Mixtape Addict #76

00:00:03: Now enter the mixtape addict show Broadcasting every day with the French Connect DJ King Flow DJ King Flow

00:00:52: And she do it slow Tonight ain't for wife and we leave at home.

00:00:58: N***a, you in the era of the hoe City girl go up a thousand.

00:01:01: When the country boys sit up on island When we in the back, them cheeks shaking, y'all wildin' In the midnight, n****s howlin' Pull up in shabby's, it look like they smilein' Look like they stackin', it look like they pilein'.

00:01:12: When we step in it big, we be smilein' Like we double breast it in Italian.

00:01:16: Let the Trump talk, we insidin'.

00:01:18: Keep it OG and watch for the sirens.

00:01:20: Keep it player, we don't care Members

00:01:22: only, we move in discrepancy.

00:01:24: We be swinging and swinging this melody.

00:01:25: If you phony, you cannot get next to me.

00:01:27: We be banging this screw like it's heavenly.

00:01:29: We're the dollars at, we're the fish place In the weed smoke, we're the bottles at, we're in politics Somewhere.

00:01:34: we're boppin', we boppin' and I can pop collar at.

00:01:36: We're the slab at, in the elbows We aficionado and we sitbos Like sightseeing on a host role.

00:01:42: She say bravo, cause I bring a boat load.

00:01:44: Treat a old school like Lego Put it together, pump petrol.

00:01:48: We the culture, we don't need a gate code.

00:02:22: Some of these niggas ain't cold Some of these niggas ain't real Some of these niggas ain't cold Some of these niggas ain't cold.

00:03:21: One, three, zero, one, three, one, air, in the corner, on the big mothers, tell me, one, two, three, one, two, three, one, two, three, one,

00:04:02: two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one,

00:05:04: two, three, one, two, three,

00:05:12: one, two,

00:05:32: three, one, two,

00:05:40: three,

00:05:43: one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three,

00:06:32: one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three,

00:07:24: one, two, three, one, two, three,

00:07:38: one, two, three, one, two, three, D.J.

00:07:53: King Flo!

00:07:53: Mixed!

00:07:55: It's a couple things we gonna figure out.

00:08:49: Is it really hatin' if a nigga doubt what you spittin' bout?

00:08:51: There's a little drought in your content, buncha nonsense for the comments and a little clout.

00:08:55: What a concept, one con left and a game right like to sick

00:08:58: us out.

00:08:59: Who the best?

00:08:59: Go ahead, pick him out.

00:09:00: Was it Jay when he took a different route?

00:09:02: Was it Nas live at the barbecue?

00:09:04: Was

00:09:04: it BI sippin' gettin' stout?

00:09:06: Was it three stacks?

00:09:07: Scarface, maybe TI?

00:09:08: Two pickin' mouth is a comment.

00:09:10: I have black thoughts about what was done when you did without.

00:09:13: You can see I'm on a higher path.

00:09:14: The best pickin' the entire trap.

00:09:16: Subtract all the suss rap It don't add up, then apply the math Plus.

00:09:20: that just explains If you gon' teach game, it requires class.

00:09:23: Touch that hurricane, brainstorm pain.

00:09:25: Now you gotta buy a rap.

00:09:26: Show bogey gets overblown.

00:09:28: I pen venom on mobile phones.

00:09:30: I write cancer, it might transfer.

00:09:31: And then pray you in your chromosomes.

00:09:33: Tone low, good or vocal Eminem and his mobile home.

00:09:36: The white answer, slight banter But MJ wouldn't post below.

00:09:40: You don't even know the half of it.

00:09:41: I'm done stringing up the last puppet.

00:09:43: It's built T on a player But I drive past jumpin'

00:09:46: for the last bucket.

00:09:47: You ain't even gotta ask

00:09:48: of it.

00:09:48: I'm volunteering like Pat Summit.

00:09:50: Thought you'd see the last stuff.

00:09:52: And I'm back here like a black mullet.

00:09:54: Are you not entertained?

00:09:55: Feel every drop full of pain.

00:09:57: Put my heart in it Them gross spurts, gross scars with it.

00:09:59: When those hurt, get targeted My soul's searched Every part of it, your flaws were lost.

00:10:03: When it's dark as this, my flow's cursed as a dark abyss.

00:10:06: Pretty hard to miss.

00:10:07: Fair warning, up early, everybody over here's mourning Tears falling so much, worried that you can hear the reaper here calling.

00:10:14: But we're mourning, just a couple niggas fighting over every square portion.

00:10:17: I'm here often, all the call to the streets, niggas I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward,

00:10:29: I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm

00:10:49: coming forward, I'm

00:10:51: coming

00:10:51: forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm coming forward, I'm

00:10:55: coming forward, I'm coming forward, I'm coming forward, I Liberté

00:10:58: était pas grand, j'étais colossal Avant d'y s'emperd, ni grand frère Aucun modèle masculin.

00:11:08: Comis des erreurs astronomiques,

00:11:11: mis du temps.

00:11:12: Comprendre

00:11:12: le calcul avec le recul,

00:11:15: tout fait du

00:11:16: sens Reconnais ma culpabilité

00:11:19: trop immature Routible

00:11:22: reste vrai à ma nature.

00:11:24: Ils ont abandonné le bateau.

00:11:26: Tous ces jouets sont témoins de mes

00:11:28: victoires chaque jour.

00:11:31: Fais la mesure, aujourd'hui je vis mon rêve,

00:11:35: leur pire cauchemar,

00:11:36: j'y ai toujours cru.

00:11:38: C'est pas dur

00:11:39: de le voir, j'espère qu'on

00:11:41: parle.

00:11:43: Pégez sans savoir, n'enlève pas la faux, j'espère qu'on parle.

00:11:49: I'm sick with the scribble, sick with the dribble, sick just a little liquid once it's mixed so I'll kick it like six sticks of licorice with a piece of fish in the middle.

00:12:34: when it comes to this you'll be simple different a little different but I was different with several dipshits.

00:12:37: you'll then wish they could have all of them vicious with this in another.

00:12:39: I never stop, had a stick rich in chips and

00:12:40: I'm in a pot, but I'm cooking up.

00:12:41: Me lock up blocks, me lock

00:12:42: up streets, me kick up wide with soccer cleats from soccer leagues.

00:12:45: So back up please, me chop up beats, so shut up please, and not the peeps, and I'm not gonna pee.

00:12:48: I'm sickin' with this, trickin' with this sickness, we spit this sickness, they think don't exist, but it's sickness, consist of the ricks, that I spit like four clips, that what they're destroyin' boy, like would ya?

00:12:54: Rip it, rip it to shreds, like I'm possessed, who come fit this?

00:12:56: For top, like if me, come fit, rest.

00:12:58: Anytime

00:12:58: they come, me come refresh.

