was singing like a stingray in the pond maybe on a kelly resec when my ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer

00:13:38: ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer

00:14:17: ringer

00:14:18: ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ringer ring As I promise in thousands of hundreds Creative, fatigued, versatility, and numbers Close to me like you be punished Cause I'm bringing that newness among us, among us, among us, among us, among us,

00:14:52: among

00:14:53: us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us,

00:15:10: among us, among us, among us, among us, among us, among us, among

00:15:42: us, among

00:15:45: us,

00:15:47: among us, among us, among us, among

00:15:52: us, among us, among us,

00:15:58: among us, among

00:16:02: us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, among us, Not my time yet, man We gon' figure out.

00:17:11: Is it really hatin' if a nigga doubt what you spittin' bout?

00:17:13: There's a little drought in your content Buntin' on sense for the comments and a little clout.

00:17:17: What a concept.

00:17:18: One con left and a game right like to sick us out.

00:17:21: Who the best?

00:17:22: Go ahead, pick em' out.

00:17:23: Was it Jay when he took a different route?

00:17:24: Was it Nas live at the barbecue?

00:17:26: Was it BI sippin'?

00:17:27: Gettin' stout?

00:17:28: Was it three stacks?

00:17:29: Scarface?

00:17:29: Maybe TI?

00:17:30: Two pickin' mouth?

00:17:31: Is it common to have black thoughts about what was done when you did without?

00:17:35: You can see I'm on a higher path.

00:17:36: The best pickin' the entire track.

00:17:38: Subtract all the suss rap It don't add up, then apply the math Plus.

00:17:42: that just explains If you gon' teach game, it requires class

00:17:45: Touch that hurricane, brainstorm pain.

00:17:47: Now you gotta buy a rap Show.

00:17:49: bogey gets overblown.

00:17:50: I pin venom on mobile phones.

00:17:52: I write cancer, it might transfer.

00:17:53: And then pray you in your chromosomes.

00:17:55: Tone low, good or vocal tone Eminem and his mobile home.

00:17:58: You don't even know the half of it, I'm done stringing up the last puppet Spilt tea on a player, but I drive past jumping for the last bucket.

00:18:09: You ain't even gotta ask of it, I'm volunteering like Pat Summit.

00:18:12: Thought you'd see the last of it, I'm back here like a black mullet.

00:18:16: Are you not entertained?

00:18:17: Feel every drop full of pain.

00:18:19: Put my heart in it, done broke spurts, broke scars with it when those DJ King Flow!

00:18:51: Causing brain

00:19:08: damage and bringing back the seven men.

00:19:37: I never

00:20:50: lose in the love for how I

00:22:05: love shit that made me so sad.

00:22:10: I'm on a mission now.

00:22:11: I'm travelin' like an old madman Queen on a too young to

00:22:17: be a

00:22:18: copover.

00:22:20: Stand my ways and never get mad.

00:22:25: But put this shit together man with the plan And the trap kicking like it's

00:22:32: Vandam.

00:22:34: Now

00:22:37: take notes cause it's ain't a scam.

00:22:40: So you can get more intellectual.

00:22:42: And while you there.

00:22:42: go ahead, grab that tabigo shirt.

00:22:45: Sit back while

00:22:46: this nigga.

00:22:46: count these decibels I conduct myself while around professionals.

00:22:50: You don't got no class, you dropped

00:22:51: out with no

00:22:52: principles.

00:22:56: You should sell it physical now,

00:23:09: watch

00:23:10: how I can get.

00:23:16: I know they wish I'm finished.

00:23:29: last Put a nigga past, yeah I'm laughing at your ass.

00:23:32: The music's trash, Frank Lucas with the stash Never won the brag, you're close to living in a town that's in class Wrapping

00:23:40: like now, we're probably brown.

00:23:42: It's my prerogative,

00:23:43: I got a lot to give.

00:23:45: They.

00:23:45: stop, stop and watch the kid, the type of stunner Pop,

00:23:48: pop, a lot of niggas dead,

00:23:49: cause they don't wanna live.

00:23:50: I got the city

00:23:51: on my

00:23:51: soul, knew your

00:23:52: back up in this bitch.

00:23:54: What's the excuse?

00:23:55: now, you hear the sound?

00:23:56: You can tell I really do this, how I move around and act like.

00:23:59: they never

00:24:00: knew it But I bet they know it now, they had the chance to get this

00:24:03: paper with me but they blew it with half.

00:24:06: Woke up before the touchdown, sportsmen's in the ballroom with different type of bust

00:24:10: down.

00:24:10: I heard that it was over, get

00:24:15: How

00:24:17: you underground and rockin' shows all over the globe?

00:24:26: They throw on me roses, I

00:24:27: broke it and I've stolen

00:24:30: the coast.

00:24:31: They

00:24:31: stove cold, plus we invited y'all to fight, and y'all niggas was no show,

00:24:35: but the

00:24:35: Airbnb in Paris.

00:24:37: During the French

00:24:38: rise, eating

00:24:38: mussels and French

00:24:39: fries, we don't gotta invent lies.

00:24:41: We pen our lives and penalize

00:24:43: cash for trying.

00:24:44: Rap and stormy is already writing books to analyze my triumphs.