00:12:59: When time they beat,

00:12:59: drop the heat, drop it to the beat, put me jazz.

00:13:01: Anytime I talk, new bits to start, nibbling it off, middle finger cuss, I'm biggin' to

00:13:07: get tossed, thinkin' like a wasp,

00:13:08: Something different, cause that's what I promise.

00:13:10: It's so known as the regular, it's up to dick it up.

00:13:12: Time to go mainstream, I'm stonnish As I promise in thousands of hundreds.

00:13:15: Creativity, fatigue, and fragility, and numbers Cursing the line, you be punished Cause I'm bringing that newness among us.

00:13:20: It's a gun for the new, just what you wanted.

00:13:21: Something different, cause that's what I promise.

00:13:23: It's so known as the regular, it's up to dick

00:13:33: it up.

00:13:34: Sometimes you

00:13:35: gotta move back, some wax, I'll kick

00:13:41: that, get your lick back,

00:13:53: like karate movies

00:13:57: DJ King, c'mon!

00:13:59: Walk is Barbie,

00:14:00: I just got the way, she ain't a n***a. They won't playin' tricks for dead group The Slava Color Champion when Spring's a n***a. They wasn't roundin' low with no show.

00:14:21: Sometimes you gotta do it Backs on wax off kickback.

00:14:24: Get your lick back like a

00:14:26: rock.

00:14:31: Your

00:14:46: party walk is travel to see y'all.

00:14:53: The

00:15:12: box

00:15:24: triumphed

00:15:31: at

00:15:34: day shift Tryin' to make all

00:15:35: the plays look like some own boughs.

00:15:37: A Gabby Douglas.

00:15:38: Tryin' to

00:15:39: put my niggas on

00:15:40: like

00:15:40: Franklin

00:15:40: did in Snowflake.

00:15:41: They say you gotta

00:15:43: be selfish Sometime to get the blessing, yes I starved all of my demons And now we livin'

00:15:47: up back Tryin' to fall on my heart.

00:15:52: Settle,

00:15:52: settle, we'll never

00:15:56: settle.

00:15:59: They say you gotta be

00:16:01: selfish Sometime to get the blessing, yes I starved all of my

00:16:10: demons And

00:16:18: now

00:16:19: we livin' up back Tryin' to fall on my heart.

00:16:25: Settle, settle, we'll never settle.

00:16:32: They say you gotta be selfish Sometime to get the blessing, yes I starved all of my demons And now we livin' up back Tryin' to fall on my heart.

00:16:50: Settle, settle, we'll never settle.

00:16:53: They say you gotta be They

00:17:06: watchin' Rick and Morty,

00:17:08: up in the sixty-forty.

00:17:09: Biggest creature of the kinds Lonely, slick and quarry, freeloom Still trappin' in the zone like a three-two Arm and hammer mixin', water whippin' like a ski-doo Zod, funky, it's peppy, let's

00:17:20: puke PU, it sucks

00:17:21: to be you.

00:17:22: One thing

00:17:23: I hate is a

00:17:24: Mr.

00:17:24: Me Too.

00:17:24: I'll get you knocked off, no T-moves Stay on your A-game, just tryin' to stay sane,

00:17:28: like Navy Blue.

00:17:29: That's

00:17:30: it for

00:17:36: Red Dot

00:17:44: Con,

00:17:50: Red.

00:17:50: in my bloodstream Head of a drug rim I get my Smeagol on Still in the ghetto with my Z Screamin' free Ramon But Sky look like a

00:17:59: sunflower full

00:17:59: of B.S.

00:18:00: Stomps Off of Gracian and Van Dyke.

00:18:02: I caught the drink for midnight And come and call.

00:18:04: I can't answer this on no speaker phone.

00:18:07: Get all day for a swipe Watch what you're speaking on.

00:18:09: After money comes to respect Then it run.

00:18:12: power And broad day get

00:18:14: right.

00:18:14: Jump out.

00:18:14: just me alone

00:18:16: Left a reek in the gunpowder Mix with cheap cologne.

00:18:19: I eat lightning and slap

00:18:20: thunder with them.

00:18:21: e-siders

00:18:22: Putting niggas in the deep fryer is the he-mise.

00:18:24: A spot hot as a grease fire Topside in the jeep fries A hood full of side-spiders

00:18:29: But then, but then, but then, but

00:18:45: then, but

00:18:52: then, but then, but

00:19:00: then, but then,

00:19:02: but then, but then, but then, but

00:19:12: then,

00:19:14: but

00:19:15: then,

00:19:18: but then, but then, but then, but then, but then,

00:19:41: but then, but

00:19:44: then,

00:19:45: but then,

00:19:49: but then, but

00:19:56: then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but

00:20:29: then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but then, but no se abago me temano.

00:20:47: yo lo hago.

00:20:48: ustedes solo están teclando puro insta.

00:20:52: yo tiro fuego a tu camisa me da risa lo tuyo.

00:20:56: eso ni tiene chispa.

00:20:58: no apagado a ti te dejamos todo en el bmw soldado por tu incoronado pesado como el bulto Que se vende, asesino de tu alma Papi.

00:21:06: esto si se prende Manzana delincuente, tres mil palos lente Me da escalofrio, diez mil palo diente.

00:21:25: Excelente, yo soy de buena sangre Y ya la pastilla me esta calentando bastante.

00:21:36: Never can't tell what I might do.

00:21:40: out on your night boots pull my nuts out on your wife and

00:21:44: the mic.

00:21:44: sit your way with her at the end of the night too.

00:21:47: those were the happy days.

00:21:49: these the real years.

00:21:50: niggas is brain dead with shit bags and wheelchairs for the record.

00:21:53: I don't give a fuck who your team is and you don't want it with me cuz I'm an extremist.

00:22:09: three and a half years if they catch you with a gattie all that mean now is that niggas

00:22:13: is shooting back at war or something I got the taste for out on bail bigger gun than the one I got the case for.

00:22:20: never can tell

00:22:21: what I might do.

00:22:22: I ain't nothing like you.

00:22:23: I put my dutch

00:22:24: out on your night bolts.

00:22:26: pull my nuts out on your wife and the mic bolts

00:22:28: then sit

00:22:28: your way with her at the end of the night too.

00:22:31: those were the happy days.

00:22:32: these the real years.

00:22:34: niggas is brain dead with shit bags and

00:22:36: wheelchairs.

00:22:37: for the record I don't give a fuck who your team is and you don't want it with me.

00:22:40: cuz I'm an extremist cuz I'm an extremist cuz I'm an extremist cuz I'm an extremist.

00:22:53: I ain't call for props I ain't come for thrones.

00:22:56: I just came

00:22:57: to bring my brothers back home.

00:22:59: Inside alone, might turn a stone.

00:23:01: I just came

00:23:02: to bring my brothers back home.

00:23:04: They called you radical.

00:23:05: You're down here like an animal.

00:23:07: They act like you don't got a soul and some kind of mechanical product.

00:23:10: They could just toss, just so they could stay bosses, just so we could stay lost until we're slaves to the source.

00:23:15: They made me what

00:23:16: I am, made

00:23:16: you what you are, made us understand.

00:23:18: They could build us up and take shit from us, my man.

00:23:20: Stay strong, rebuild.

00:23:22: Scars can't be held.

00:23:23: Scars Oh.

00:23:24: Cause I'm an extremist You

00:23:27: will

00:23:28: fuck with your teammates.

00:23:30: Cause

00:23:32: I'm an extremist.

00:23:36: I ain't

00:23:40: come

00:23:41: for props, I ain't come for

00:24:00: thrones.

00:24:02: I just came to bring my brothers back home Inside alone, might turn a stone.

00:24:07: I just came to bring my brothers back home.

00:24:21: DJ King Flo, shine again, find greatness in the mind of man Perspectivist behind the lens, above the clouds Like carbon hands, fly to France, just to optimize the buzz attack.

00:24:29: I'm trying to gentrify the slums I'm making.

00:24:31: size of drums is all I need.

00:24:32: I'm heartin' and start me hopin'.

00:24:35: I get pissin' marks of the vibe.

00:24:42: I'm born to survive obstacle shrooms.

00:24:47: Yeah, it's been a lot of speculatein' Lot of record makin'.

00:25:01: I ain't seen no record breakin' Since they door passin'.

00:25:33: I ain't seen no record latin' The gang gon' pass.

00:25:35: Man, fortune is unfortunate.

00:25:37: The fame don't last.

00:25:38: I ain't.

00:25:39: you can soak it up.

00:25:40: I opened up up though Your whole team can sweat up Man, I have to know.

00:25:48: Yeah, I don't know.

00:25:50: They like.

00:25:51: it's a bad day Staggerin'

00:25:58: in Can't?

00:26:01: nobody do it like I did.

00:26:02: They your what it's like.

00:26:03: Now let me tell

00:26:04: ya I got a

00:26:34: hair

00:26:35: from each

00:26:46: of

00:26:46: my n***a. My

00:26:48: boy M said you fans do this feature my n***a. How was I the nickname of Skruller?

00:26:54: I didn't care about the talent.

00:26:55: I was hanging

00:26:56: with Dillars.

00:26:57: Now we got you on the world of big picture Like a white U and E

00:27:01: while we

00:27:01: in richer Don't understand the podges get bigger.

00:27:07: That's the fact.

00:27:08: it's a boomerang.

00:27:09: So let's get to them fingers.

00:27:10: I've been plotting and paper chasing.

00:27:12: that's time to think Ella.

00:27:13: We started from ground up For the love not

00:27:18: the glitter.

00:27:21: Look at

00:27:24: how You're

00:27:34: not going to

00:27:58: change the world

00:28:15: Even

00:28:27: if

00:28:36: sometimes we're friends.

00:28:39: I'm going to hit you at the

00:29:19: bottom of the box.

00:29:47: We gon' start it up, man.

00:29:48: You know, it's the mixtape attic radio show.

00:29:51: I'm your host, King Flow, you know, connecting the dots from France to the U.S You know, that's how we do it.

00:29:56: And today I got two of my favorite, you know, down south, lyricist in the building, Big Saint, and red coat the poet.

00:30:04: How you got to do

00:30:05: it?

00:30:06: What's happening, man?

00:30:07: What's going on?

00:30:08: Well,

00:30:09: two play in the bid and two play here and never in

00:30:12: there.

00:30:13: Never, man.

00:30:13: Yeah, true player, you know, making that play your music, you know, I'm saying that's south of music.

00:30:18: I'm trying to be a, trying to be a representative of that culture out there in France, because you know, I've been to Texas, I've been to the south when I was younger.

00:30:26: So I know what it is.

00:30:26: I'm trying to spread the word out there in Europe, you know, too.

00:30:30: make people understand what the South music is.

00:30:33: It's not only about New York, it's not only about LA or Atlanta, you know, it's a different vibe.

00:30:41: We gonna talk about

00:30:42: that.

00:30:43: Yeah man, shout out to the whole South.

00:30:45: I got love for the South man.

00:30:46: We gonna talk about that.

00:30:47: Whatever tradition in the show, I have to ask you guys, we're gonna start it off with you, Big Sand.

00:30:53: Who is your all time favorite DJ bro?

00:30:56: Oh

00:30:57: man, my all time favorite DJ.

00:30:59: It's probably gonna be my dog DJ Wally Sparks, you know

00:31:02: what I'm saying?

00:31:03: Shout out to him,

00:31:03: you know what I'm saying?

00:31:04: Between him, DJ Break Him

00:31:06: Off, and

00:31:09: yeah, you know what I'm saying?

00:31:11: Them always been my guys.

00:31:13: And tell the people why especially, why especially those two?

00:31:17: Oh man, you know what I'm saying?

00:31:18: I think it's like just from the early mixtape era and the blends and like, you know what I'm saying?

00:31:23: Just being able to rock a party.

00:31:25: You know what I'm saying?

00:31:26: Like, really, you know what I'm saying?

00:31:27: Like, take charge the way you want to see a DJ do it.

00:31:30: You know what I'm saying?

00:31:30: It's always been something I look up to.

00:31:33: Mm-hmm.

00:31:34: That shit, man.

00:31:34: Shout out to those guys, man.

00:31:36: Yeah.

00:31:37: Put in the work for all this stuff doing itself, man.

00:31:39: What about you, Red Coke?

00:31:41: Who's

00:31:41: your favorite DJ?

00:31:42: Man, I'm gonna have to say, man.

00:31:44: Shit, I'm gonna have to say my dog, man.

00:31:45: Blackbill Gates, man.

00:31:48: You know, my dog been putting it down, you know what I'm saying?

00:31:51: My favorite DJ, who I like to go see.

00:31:54: Uh, I gotta, you know what I'm saying?

00:31:56: Say my dog, uh, DJ break him off, break hell with it.

00:32:00: Um, in terms of just a DJ that I haven't met and I just admire from afar, just somebody that's, you know, been putting it down in the industry.

00:32:10: You know, I'm a big fan of DJ, uh, uh, JuicyJD, you know what I'm saying?

00:32:13: DJ Paul, I'm a, I'm a fan of their sound.

00:32:16: Um,

00:32:17: yeah, man.

00:32:18: Hip hop.

00:32:19: It started with the DJs, man.

00:32:20: Yup,

00:32:21: yup.

00:32:22: It started with the turnt, the turntables.

00:32:24: They was the main focus.