00:24:47: My size is deep tissue, the opposite is superficial.

00:24:50: Droppin' at it ready to pull up on, whoever got an issue.

00:24:53: So speak up now

00:24:53: and hold your peace.

00:24:54: The Golden Sheik words reverberate a long way like Progosian speech.

00:24:58: We blaze the toast for the beef.

00:24:59: I'd rather play it low.

00:25:01: Got loud for nothing, couldn't perceive what I'm able to see.

00:25:04: I got chicks that are shooters, and they

00:25:06: faithful to me Drop it, he consistently,

00:25:08: these fans is great for the me Tuh, been gone for a while, but now I'm back, we're gone.

00:25:12: They tagged my name on the wall, with spectacular fonts.

00:25:15: Survived

00:25:16: shootouts in

00:25:16: D.C.,

00:25:17: a deli of courage Back in the day, nowadays the rhymes, pain, deferment Changed my settings to suburban in a

00:25:23: farm with a blonde, no longer call me Sean

00:25:25: Trump.

00:25:26: Now I'm charming and calm, it's all shit I front Like.

00:25:28: I let him slide, like Adam Smith Only to throw boomerangs back at you bastards that'll kill you.

00:25:34: That's febogamma memorabilia.

00:25:36: Yo,

00:25:37: I don't listen to naysayers, I rhyme in and out of the pocket Like bass players, these fake shed snake layers,

00:25:42: some steak nagger Bayer after whiskey shots, this is upper ash alone.

00:25:46: Hip hop, velvet rope tied up with a slipknot Napoleon and God, Tretchen,

00:25:51: Vin Brock Young Chris Mullin, like I don't miss shots, these kids

00:25:54: stop.

00:25:55: I don't fuck with novices.

00:25:56: Kittens never run with hippopotamuses.

00:25:58: Monstake dominance, this is

00:26:00: opulent prominence.

00:26:01: Mix with confident confidence, have me bry for the rocker.

00:26:04: then start an empolyke Ottomans Puffing polymints down to the bottom and keeping my visions bottled Never

00:26:11: damn, and look to where it took

00:26:13: me now.

00:26:14: Fuck my foes, broke telescopes

00:26:16: like y'all ain't never looked out,

00:26:17: took doubt

00:26:18: Turned into a masterpiece,

00:26:19: past the peace To resurrect

00:26:21: the underground from half to cease,

00:26:23: peace Serious Seriots, King Flo, the mixtape addict.

00:26:39: Welcome to the mixtape addict radio show once again.

00:26:43: And today we connecting the dots, not from France to the US, but from France to Canada with the homie dialect Sosa.

00:26:50: How you doing bro?

00:26:51: I'm good bro.

00:26:53: Good man.

00:26:54: Glad to be here brother.

00:26:55: Yeah we here man, we here.

00:26:57: We gonna talk some hip hop shit, but you know the tradition in the show, I have to ask you man, that's the tradition out there.

00:27:03: Who is your all-time favorite DJ?

00:27:08: I gotta say, King Flow.

00:27:12: I

00:27:12: appreciate the

00:27:12: love, bro,

00:27:13: but I'm gonna need some more names, man.

00:27:16: I'm gonna say DJ Premier is definitely my top, top guy, top influences, you know what I mean?

00:27:23: For beats, for just all-time, one of the all-time greats, man.

00:27:28: yeah yeah for sure for sure and why especially primo like.

00:27:31: you know what song like what's your favorite track or something that really blew your mind when you heard it?

00:27:36: man uh gang star everything basically but like uh i mean tons of guns.

00:27:43: um that's one of my top joys by gang star um royalty

00:27:49: yeah you know

00:27:50: what i mean like uh yeah all the classics man.

00:27:54: i love everything primo's done from from day one till now, even, you know, everything he's doing now.

00:28:00: Legendary guy, man, on the beats, also on the radio shows.

00:28:03: He did a few mixtapes, too.

00:28:06: And I heard he's gonna work on the, I mean, he's gonna drop on that one with Ransom at the end of this month.

00:28:10: So I can't wait to hear that, you know?

00:28:13: Yeah, man, it's gonna be crazy.

00:28:15: One of my dreams one day is to get DJ Premier to play one of my songs on like Shade, Forty-Five or wherever he's running, you know?

00:28:24: That would be a dream come true, man.

00:28:27: I don't think it's something that's like impossible.

00:28:30: You know, it can happen.

00:28:32: I know some dudes that had their songs played on the show and also like our static selector or our representative control, those legendary shows.

00:28:39: So, you know, with the music that you do, quality music, it's something that's not impossible.

00:28:45: You know, I think you can make that happen real soon, my guy.

00:28:48: Yeah, man.

00:28:48: Yo, shout out to Jay Roberts, man.

00:28:50: He's the guy that inspired me.

00:28:51: He's a Toronto artist that I recently, I mean, he's had it happen before, but he got DJ Premier to drop a few of his joints on the radio on shade forty-five, I think it was.

00:29:04: So when I see guys like that from Toronto, you know what I mean?

00:29:09: Making dreams come true makes me, you know what I mean?

00:29:12: it gives me more motivation, you know, like it's possible for Canadians to do things like that, man.