00:32:25: Yup,

00:32:25: yup, yup.

00:32:26: Without the DJs, man, it's not the same, you know?

00:32:30: Nah,

00:32:30: man, nah.

00:32:31: Yeah.

00:32:32: The trendsetters, you know?

00:32:33: Yup.

00:32:34: Trendsetters, yeah, trendsetters.

00:32:36: Real talk, man.

00:32:37: And I'm going to ask you another mixtape question.

00:32:41: And I think I know the answer already, but I'm going to ask it anyway.

00:32:45: Do you guys miss the mixtape format?

00:32:49: Yeah, I do.

00:32:50: No saying because... You know, with mixtapes, it was more of a skill.

00:32:58: It was like, you know what I'm saying?

00:32:59: Like, especially the mixtapes.

00:33:00: idea was about me and my relationship with the DJ.

00:33:02: So I would really trust the DJ that was doing my mixtape, you know what I'm saying?

00:33:07: To choose the right kind of blends and, you know what I'm saying?

00:33:11: Just really keep the project moving without it being everything just cutting dry nuts and bolts like an album.

00:33:18: You know what I'm saying?

00:33:19: Enjoy mixtapes.

00:33:19: Mixtapes was, you know what I'm saying?

00:33:20: Where it was.

00:33:22: For sure in terms of me, man, I definitely uh Man, I just miss you know, especially doing the mixtape error.

00:33:29: I want to say Man a good mixtape see I went through.

00:33:33: so let me.

00:33:35: I grew up With mixtapes, you know, I'm saying I come from that the actual.

00:33:42: Everybody

00:33:42: know the word but I come from the actual.

00:33:44: take whether DJ rope the name on the goddamn.

00:33:47: take DJ volume fourteen white volume, you know sixteen.

00:33:53: so that's That was my introduction to underground music was through the DJs.

00:33:58: So, and I would say that's kind of like, you know, the first era for me.

00:34:03: So, yeah, I definitely, I definitely missed the era when, when, when DJs was, you know, went out because they go always find the new talent, you know what I'm saying?

00:34:12: It's, it's based from the underground.

00:34:14: So anything underground with me, you know, that's, that's going to be greater than for me.

00:34:19: Yeah man, I think, you know, mixtape gave a lot of freedom to the artist too.

00:34:23: Not only to the DJ, but also to the artist.

00:34:26: You know, being able to rock on any beat that you want.

00:34:29: You know, I know some dudes, you know, in Texas that used to get them DJ screw beats or the Juicy J beats and just your own thing.

00:34:37: and, you know, sometimes, sometimes better than the original.

00:34:41: So, you know, you're fucking crazy man.

00:34:42: Yeah, absolutely.

00:34:44: Yeah.

00:34:45: Now I'm gonna tell y'all, y'all probably don't know nothing about.

00:34:47: So if you don't hop on YouTube and do your research.

00:34:52: Man, Florida, when I was coming up had some of the best DJs period.

00:34:58: It's a DJ crew called Jam Pony Express.

00:35:02: You know what I'm saying?

00:35:02: Like, yo, yo.

00:35:04: You

00:35:04: said Jam Pony?

00:35:06: Jam Pony Express, man.

00:35:07: Shout out to Jam Jam Pony Express.

00:35:10: I feel the same way about my Texans.

00:35:12: You know what I'm saying?

00:35:13: My summers in Texas listen to OG Run See and listen to Swisher House and things like that.

00:35:19: You know what I'm saying?

00:35:19: Like, you know, it was all had a good time with all that.

00:35:22: The day the day hell broke loose volume too and all this whole thing.

00:35:26: Come

00:35:26: on, man.

00:35:27: Come on.

00:35:27: The Michael, five thousand watts too.

00:35:34: Oh, yeah.

00:35:34: Come on.

00:35:35: Yeah.

00:35:35: Yeah.

00:35:35: Yeah.

00:35:35: Yeah.

00:35:35: Yeah, man.

00:35:36: And you guys been working together.

00:35:38: for like, I think like, ten or fifteen years, something like that.

00:35:41: Nah, you know

00:35:42: what I'm saying?

00:35:42: Me and Cope been working together for, I guess we're coming up on ten.

00:35:46: Yeah, we're coming up on ten.

00:35:50: It's just don't feel like ten, so Sunt kinda got caught off guard.

00:35:54: You know what I'm saying?

00:35:55: But,

00:35:56: Sunt, it's been since, I mean, Brett done did his, you know, he done did his homework, cause it's been since, I think our first song was twenty fifteen.

00:36:03: Oh yeah,

00:36:04: yeah, absolutely.

00:36:04: That's crazy ain't it, bro?

00:36:06: It's on

00:36:06: the underground.

00:36:07: That's crazy, right?

00:36:08: It's about to be twenty, twenty-six or eleven years soon, man.

00:36:12: Yeah, man.

00:36:13: That's crazy.

00:36:14: That's right.

00:36:15: That's right.

00:36:15: That's

00:36:16: crazy.

00:36:17: Yeah, man.

00:36:17: And can we expect maybe sometimes in the future, like a mixtape or, you know, kind of like a lost state type project

00:36:25: from you?

00:36:26: Amen.

00:36:26: You know what I'm saying?

00:36:27: You didn't say it, so it might be a good idea, you know what I'm saying?

00:36:28: Yeah.

00:36:31: Yeah, the lost track.

00:36:32: I'm the two player greatest mixtape, you know what

00:36:35: I'm saying?

00:36:37: Yeah, but the problem is like we put out pretty much.

00:36:40: We be like putting out everything we do.

00:36:41: So it's like, we don't be missing.

00:36:44: Right.

00:36:45: So we really don't got no strays kind of laying around.

00:36:48: I don't think we do.

00:36:49: Do we?

00:36:49: Do we all do?

00:36:50: Like,

00:36:52: nothing's a strain because we'll shoot it all.

00:36:54: You know what I'm

00:36:57: saying?

00:36:57: Like,

00:36:58: nothing's a strain.

00:36:58: It might not be loaded yet with the magazine.

00:37:03: Oh, we shoot them off, uncle.

00:37:04: Straight

00:37:06: up.

00:37:06: Yeah man well shit man we can make something happen.

00:37:09: you know I can send you some of that french touch.

00:37:12: man.

00:37:12: you know make some shit happen.

00:37:14: Yeah

00:37:15: man.

00:37:15: Look we try to come to France in a way.

00:37:17: I think they need to play in Paris.

00:37:20: Yeah they

00:37:21: do.

00:37:21: Play in Paris man.

00:37:22: You play

00:37:22: in Paris they'll say that might be it right now.

00:37:24: That's it.

00:37:26: Yeah man you know a lot of people need to need to know about that.

00:37:30: you know that play your music from south you know.