00:29:17: Of course, man.

00:29:18: You know, I have nothing to do with the, you know, the place that you're from or whatever.

00:29:22: It's just about the music, the content, the stuff that you're saying in your music.

00:29:27: You know, if it touches your soul, it don't matter if you're

00:29:30: in

00:29:30: France or in Canada or in South Africa or wherever.

00:29:34: You know what I mean?

00:29:35: We're all humans.

00:29:35: So when you hear something that touches your heart, that makes you You're like, oh shit, what did you just say?

00:29:41: Let me rewind that.

00:29:42: Yeah.

00:29:43: No, you made the job, bro.

00:29:44: You made it correct.

00:29:45: You know what I mean?

00:29:46: Thanks, man.

00:29:47: Thank you.

00:29:48: Appreciate

00:29:49: you.

00:29:49: Yeah, man.

00:29:50: And tell the people about the hip-hop scene out there in Toronto, you know, because, you know, some people in New York may not be aware of what's going on out there.

00:29:58: So how is it?

00:29:59: How's the hip-hop scene out

00:30:00: there, bro?

00:30:01: Oh, well, yeah, man, I'm actually from Niagara.

00:30:03: Like, I got to claim Niagara because that's where I really grew up.

00:30:08: I mean, I did live in Toronto, the Toronto area for a while as a kid.

00:30:13: But where I really came into my own in hip-hop music was when I was in Niagara region.

00:30:19: And, you know, Niagara is really close to the States, right?

00:30:25: Like much closer than Toronto.

00:30:27: We're right across the border from Buffalo, New York, right?

00:30:32: So we get a lot of our influences from the New York scene, more so than the Toronto scene, really.

00:30:40: So you could tell there's like a slight difference in the Toronto scene to the Niagara scene.

00:30:47: I know that it's much more influenced by the East Coast, like, nineties era, golden era hip-hop.

00:30:56: So that's what I grew up on, man.

00:30:58: So the scene is really like, It's really like a underground feel, but they got aspirations for commercial success, you know what I mean?

00:31:10: So

00:31:11: that's the vibe I get from the scene.

00:31:12: I mean, just last night though, like Toronto and Niagara is very meshed in together and in that way, like just last night, I just did a show opening for Choclair.

00:31:24: I was about to say that.

00:31:26: I was about to say

00:31:27: the name.

00:31:28: Yeah, yeah, man.

00:31:29: He's a Toronto legend, right?

00:31:30: And it was like an honor to bless the stage before that man last night, you know, and, and, uh, yeah, like he came, he came down right to Niagara.

00:31:38: They don't do shows in Niagara much, um, artists of his, of his stature, but he, he made it down there, man, and blessed us all with, with like great show last night.

00:31:48: Um, yeah, yeah, it was, it was a good time.

00:31:52: Yeah, that gives you even more motivation, you know, to be able to make some moves like that and connect with the legends.

00:31:57: Because if people are not aware of what's going on, you know, in Canada, me, I'm out there in France.

00:32:03: and when I hear hip hop from Canada, I always hear some authentic stuff, you know, like ShowClair, Socrates, Daniel Sun also is super

00:32:14: dope.

00:32:15: And are you far from Quebec?

00:32:18: From Quebec.

00:32:20: Where are we where?

00:32:21: I guess we're closer than?

00:32:23: Ten hour drive about a ten hour drive.

00:32:25: Okay.

00:32:26: Yeah.

00:32:26: Yeah, man, so

00:32:28: did you park on that?

00:32:31: Yeah, I can't speak French even though they taught us in school.

00:32:35: But I guess I skipped classes a lot when I was in high school.

00:32:40: It's so good, man.

00:32:41: I missed out on learning French.

00:32:42: I wish I could have, man, because it would help me a lot if I got to go out to Montreal and do a little tour and stop off in Montreal.

00:32:51: Much easier to get by out there if you could speak the Quebecois, you know?

00:32:55: For sure, for sure.

00:32:55: And they got some dope artists out there in Quebec.

00:32:57: I don't know if you heard about Conestor Ticazzo.

00:33:00: No.

00:33:01: He's

00:33:01: an Asian dude.

00:33:02: You know, he lives in Montreal.

00:33:04: You know, he's doing some real boom-bap shit like legend.

00:33:06: Okay.

00:33:07: One of the illest.

00:33:08: I'll send you some music.

00:33:09: Yo, please do.

00:33:10: He

00:33:10: raps in French, but sometimes he use English words in

00:33:12: his rap.

00:33:13: Super

00:33:14: good.

00:33:14: Damn, man.

00:33:15: Sometimes it don't matter what language you're rapping.

00:33:17: And I like guys, there's an artist I like from the Ukraine.

00:33:20: he's a producer slash artist like I love.

00:33:23: I can't understand a word he's saying but I feel it man.

00:33:25: it's like it's boom bap it's underground it's like nineties it's right up my alley of the of you know of the way I came up in music and all that and they keep it like really underground over there and like Europe's got some crazy crazy like hip-hop music man like A lot of stuff from the golden era, you know what I mean?

00:33:45: And they really live it out there, you know?

00:33:47: It's hip-hop, it's a lifestyle.

00:33:50: Of

00:33:51: course, man.