00:37:33: Amen.

00:37:35: Man,

00:37:37: you know what

00:37:38: I'm saying?

00:37:38: That's

00:37:39: what I'm saying.

00:37:40: That's what I'm saying.

00:37:41: That's what I'm saying.

00:37:43: That's what I'm saying.

00:37:45: That's what I'm saying.

00:37:46: That's what I'm saying.

00:37:49: Automatically like your music if they enjoy listening to bun pmc, you know those guys.

00:37:55: man.

00:37:56: Yeah,

00:37:57: it's a different type of stuff, you know like you hear those those heavy eight away drums with the soul samples with the funk samples

00:38:05: I tell you what two player definitely no saying carries the torch for our predecessors.

00:38:10: No saying.

00:38:11: but we do no saying.

00:38:12: we do southern music In honor of the culture that raised us.

00:38:17: so That's what you love, you definitely love

00:38:21: us.

00:38:24: Yep, yep, yep.

00:38:25: Yeah, man.

00:38:26: I know you guys all worked on that, that Vogue EP, if I'm not mistaken, that drive up here.

00:38:32: And there's one thing I like to hear from you guys, like it's a full length project, you know, some cinematic type shit.

00:38:40: I want to hear, are you guys working on the album together?

00:38:43: Yeah, send albums out.

00:38:44: Albums are

00:38:45: only in the works.

00:38:47: You know what I'm saying?

00:38:48: Like, to build the anticipation, you know what I'm saying?

00:38:53: We just finna drop these little snippets, like little appetizers.

00:38:57: You know what I'm saying?

00:38:59: We're

00:38:59: gonna give you the full meal.

00:39:00: Yeah,

00:39:00: yeah.

00:39:02: Trailers.

00:39:02: So you know these trailers.

00:39:04: Yeah, like the trailers.

00:39:05: Yeah, these trailers don't work.

00:39:07: So imagine what the movie gonna be like.

00:39:10: Yeah, man.

00:39:10: That's one thing I like about your music is that it's very cinematic, like the way you tell stories, you know, you close your eyes, you can imagine, you know, put yourself into that ambience, imagine, you know, those pimp stories, and imagine yourself in the south.

00:39:25: Even if you

00:39:26: can't paint that picture.

00:39:29: Look,

00:39:29: what I can play

00:39:29: about Red Code is he definitely puts you in the car with him.

00:39:32: You know what I'm saying?

00:39:34: Listening to the code.

00:39:35: You know what I'm saying?

00:39:35: You right there in the backseat watching the events unfold because he's so meticulous with his wordplay and if he's so descriptive that like, you know, my favorite rapper knows that.

00:39:50: Thanks OG.

00:39:51: Nosead, Nosead.

00:39:52: Appreciate you, man.

00:39:53: But that's what it's all about.

00:39:54: Especially, you know what I'm saying?

00:39:56: Like, you know, just like in this moment right here, you know, we're from Mississippi and Georgia.

00:40:02: You know what I'm saying?

00:40:03: And we linking up with a DJ from France because, you know what I'm saying?

00:40:09: We brought you in the car with us.

00:40:10: You know what I'm saying?

00:40:11: Like, you know, you related to the content.

00:40:14: Yo.

00:40:15: Yo.

00:40:16: Yo.

00:40:17: It's international, man.

00:40:19: You know what I'm saying?

00:40:19: Like, good music is good music.

00:40:22: It's going cross boundaries.

00:40:23: If it's dope, it's dope, man.

00:40:25: You

00:40:25: know what I'm saying?

00:40:26: We like Dave, we like Dave, we's in cold, cold train, baby.

00:40:29: You know what I'm saying?

00:40:30: I'm trying to tell you.

00:40:32: Yep, that's one thing I like about y'all.

00:40:34: Y'all do always that.

00:40:36: You compliment each other's style.

00:40:38: You know, like, Big Sand is more,

00:40:40: more

00:40:41: role with it, you know what I'm saying?

00:40:43: And you come up with this move, Kim, shit, and you mix that together, you have a good meal, you know what I'm saying?

00:40:50: Sweet

00:40:50: and salty.

00:40:52: Hey, man.

00:40:52: Yep.

00:40:53: Hey, man, it's like Harlem Nights, baby.

00:40:57: Hi.

00:40:58: Yep, yep, yep.

00:41:00: And you guys been doing your thing for a while.

00:41:03: What do you think is the secret to longevity?

00:41:08: We just talking about that, son.

00:41:10: Yeah, don't stop.

00:41:12: Push yourself.

00:41:16: Don't find a place to settle.

00:41:18: So you got to keep saying, I do so much with my wordplay that I just want to bring the intensity.

00:41:26: I don't want you to have a bad verse from me.

00:41:29: You know what I'm saying?

00:41:29: That's what he was saying in my head.

00:41:31: It's like, it keeps me up at

00:41:34: night.

00:41:35: You know

00:41:35: what I'm saying?

00:41:36: I'll come back, I'll change two words.

00:41:39: This sort of thing to be smooth.

00:41:41: I think for me, it's a fuck being safe, you know what I'm saying?

00:41:48: But it's kind of funny though, because when you look at the landscape of music and stuff, now it's like, okay, when I say being safe, I mean like, I never wanna, be too safe where it's just not kind of giving me the certain amount of contrast and grit that I need, but at the same time, I'm not saying that I'm gonna, I don't like to, I don't want to be too safe, but at the same time, I'm not trying to not be myself.

00:42:16: Right.

00:42:17: You know what I'm saying?

00:42:18: So in the constraints, so in the constraints in the words of Big Son, in the constraints of being me, I'm gonna be me in an innovative, in a creative way.

00:42:31: I'ma push boundaries, but I'ma be me.

00:42:35: So yeah.

00:42:35: On top of all that, you

00:42:36: know what I'm saying?

00:42:37: Like we ain't cold old enough.

00:42:38: You know what I'm saying?

00:42:39: Like we done lived a lot of life, so we got a lot to say.

00:42:42: Got a lot to say.

00:42:43: A lot to say.

00:42:44: I ain't

00:42:44: running out of kids

00:42:45: to say.

00:42:46: Yeah, we just scraping this shit we doing now man.

00:42:48: It's just the tip of the iceberg.

00:42:51: It's so much room for growth.

00:42:53: You know I'm saying you can hear the growth with just the projects now if you listen to like.

00:42:57: you know if you listen to the earlier projects and you listen to these projects.

00:43:00: now me as a two player because I'm always a fan of two players as well.

00:43:04: you know I'm saying as a two player fan it's the growth.

00:43:07: you know I'm saying it's the growth in just the type of music and where it's going.

00:43:12: it's going to be two player it's going to be trunk it's going to be what it's going to be riding swerving and shitting like that.

00:43:18: The growth is just like it's just exciting man.

00:43:20: and as long as you as long as this shit It's like a sport as long as it's exciting and as long as you have been conditioned and train yourself or you can go and you can still compete.

00:43:30: Yeah, yeah, man shit.

00:43:31: Yeah,

00:43:32: you know

00:43:33: hip-hop is a. it's a competition sport man.

00:43:36: Yeah.

00:43:36: Yeah, you say you can ask it.

00:43:39: Yeah, yeah, yeah Stay creative and you gotta stay

00:43:43: in fighting form.

00:43:44: Yeah all the time man.

00:43:45: You gotta practice every day.

00:43:48: Do you realize sometimes, you know, like how lucky you guys are to have found each other?

00:43:54: Because you're a big saint, you're a Mississippi, you're in Georgia.

00:43:59: How did you guys link up?

00:44:00: Because it's rare to find chemistry like that between two artists.

00:44:04: And you know, you are like fighting the years, you know, it's been like, we said, eleven years and you guys are still, you know, going strong, staying creative, innovating.

00:44:14: So do you realize sometimes, like, You found a super dope partner.

00:44:19: I

00:44:23: ran in the coat at this club that he called Apache.

00:44:27: And

00:44:28: he made his mark on my ears right then.

00:44:30: And then a few years passed, he asked me for a verse for his album.

00:44:36: And I was like, absolutely.

00:44:37: It's a no-brainer.

00:44:39: Because I'm already a fan.

00:44:41: So to be a fan of one of your peers, it's like, yeah, I'm more than willing to collaborate with you.

00:44:50: And then it happened again, and then we just never stopped collaborating.

00:44:54: It was like, you know what I'm saying?

00:44:55: It was like, it was too good.

00:44:56: It was too good.

00:44:58: Yeah, it

00:44:59: was too good.

00:45:00: Like, why am I looking for anybody else to do music

00:45:04: with?

00:45:06: It's just like peanut butter and jelly, man.

00:45:08: Like, man, look, man.

00:45:11: Hey, we might be cousins, man.

00:45:12: You

00:45:13: know what I'm saying?

00:45:15: Yeah, I'm folks from the same place.

00:45:16: Yeah.

00:45:17: My dad from Mississippi.

00:45:20: You know what I'm saying?

00:45:21: I mean, you know, it's got to be something.

00:45:23: Yeah,

00:45:23: it's something I'm saying.

00:45:25: Because it's just, it's too, it's too, you know what I'm saying?

00:45:28: And here's what's scary about it.

00:45:30: It's

00:45:30: too plain.

00:45:32: Here's what's scary about it.

00:45:33: Like, if I let you, before I even, before

00:45:37: I heard

00:45:38: Big Son and All the things that that him and his crew been doing Let's say if I just go back to nineteen ninety-eight.

00:45:48: I can play music from nineteen ninety-eight and he can play music from nineteen ninety-eight Nineteen ninety-nine something like that.

00:45:55: You know I'm saying this when we be younger and I the similarities is there before we even Came across each other's path.

00:46:06: You know I'm saying so we just I don't know, it's like you said, it's special, and we appreciate it, and we want you to push that.

00:46:16: My boy says, kiss me.

00:46:19: Excuse me more.

00:46:25: Hey, that's the player.

00:46:26: shit to say, that shit just sounds player.

00:46:27: Because it's too player.

00:46:28: Yeah, it is man, it is.

00:46:29: You know how you

00:46:29: say a player in French?

00:46:30: How you say it?

00:46:32: How you say it?

00:46:32: How you say it?

00:46:33: How you say it?

00:46:33: How you say it?

00:46:34: How you say it?

00:46:34: How you say it?

00:46:34: How you say it?

00:46:35: How you say it?

00:46:35: How you say it?

00:46:36: How you say it?

00:46:36: How you say it?

00:46:36: How

00:46:36: you say it?

00:46:37: How you say

00:46:38: it?

00:46:38: How you say it?

00:46:39: How you say it?

00:46:39: How

00:46:39: you say it?

00:46:40: How you say it?

00:46:40: How you say it?

00:46:42: How you say it?

00:46:44: How you say it?

00:46:45: How you say it?

00:46:46: How you say it?

00:46:47: How you say it?

00:46:48: How you say it?

00:46:48: How you

00:46:48: say it?

00:46:48: How you say it?

00:46:49: How you say it?

00:46:50: How you say it?

00:46:50: How you

00:46:51: say it?

00:46:52: How you say it?

00:46:53: How you say it?

00:46:53: How you say it?

00:46:53: How you

00:46:54: say it?

00:46:55: How you say it?

00:46:56: How you say it?

00:46:56: How you

00:46:57: say it?

00:46:57: How you say it?

00:46:58: How you say it?

00:46:59: How you say it?

00:46:59: How you say it?

00:47:00: How you say

00:47:00: it?

00:47:00: How you say it?

00:47:00: How

00:47:00: you say it?

00:47:01: How you say it.

00:47:01: To those that are not familiar with your music hit, but if they're listening to the mixtape addict show, they heard your shit already.

00:47:08: For those who are not familiar, how would you define your style?

00:47:13: The style of two players, the style of Big Sand and Red Coat?

00:47:17: Two players raw.

00:47:22: Two players of punch and a slap.

00:47:24: And a push.

00:47:24: You

00:47:25: know what

00:47:26: I'm saying?

00:47:26: Like, you know, a little bit of both.

00:47:28: You know what I'm saying?

00:47:29: Like, you know, sometimes it's too real.

00:47:33: Yeah.

00:47:34: And a lot of times, you know what I'm saying?

00:47:36: Like, you know, it's like, it's like, come on up here and have a good time

00:47:41: with us.

00:47:41: You know what

00:47:42: I'm saying?

00:47:42: It's both.

00:47:44: It's

00:47:44: familial and it's aggressive.

00:47:47: Yeah.

00:47:47: Yeah.

00:47:48: Yeah.

00:47:50: Two super

00:47:52: is both.

00:47:53: Yeah, it's bomb.

00:47:54: It's the heartbeat of this whole shit.

00:47:57: It's just continuous, man.

00:48:00: Like you said,

00:48:04: man.

00:48:04: It's soulful.

00:48:05: Yeah, it is.

00:48:06: It's soulful.

00:48:07: It's gangsta shit at the same time.

00:48:08: It's playing shit.

00:48:10: It's soulful lyricism.

00:48:11: It's a mix of

00:48:13: a lot of shit.

00:48:15: The day that we do adult contemporary gangster

00:48:18: music.

00:48:18: That's what it is.

00:48:22: Yeah.

00:48:23: But like you said, well, Red Cold, man, maybe you guys kind of lived the same lives when you were a young girl, like went through the same phases in life.