00:33:51: You see trains, you know, bomb, you know, graffiti on it, you know what I mean?

00:33:54: You see new roads, kind of like New York, you know what I mean?

00:33:57: Like you still see those types of stuff.

00:34:00: and we have a huge underground scene and I always tell that in my interviews.

00:34:04: but when I interviewed Master Ace and Marco Polo like I think it was like two years ago in Paris they told me something that blew my mind.

00:34:12: they said if we perform in Europe we get sold out shows

00:34:16: and

00:34:17: in our home country sometimes You know, it's only a few people showing, so.

00:34:21: Yeah,

00:34:21: man.

00:34:21: It's crazy.

00:34:21: They really support hip hop out there.

00:34:23: Like, for real, for real.

00:34:25: I get a lot of love from people in the UK and France and Brazil and, you know, Germany is a big one.

00:34:33: You know, I got more love from there sometimes than in Canada, you know.

00:34:37: So,

00:34:39: they really support the hip hop artists, man, on the come up and everything.

00:34:42: For sure.

00:34:43: I think they respect authenticity.

00:34:45: Even sometimes if they don't understand a hundred percent of the lyrics, they can feel it.

00:34:50: They feel the energy, they listen to the flow, the type of beats, you know, we like authentic stuff out

00:34:56: there, man.

00:34:57: Same way, same way I feel about them, man.

00:34:59: If I can't understand it all, I still feel it, like, you know, shout out Cool Ya Beats, by the way, man.

00:35:04: The Ukrainian dude, amazing producer that I've been rocking with.

00:35:09: a shout out to everybody out there like skipping hip hop culture alive.

00:35:12: you know we need that especially in this crazy world that we live in.

00:35:16: but i think you know we're coming back to authenticity like in in.

00:35:21: from twenty ten until like twenty twenty or twenty nineteen there was a lot of bullshit because everybody was trying to follow a wave, follow a trend.

00:35:29: Yeah.

00:35:30: Now that, you know, I take that for example all the time, but we've seen Griselda, you know, Benny the Butcher, West Side Gun, they kind of roll back that energy into the game and show people that you don't need to do the commercial bullshit to be on top of the game, man.

00:35:44: Yeah.

00:35:45: Yeah, man.

00:35:46: I feel the same way.

00:35:47: I love that.

00:35:48: I love the whole, the whole energy that they're bringing into the game now, man.

00:35:51: It's different.

00:35:52: It's like, It's this real, raw rap, like real emotion, real, you know what I mean?

00:35:59: The energy they're bringing is taking over the game and I like the way it's going now.

00:36:05: You know what I mean?

00:36:05: When people look to that as what's commercial success, is somebody like that, I'm happy with that man.

00:36:13: Me too, you know, it gives us motivation and faith.

00:36:16: also, you know, like, especially for us, you know, boom, bang, heads, you know throughout the years we've seen hip hop go down go back up yeah seeing those guys that give you the strength to to keep going and say that man it's not impossible with the music that I do as long as I keep it real authentic and I touch people.

00:36:34: so anything is possible.

00:36:37: and they're right across the water from us bro right across right across the falls.

00:36:41: you know Buffalo's right there.

00:36:42: so We feel really close, we feel proud of them when we see them on top, man.

00:36:49: We're like, oh, those are our people right there, you know?

00:36:51: Yeah, yeah, you know, it's just like a border separating you from those guys, but that don't mean anything, you know what I'm saying?

00:37:00: It's just a line on the map,

00:37:02: bro.

00:37:02: Yeah, yeah, no doubt facts.

00:37:05: Yeah.

00:37:05: And let's go back in time, man, like what made you fell in love with hip hop.

00:37:09: at what age?

00:37:11: Oh, wow.

00:37:13: age I was probably like eight years old.

00:37:16: you know I lived in like the Toronto greater Toronto area and I had a friend of mine who's a Palestinian dude and him and his brother used to show me boot camp click tapes like we had cassette tapes back then.

00:37:32: you know we couldn't afford CDs so we like we would always buy the cassette tapes with twelve dollars or whatever from you know.

00:37:39: uh sometimes have to get your mom to buy them for you.

00:37:44: i know

00:37:45: that yeah like i had to get my mom to buy the Slimshady LP for me when it came out.

00:37:49: i was only like ten years old and she was not happy when she heard it.

00:37:53: but on the car ride back, she was like, what did I just buy you?

00:38:00: But that's how it all started, man.

00:38:01: Like Bootcamp Click, Gangstar is one of the first, this is some of the first hip hop music I ever heard.

00:38:08: I'm an immigrant from Sudan, East Africa.

00:38:12: So I came to Canada when I was six, seven years old.

00:38:17: Within a couple of years, I ran into hip hop music and I barely knew English yet.

00:38:21: Okay, you know, keep that in mind.

00:38:24: I barely knew English, but I fell in love with this art form.

00:38:28: that was, you know, mainly in English, you know.

00:38:32: And yeah, Gangstar, Boot Camp Click, Wu Tang.

00:38:36: I remember like, these are the first tapes I ever bought, the RZA hits by Wu Tang.

00:38:42: You know, Gangstar's double disc that they dropped the full clip joint, you know.