00:48:33: And

00:48:34: yeah,

00:48:34: when you heard like maybe when you heard you GK for the first time, you were doing some some type of stuff and Big Sand in Mississippi was probably living the same stuff at the same time.

00:48:45: And that's why you guys clicked, you know, later after that.

00:48:48: You never

00:48:48: know, man.

00:48:50: Yeah, yeah.

00:48:51: The first time I heard of UGK

00:48:54: was,

00:48:57: I was in, what was that?

00:49:02: I think Dale High, Louisiana.

00:49:04: You ever heard of that something?

00:49:05: Yeah,

00:49:05: yeah, yeah.

00:49:08: I wanna say I was in Dale High.

00:49:10: And my pops, he used to work construction and shit, so we traveled all over the South.

00:49:15: Now I was in Dale High, and this older cat who I was working with, he had a tape.

00:49:23: And man, the first time when he popped that tape in, man, and I heard the first song he played was short Texas.

00:49:29: And I hope this is the right script for the right song.

00:49:32: When I heard pimps, he say, I don't give a fuck who you be.

00:49:36: You can be Tony Montana and his bitch have a trunk load of dope, but you still ain't selling shit.

00:49:44: I can say, yeah, I was in Louisiana when I heard that shit.

00:49:46: I know we went that far from God damn, pour it off.

00:49:51: So, uh, yeah, I just wanted to get that out there.

00:49:54: Yeah, first time I heard UGK was parking for the Stones for

00:49:56: sure.

00:49:57: Yeah.

00:49:57: You

00:49:58: know what I'm saying?

00:49:58: And I was like, you know, I was at my young auntie house.

00:50:01: You know what I'm saying?

00:50:02: She had rented minutes.

00:50:03: Matter of fact, now, you know what I'm saying?

00:50:05: She took me to the movies because she was, she was very responsible.

00:50:09: So she used to go, she wanted, she wanted to go to the movies late at night and she just packed us all up and take us to the movies with us,

00:50:16: with her.

00:50:17: And then, you know, my first time

00:50:19: was

00:50:19: like, you know, yeah.

00:50:20: to be like eight, nine years old.

00:50:22: And I heard it, but it was crazy.

00:50:24: It was in the mid-sixteen, seventeen years

00:50:26: old.

00:50:26: That's crazy, right?

00:50:27: That was crazy, right?

00:50:29: Yeah, but like, that's what I heard.

00:50:30: I was like, it was just the melody of, you know what I'm saying?

00:50:33: The singing.

00:50:34: You know what I'm saying?

00:50:34: I was like, aw man, I didn't know, I didn't know.

00:50:37: they

00:50:37: sung on rap songs at the time.

00:50:38: You know what I'm saying?

00:50:39: So just, just the idea of, you know what I'm saying?

00:50:41: Boys holding notes, holding a phrase longer.

00:50:45: I got a pocket full of stone.

00:50:47: Yeah.

00:50:47: Oh man, I'm saying,

00:50:50: what's this?

00:50:51: What's

00:50:52: going

00:50:53: on?

00:50:53: Yeah.

00:50:54: Yeah.

00:50:54: Legendary shit, man.

00:50:55: Legendary

00:50:56: shit,

00:50:57: man.

00:50:57: Rest of the piece to PMC, man.

00:51:00: One time I did a French journalist, he did an interview with me, and he went to my crib and asked me, who are my favorite producers?

00:51:09: He was waiting on the classic responses.

00:51:13: I hit him with three names.

00:51:14: He wasn't ready to hear this shit.

00:51:16: I said, PMC.

00:51:17: Juicy J and Big Chris is like.

00:51:18: Oh my God.

00:51:19: Yeah.

00:51:19: That's

00:51:19: crazy.

00:51:19: That's a pulling out of the clip right there.

00:51:28: That's a playing

00:51:28: store.

00:51:30: Yeah.

00:51:31: I had to let him know, man.

00:51:32: You know, like I told you, I went to Texas when I was young.

00:51:35: I spent six months out there.

00:51:36: Also went to Shreve Park, Louisiana.

00:51:39: Yeah.

00:51:40: I went to the country like crazy, man.

00:51:42: Like in the middle of the woods, like, you know what I'm saying?

00:51:45: Oh yeah.

00:51:47: Shreveport was crazy.

00:51:48: Yeah,

00:51:48: Shreveport was nice.

00:51:50: Yeah, so you know, kind of fell in love with the down self culture when I've seen it in real life.

00:51:55: I knew about UGK and all that first, you know.

00:51:58: But when you actually live it and you see it, it's different, man.

00:52:04: You know the easiest way to describe down self music.

00:52:07: for me, man, it is... Down south music.

00:52:11: It's just if you ever come down here and you've never heard any down south music.

00:52:15: You come down here and you eat some soul food and you eat the food And then you hear the music.

00:52:20: It's the same shit.

00:52:21: That's all it is.

00:52:23: We just take a Lot of we just take it all and we just put the flavor in the soul and we just mix it all up.

00:52:31: You know I'm saying and it just you know, it just comes out to be our brand, but I tell you what though What I'm really really proud of two player and I'm proud of of what of where we are and what we're becoming.

00:52:48: Now you can kind of see how it's kind of.

00:52:52: whereas it was two two players that was kind of like

00:52:58: it was two players that

00:52:59: was yeah that was kind of influenced by the same kind of music.

00:53:04: you know similar flows.

00:53:07: you know, after the time and the years of just working, now it's becoming, now we're kind of pushing into, we're really pushing into our own lane where it's becoming our own brand of music.

00:53:18: And that's what I'm most proud of.

00:53:21: You know, now it's getting to the point like, you know, that's that, but that right there, that's some two player shit.

00:53:30: Yeah.

00:53:33: It's hard to find your own lane.

00:53:36: It's one of the hardest things when you're an artist.

00:53:39: You know, even if you're a painter, if you're a rapper, if you're a producer, if you're whatever, finding your own lane, that's the hardest shit ever.

00:53:47: Oh

00:53:48: yeah, you

00:53:49: know

00:53:50: what I'm saying?

00:53:51: When me and Coach started really creating, you know what I'm saying?

00:53:54: As a duo, we were dead set on just doing what we considered just a traditional Southern hip hop.

00:54:04: You

00:54:04: know what

00:54:05: I'm saying?

00:54:06: Like, you know, we don't gotta know what I'm saying?

00:54:07: Like, we don't have to try to do, you know, like some gang star shit, or we don't

00:54:13: have to

00:54:13: have to do some, you know what I'm saying?

00:54:16: Any kind of other kind of duo.

00:54:18: We don't have to be anybody else but us.

00:54:21: Like, you know, this is just be true to our experiences and true to our sounds and the music we like to hear.

00:54:28: So, you know, it's easy.

00:54:29: You know what I'm saying?