00:38:49: Of course, like OGC, Black Moon is like my favorite group of all time.

00:38:54: Black Moon, Buckshot was my favorite rapper of all time.

00:38:58: For like the longest time, man.

00:39:00: You know, from when I like learned about hip hop, everything about Black Moon ended a stage.

00:39:05: That was like my theme song, walking through school and shit.

00:39:10: You know what I mean?

00:39:11: I had phones on, the backpack on, and I started writing my own raps, man.

00:39:15: You know, it started off like, I would copy rappers, like I would want to learn their lyrics.

00:39:23: So I would learn Method Man's lyrics as verse on the Wu Tang joint, or I'd learn the entire protection neck, each guy's verse, and I would master it perfectly.

00:39:32: So it all starts from just kind of trying to emulate these guys that you look up to, right?

00:39:38: And I don't remember when it was, maybe.

00:39:40: a couple years in of just like learning these guys' lyrics so hard that I would write down their lyrics and like wanna, you know what I mean, master the way they say it and everything.

00:39:49: And I think around like ten years old, that's me and my boy, my homie, Ahmed Elashi from Palestine, shout out Ahmed.

00:39:58: Him and his brother put me on the hip hop, like we started writing our own raps and we came up with our own little You know, we had like a little crew that we made.

00:40:06: We used to break dance.

00:40:07: We used to graffiti bomb.

00:40:09: We used to like do everything.

00:40:11: We had all the elements, man.

00:40:12: That's such a young age.

00:40:13: So I really, it became who I am.

00:40:17: There's no way around that.

00:40:19: It became everything that I was as a person was hip hop.

00:40:24: I learned I didn't have no...

00:40:26: Maybe that's how you also learn how to speak English, because that was the case for me, you know, out there in France.

00:40:31: I used to do hip-hop, hip-hop albums, you know, again and again.

00:40:35: So I get the accent, I get the right words, you know.

00:40:38: Yeah, man, I mean, as you can see, like, I speak English well, right?

00:40:45: I don't have my accent no more.

00:40:47: I lost all that.

00:40:48: That's probably because of hip-hop music, man.

00:40:50: I mean, I feel like I almost mastered the language of English and I didn't do it from school, bro.

00:40:57: You know what I mean?

00:40:59: I paid attention more in hip-hop than I did in school.

00:41:01: I studied hip-hop more than I did in school, you know?

00:41:04: I would like study the RZA, the Wu Tang album and like the Ray Kwan only built for Cuban links and like the way they would say things and like, you know what I mean?

00:41:13: I learned That's what taught me how to behave, how to have passion for anything.

00:41:21: You know what I mean?

00:41:21: How to speak with passion and put it into an art form.

00:41:27: Yeah man,

00:41:27: I fell in love with art after that.

00:41:30: That's very young age.

00:41:32: So

00:41:34: it's been in your blood for a while

00:41:36: man.

00:41:36: Yeah man, yeah.

00:41:38: And what made you?

00:41:39: It's not just the rap music, it's everything bro.

00:41:41: I love graffiti.

00:41:43: I love just like art in general like I'm a big fan of abstract art and and like poetry and like you know what I mean spoken word just the beat making like production and it's a huge huge thing for me.

00:41:57: I like I love these things.

00:41:58: like more than anything else in the world man hip-hop is life to me.

00:42:02: that's it.

00:42:06: When you get into this hip-hop culture, it's in you forever.

00:42:10: You know, you cannot really leave that.

00:42:12: Even when you feel like quitting and stuff, you cannot quit.

00:42:15: You know, because if

00:42:16: you're

00:42:17: just like you and me, you know, we started at a young age.

00:42:20: So when you start at a young age like that, you have such a big influence on your life.

00:42:26: Yeah.

00:42:26: It's forever, you know?

00:42:27: Yeah,

00:42:28: yeah.

00:42:29: I'll never change, bro.

00:42:30: It's too late now.

00:42:33: I ain't going to grow out of hip hop, bro.

00:42:34: I'm going to be doing this till I'm fifty, sixty, seventy.

00:42:37: I don't care.

00:42:38: Like I'll still be doing it for me, you know, just therapeutic.

00:42:43: And it's what I am.

00:42:43: It's who I am.

00:42:44: So I've accepted that a long time ago that this is who I am for the rest of my life, man.

00:42:49: It's hip hop.

00:42:50: But you're right, it's a therapy and you know I like to see guys like you know like the Clips, like Nas, Havoc.

00:42:57: you know with that new map Deep Album.

00:42:59: Guys they're all over fifty years old and still dropping classic shit.

00:43:04: Top of their game.

00:43:07: Top of their game, you know.

00:43:08: Some of them aren't even alive and they're at the top of their game, you know what I'm saying?

00:43:12: Hell yeah, it's crazy man.

00:43:14: And what made you want to... take it seriously you know like after you know hanging out with your homies doing graffiti and all that what made you want to start as a professional career?

00:43:24: you know i'm saying like rap for real make it make some money.

00:43:27: you know write some stage.

00:43:29: you know what i mean.

00:43:29: what made you want to do that?

00:43:31: yeah um i'd say once i realized like that i had it i had like a talent for it.

00:43:38: i mean The breakdancing was cool.

00:43:41: It was dope.

00:43:42: I learned some tricks and stuff, you know what I mean?

00:43:45: But it wasn't what I was really, really good at, right?

00:43:51: So you find where you fit in this hip-hop culture.

00:43:55: I could have easily been a graffiti artist.

00:43:58: I could have easily been that, but you know what?

00:44:00: Where I found was my way with words and my way with flow.

00:44:06: This is where it attracted me the most, man.

00:44:12: It's what I realized I was best at in the world.

00:44:15: There's nothing else.

00:44:16: I'll just be straight up.

00:44:18: There's nothing else in the world that I'm this good at.

00:44:22: You know what I mean?

00:44:23: Nothing else in the world that I'm this passionate about.

00:44:29: I just found that it was something I could spend all my time on and never get.

00:44:33: never gets too busy or sidetracked and I would put so much effort into everything I did, the way that I would word things, the way that I would say something.

00:44:43: So it became like I just got extensively better and better and better and better at that specific art form in hip-hop.

00:44:51: So when I started actually making songs, I think I met a friend right around high school.

00:44:59: Yeah, I was fourteen years old.

00:45:02: I met a homeboy that had a beat machine at home.

00:45:04: He had a mic, he had a setup, and he loved hip-hop too.

00:45:10: And we just started working, man.

00:45:12: He loved making beats, and I loved rapping, so we just formed a little group, and we started doing it, and we, you know, made some noise locally, started getting shows, and eventually it turned into like a whole band.

00:45:25: I made a live band, bro, like The Roots.

00:45:28: Like, I had a... I had like a nine piece band, you know, and I was like, seventeen, eighteen years old.

00:45:35: And yeah, we had like a trumpet player, a trombone player, a keyboard player, a DJ, two electric guitars and a bass guitar and just me on the mic.

00:45:48: My homeboy jumped in on the mic too later on.

00:45:51: So yeah, we had a huge band.

00:45:55: That really caught a lot of traction and that made me feel like Wow, I can actually do this.

00:46:00: I

00:46:01: think we're good enough to actually aspire to be great at this.

00:46:07: And it just never stopped from then on, man.

00:46:09: I just always plugged away at it and just kept perfecting my craft and working on it.

00:46:15: It's such a super dope experience to be able to write for the live band.

00:46:19: And not only for you, but also for the people in the audience.

00:46:24: It's something different when you have real musicians with you.

00:46:28: Especially you say the nine piece, man, that's a lot of people,

00:46:30: bro.

00:46:31: Yeah, bro.

00:46:32: It had to be amazing for the people to see and to hear, you know, and maybe you, those people are, I mean, your performances are in their memories forever, you know, after that.

00:46:43: It's something you don't forget, you know.

00:46:45: One thing I could say is that really took me off, like that really made me feel like I should keep doing music.

00:46:53: And

00:46:54: it is when I got to meet, I had a friend who knew A-plus from Souls of Mischief.

00:47:00: And I got to somehow, this friend of mine hooked it up.

00:47:04: so we can go out to New York and meet Souls of Mischief, meet A-plus and like record a song that we did with, that we had him feature on.

00:47:13: And that was like, so he set us, he hooked it up for me.

00:47:17: And A-plus called us when we're on the airport on the way home from New York.

00:47:22: And he called us and he's like, yo, your boy Sosa's versus crazy.

00:47:26: I'm gonna go back in the booth and really, really right now, like, you know, he was, so when I heard that, like one of my like idols, you know, I mean, A plus is like an idol to me, man.

00:47:37: Like souls are mischief.

00:47:38: Like I learned, I learned a lot of my style from these guys.

00:47:42: So when somebody like that says to me, you're doing good.

00:47:45: Keep going.

00:47:46: That took me, that really gave me the confidence of being like, this is what I want to do.

00:47:51: You know, it was an amazing experience and it really changed my whole perspective on what I want to do with my life.

00:47:58: And just like, just something simple as that is him saying, hey man, good verse.

00:48:03: Yeah, bro.

00:48:04: You know.

00:48:05: Yeah, it's good for your motivation, man.

00:48:07: It keeps you going.

00:48:08: And especially if you had to rewrite his verse after hearing yours, that's the best compliment ever right there.

00:48:15: Yeah, yeah.

00:48:16: I think that's what he said.

00:48:18: I don't want to quote it, it was like twenty years ago.

00:48:21: But yeah, he was like, yo, I'm gonna really write my shit now.

00:48:25: Like, your verse is tight, man.

00:48:27: I gotta go step it up.

00:48:29: That's

00:48:29: dope, man.

00:48:29: That's dope.

00:48:30: Real good memories right there,

00:48:32: bro.

00:48:32: Yeah, man.

00:48:33: That's something I'll never forget for the rest of my life.

00:48:36: That was something that was like a pivotal moment for me, man, as an MC.

00:48:41: And we've talked about, you know, your past experiences and how you started into hip-hop.

00:48:46: But what's coming for you right now?

00:48:48: I know you dropped an album this year, if I'm not mistaken.

00:48:51: So tell people about that,

00:48:52: man.

00:48:52: Yeah, I dropped an album in February called Ultra Violence Decline of a Beautiful Mind.