00:54:29: After that, you know what I'm saying?

00:54:30: You know, once you figure that out, the rest just fall

00:54:35: together.

00:54:36: Yep.

00:54:38: You gotta have the vision,

00:54:39: you know?

00:54:40: Gotta have that vision, man.

00:54:42: That's the most important thing for me.

00:54:44: Yup.

00:54:44: I think, you know, it's three worlds.

00:54:46: You know, if you really want to be successful at what you're doing, you gotta have the vision.

00:54:51: You gotta have the hustle.

00:54:52: You gotta have the passion.

00:54:54: Yeah, you do.

00:54:55: You got those three.

00:54:57: You good, man.

00:55:00: Unstoppable.

00:55:01: Yes, sir.

00:55:01: Yes, sir.

00:55:02: We only have a few minutes left in there in this combo, man.

00:55:06: What can we expect from you guys in twenty, twenty-six years after that?

00:55:10: Oh, gee.

00:55:10: The bomb forever, you

00:55:12: know what I'm saying?

00:55:14: The two player area is never ending.

00:55:15: It's never ending.

00:55:16: We just getting started.

00:55:17: We just getting warm.

00:55:18: Man, we like it.

00:55:18: You see, it goes there like, you

00:55:20: know what I'm saying?

00:55:23: Listen,

00:55:24: my folks got to watch out because I'm going to tell you something.

00:55:27: And that's what I like about what's happening with hip-hop too now.

00:55:29: Now we're seeing like, you know, you're seeing a lot of these mature, you're seeing a lot of these old acts really step out.

00:55:34: But people got to understand, you know, when it comes to hip-hop, and it comes to this wordplay, and this lyricism, and this production, and these textures, and these colors, and this paint.

00:55:44: Like, as you grow, as you, it's a discipline.

00:55:48: So if you look at this shit like a discipline, I know OG, he like that.

00:55:51: If you look at this shit like a discipline,

00:55:53: we're,

00:55:54: I'm happy to say, with OG, we're coming into our sensei master.

00:56:02: You know what I mean?

00:56:03: I don't

00:56:03: know this karate.

00:56:04: Yeah, man.

00:56:05: So don't fuck with us because, hey, no, don't fuck with the goddamn sensei.

00:56:12: You know what I mean?

00:56:12: Because we now we create styles,

00:56:16: you

00:56:17: know, based off of where we come from.

00:56:18: But now it's to the point that we just, you know, they can study this shit years and years and years down the line.

00:56:23: And then they'll see, you know, Yep,

00:56:25: yeah,

00:56:27: because I'm saying like when me and coke get together know saying like depending on who like like, you know Like we write week me and coke create differently, but once we put it all together It's no saying like.

00:56:39: that's how the good song writing comes out of it.

00:56:42: because if I see coach snapping

00:56:44: And I'm like

00:56:45: I know saying me and coke den already know saying We don't have nothing to prove lyrically, so I don't have to do the same thing he did.

00:56:52: I can do something else.

00:56:54: So now I'm complimenting.

00:56:55: You know what I'm saying?

00:56:56: The

00:56:56: song, or

00:56:57: if I went one way colder, you know what I'm saying?

00:56:59: Go this way.

00:57:00: Yeah.

00:57:01: Yeah.

00:57:01: And it's just different.

00:57:02: You know what I'm saying?

00:57:03: If I'm too, you know what I'm saying?

00:57:04: Like, even when I'm real aggressive, cold is like, you know what I'm saying?

00:57:08: Like, cold getting to his, I got to teach you a lesson bag.

00:57:10: You know what I'm saying?

00:57:12: Like, yeah, you know what I'm saying?

00:57:14: Like, it's like a sensei.

00:57:15: It's the dojo.

00:57:16: It's a different kind of karate.

00:57:18: Yeah, it really is.

00:57:20: I

00:57:20: love it.

00:57:21: It's my favorite thing to do.

00:57:22: I love it, man.

00:57:23: I do.

00:57:24: I love

00:57:24: it.

00:57:25: Yeah, man.

00:57:26: You know, it's a sport, man.

00:57:27: Competition, just like we say.

00:57:29: And I love it, man.

00:57:33: Do you guys have any last words, man, for your fans across the globe, you know, in the States and Europe, Asia, everywhere?

00:57:38: What could you say to your fans?

00:57:40: Well, two players on the way.

00:57:42: And I guess that really sums it all up right there.

00:57:44: You know what I'm saying?

00:57:46: Even when you ain't heard from us in a minute, even if you ain't heard from us in a week, two players on the way.

00:57:52: We on the way.

00:57:52: I'm

00:57:53: saying like, you know,

00:57:54: we don't know what we ain't

00:57:57: here.

00:57:57: We ain't here.

00:57:57: I'm

00:57:58: telling you

00:57:58: here.

00:57:59: We coming

00:58:00: You

00:58:01: ain't heard.

00:58:01: if you ain't heard of us we coming and if you heard of us God damn it.

00:58:04: We coming with some more.

00:58:06: Yeah, we know

00:58:07: what.

00:58:07: some more some more some more some more.

00:58:10: definitely thanks for the support man and Everybody who support real original Underground, music man, overground, underground, whatever you want to call it, everybody who support that.

00:58:23: Just support being, you know, creative man, you know, who appreciate that.

00:58:27: Look, it's time to bring two players to Paris, man.

00:58:29: You know what I'm saying?

00:58:30: Like, you gonna work on the King Flow?

00:58:32: Oh, yeah, man.

00:58:33: Don't lie to the promoters.

00:58:34: Oh, man.

00:58:35: Oh, yeah, I'm trying to work on that.

00:58:36: Y'all, I don't want to say too much, you know, because when you say too much about some shit, then it might never happen.

00:58:41: So... Oh,

00:58:41: man, I could be.

00:58:41: I understand

00:58:42: that.

00:58:43: I'm trying to... I'm kind of like the bridge between the states here and France, so I'm trying to build that bridge for real, you know, this time to be able to, you know, bring people here, make them make some money, you know what I'm saying, come back to the states happy with a smell on their face.

00:58:59: Hey man, we want to come back in static.

00:59:02: yeah yeah.

00:59:03: and then

00:59:06: you say you say we're in here.

00:59:08: in french we say au ne la.

00:59:09: you know that's how we do au

00:59:10: ne la

00:59:11: au ne la.

00:59:12: yeah and i keep sending me the music so i can play it in the show and i'm gonna send you some some beats too because i do some.

00:59:19: you know it's real.

00:59:21: thank

00:59:21: you buddy.

00:59:23: i'm gonna send you some more stuff.

00:59:25: you guys take care and take care of your time again.

00:59:28: yes sir

00:59:29: put an opportunity man.

00:59:30: yes sir peace take care

00:59:32: peace.