00:48:57: I think you played a couple of my songs, or maybe more than a couple, on your radio show.

00:49:02: You really showed a lot of support at that time.

00:49:04: And I was just an artist out of nowhere.

00:49:06: I mean, really, I've been doing music for so long, but nobody outside of... you know, Niagara or Toronto heard of me, right?

00:49:14: And I appreciate that, by the way.

00:49:15: Like there's DJs like you out there who really just don't matter how much clout you have, how much followers you have, how much views or streams.

00:49:24: When you hear some dope, you actually just rep it and you support it, man.

00:49:28: And I want to thank you for that, bro.

00:49:30: I commend you for that.

00:49:31: You're welcome, bro.

00:49:32: You know, I support good music, man.

00:49:34: You know, sometimes I have dudes on Instagram that maybe like have a hundred followers, but they send me some bangers and I'll play them, you know, because it's hot, bro.

00:49:42: You know what I'm saying?

00:49:42: I remember, I think it was a song called Running that you made.

00:49:46: Yeah.

00:49:47: I played that song

00:49:49: over and over and over because you know, it's a banger to me.

00:49:52: I like the tempo.

00:49:53: So it was like a fast tempo track.

00:49:55: Yeah.

00:49:57: It's just not stop machine gun rap on that one.

00:49:59: I don't even do a hook or nothing.

00:50:01: It's just like start to finish three minutes of just raw rap.

00:50:05: I just wanted to come in with a bang, you know what I mean?

00:50:09: But to get aside from that, Ultraviolence was in February.

00:50:13: I just dropped an album like last week.

00:50:15: Now that's what I would love to talk about.

00:50:17: It's called Thirty Thirty Five of Space Odyssey.

00:50:19: All right, so I'm a big fan of Stanley Kubrick and I'm a big fan of film as well as music.

00:50:30: I love visual art as well.

00:50:32: So my last album, Ultraviolence, was kind of based on one of my favorite movies by Stanley Kubrick, you know what I mean?

00:50:40: Clockwork Orange.

00:50:40: So I themed the whole album behind that film.

00:50:46: And then I moved to this album.

00:50:48: I kind of did it again with a Stanley Kubrick movie again.

00:50:52: Another one of my favorites called, Two Thousand One of Space Odyssey.

00:50:56: And I also at the same time took from one of my favorite albums of all time, Deltron Thirty Thirty.

00:51:04: Yeah.

00:51:05: So I took some things from my favorite pieces of art that I've just really inspired me to do this album.

00:51:19: So I called it, Thirty-Thirty-Five, A Space Odyssey.

00:51:23: It's just something that I'm really into.

00:51:28: like outer space stuff and astronomy and...

00:51:32: Me too, me

00:51:33: too.

00:51:33: Learning about the stars and extraterrestrial presence and the fact that that's existent and most of us shy away from it or don't really talk about it.

00:51:48: These are things that really always are on my mind, just as an artist, I'm like, I want to express myself somehow and talk about these things.

00:51:55: And that's what I did with this album, man.

00:51:58: I made the whole theme about me and how I feel, just in general, as a bit of an outcast and hip-hop, you know, because I'm a little different.

00:52:10: or I walk and talk a little different than most rappers or, you know, or I show a little bit of vulnerability on tracks a little bit more on this album.

00:52:23: And yeah, so I feel like an outcast who's looking to outer space to find home, you know what I mean?

00:52:30: Because I don't feel at home where I am.

00:52:35: It's a nice story.

00:52:36: It's like a concept album.

00:52:38: And it was very risky to do it.

00:52:41: You know, it was a little different than what people are used to from me at this point, right?

00:52:45: From my first album, where I came with a lot of boom-bap-heavy, you know, like machine gun rap, like I would call it.

00:52:56: It's dope that you took a risk to try something different.

00:52:59: You know, that's what the audience wanted here too.

00:53:02: They wanted

00:53:02: the audience taking risks, talk about different subjects.

00:53:05: And like you say, you know, going, you know, looking at the stars, you can at the sky.

00:53:09: It's something that our ancestors used to do, man.

00:53:12: And we still do it.

00:53:13: And I was just talking about that with a friend last night, looking at the stars.

00:53:17: And I said, man, when you look at stuff like that, it makes you humble.

00:53:21: Yeah.

00:53:22: Yeah, exactly, bro.

00:53:24: I feel you.

00:53:24: I feel you.

00:53:25: I feel like as humans, we're human beings, we're still a little bit primitive.

00:53:35: And as in like, as a civilization, we're really young.

00:53:40: in the grand scheme of things.

00:53:41: So I look at the big picture of things a lot, right?

00:53:44: I don't just look at what's in front of me.

00:53:46: I try to look at what's behind it and what caused it and why it's there.

00:53:49: You know what I'm saying?

00:53:50: And I'm not going to get too deep into that stuff, but I just want to say like a civilization that's like really the youngest civilization there is as human beings.

00:54:02: But we feel like we know it all already.

00:54:04: We don't.

00:54:04: You know, there's so much more out there.

00:54:07: But there's so much more outside of Niagara.

00:54:09: There's so much more outside of Canada.

00:54:11: There's so much of the world to see.

00:54:13: But then what's outside of that?

00:54:15: There's a lot more out there, man.

00:54:18: You know what I mean?

00:54:18: That we don't know about.

00:54:20: And that's like when I try to explore my feelings and thoughts on that.

00:54:24: And like what's going on in the galactic universe.

00:54:29: And just something that's a little bit outside of the everyday thinking.

00:54:33: I feel like it's outside of that box.

00:54:35: that we're all in, like, just like, you know, this world, war, poverty, rich versus poor, this and that.

00:54:42: There's things outside of all that, man.

00:54:46: You know, I think people should think, you know... as like a unified people instead of making difference with skin colors or political views.

00:54:54: or you know let's not forget that we all on the same planet in the middle of fucking

00:55:00: nowhere bro exactly man.

00:55:02: yo this is check the check the album man.

00:55:05: this is exactly what i'm like kind of going into on the whole album.

00:55:08: i'm just like why is there war?

00:55:10: why is there racism?

00:55:11: why is there uh classism?

00:55:14: Why is there all this?

00:55:15: We're all the same and we're all just as immature in our certain time of time and space right now.

00:55:23: We still have a lot to learn together, you know what I'm saying?

00:55:26: So these things really confused me growing up when I ran into things like racism and classism and just like people treating each other differently over things like skin color or whatever it is, you know what I mean?

00:55:40: Language or anything.

00:55:43: This is something that confused me growing up.

00:55:45: I never really understood the concept of racism.

00:55:47: It just like boggled my mind.

00:55:50: I was like why we're all we're all the same, you know, you know, like You know that that's something that's addressed heavily heavily on this album and and that's just it's right from the beginning.

00:56:01: You'll you'll see that you know what I mean?

00:56:03: It's a story of my just my inner thoughts and everything that I've always been growing up thinking.

00:56:09: and Yeah, I just finally got to get it out somewhere and express myself in that form and I love that.

00:56:14: I was able to do that through hip-hop.

00:56:16: Yeah man, and it's dope, like I say that you're trying new things, you know, different subjects.

00:56:21: and also one thing that's really important is that you're bringing knowledge to people.

00:56:26: You know, a lot of hip-hop artists, well not only hip-hop artists but a lot of artists, you know, in general, they forgot about that, giving out the knowledge.

00:56:36: Yeah.

00:56:37: so you can think bigger and think outside the box instead of hearing the same subjects all over and over.

00:56:43: yeah get tired of that man.

00:56:44: so that's super dope from you man appreciate the fact that you tried new things.

00:56:49: you know me as an artist too.

00:56:50: i respect that.

00:56:51: you know one hundred percent bro.

00:56:53: thank you bro.

00:56:54: i appreciate that.

00:56:55: man i i thought that it might be tough for uh for the hip hop heads to like get it.

00:57:00: at first i was like maybe they're not gonna really vibe with this this concept or the subject matter you know.

00:57:07: But I think just from what I've seen so far, it's only been a week since the release.

00:57:12: I think the hip-hop heads are getting it.

00:57:15: They're appreciating the risk.

00:57:17: You know what I mean?

00:57:18: And they see that hip-hop is experimentation and risk taking.

00:57:24: And it's, you know what I mean?

00:57:25: These are things that build a good foundation for something fresh, a breath of fresh air when you listen to a new artist.

00:57:32: So I hope that people check out this album and appreciate what I was trying to do on it, you know what I mean?

00:57:39: Yeah, sir.

00:57:39: So everybody that's listening right now to the mixtape addict show, make sure you go check out the new album from Dialect, Sosa.

00:57:45: You know that real hip hop coming from Canada.

00:57:48: Man, that's how we do it.

00:57:49: World wide shit.

00:57:50: And make sure you send me the MP tree so I can put them in the show.

00:57:53: And let the people know, man.

00:57:55: I got you.

00:57:57: Yeah, sure, man.

00:57:58: And

00:57:58: do you have any last words, man, for your fans and supporters all across the globe?

00:58:02: Yo, hip hop lives on, man.

00:58:05: We're here.

00:58:06: Don't matter what country we in, don't matter what skin color we are, don't matter what language we speak, hip-hop is here and hip-hop lives on and it will never die, man.

00:58:15: We always here.

00:58:16: As long as we got people like DJ King Flow in the mixed-tapatic show.

00:58:21: Shout

00:58:21: out to Thunderground Radio.

00:58:23: Shout out to Rap Olympus Media.

00:58:25: Everybody that supported this album, man.

00:58:26: I just want to say thank you and bless up, man.

00:58:29: I appreciate y'all.

00:58:31: Yes, sir, man.

00:58:32: I appreciate your time.

00:58:33: It was a pleasure to have you on, you know, talk about some different stuff, man.

00:58:36: That was a super cool interview.

00:58:39: You know, I wish you nothing but the best, man.

00:58:41: And whenever I come to Canada, I'm gonna link up with you.

00:58:43: We're gonna make some moves, bro.

00:58:45: Hell yeah.

00:58:45: Let's do it, brother.

00:58:46: I appreciate you, man.

00:58:47: Thank you.

00:58:48: Go

00:58:48: down my teeth.

00:58:49: Take care, man.

00:58:50: Peace.

00:58:50: You

00:58:51: too.

00:58:51: Peace, bro.