Mixtape Addict #77

00:00:30: You have now entered the mixed tape.

00:00:03: addicts show broadcasting every day with the French connect DJ King flow.

00:00:29: I'm by the Kurt Fredros star, primo check Gonna take your whole top off, there be no neck, no shoulders And no extremities, torso and legs The big ortho and feyo, fat and ugly.

00:00:41: Trying to keep my pockets fat, twirling the buggy And if that's the truth, under the down on the track In a bathing suit, telling the client she's sweeter than baby roof And how she's a working girl, not a prostitute.

00:00:53: What's the name, dog food?

00:01:10: All I know is these niggas can't stop it.

00:01:13: It all just seems to be logic.

00:01:15: I see what I want and I copy, bitch, stop it.

00:01:18: It's almost like you're hearing a profit.

00:01:20: Damn, my baby gon'

00:01:21: lay in the tropics.

00:01:23: You fuck around, you lay in the carpet.

00:01:25: While we gon' rush, rush, rush We doin' some real high-falutin' DJ King Flow!

00:01:33: You know, I just, you know, I need the world to see, you know, where my life been at.

00:01:37: It's whatever, you know, I'm talkin' my f***in' style.

00:01:43: I'm sayin' at it!

00:01:44: You know, we do that thing up in the Lincoln Two-thirty-eight singin' to the pearly gates Sentin' to an early fade, it's an early case.

00:01:58: It's all pimpin'.

00:01:58: I've seen it all through my laser vision.

00:02:01: My mission, to keep it real

00:02:02: with no condition.

00:02:03: My addition, to escalate with the

00:02:06: newer Hop off when I feel Zebras on my feet Primo on the beat Crocka down mics Pipping to save my life.

00:02:13: and I'm no bitter Hop a bitch to swallow and no spitter I don't follow.

00:02:19: no nigger and the wire around your f**k Go figure, the sword off trigger Kim Stuck, Missy, yeah?

00:02:30: Baby come near.

00:02:31: I brought the gangsters, the hustlers, the players and pimps.

00:02:35: Cuz, cuz, cuz a wolf like him, choked like a man.

00:02:39: You see it?

00:02:40: Baby come on near And I bought the gangsters, the hustlers, the players, APLs And you handed your business, I'm all so plottier.

00:02:53: If you play it tough, it's a cold game, play it better.

00:03:04: M-make changes!

00:03:04: Bucks and tea in the porch, baby, buckle up.

00:03:07: I run.

00:03:07: plays that score paper, baby, huddle up.

00:03:10: Run for cover when I lift the muzzle up.

00:03:12: Blow apart your jigsaw, pick your puzzle up.

00:03:14: I'm coming up.

00:03:15: Rappers claiming they pushing P, but really looking for me.

00:03:18: I'm the biggest in NYC until the FEDs.

00:03:22: I work on your

00:03:22: medically.

00:03:23: Spaced

00:03:24: up, spanked till the clip empties, thinking like breakdust.

00:03:27: Fake love, the only way you fool, straight thugs Mommy makeovers, get your cake up.

00:03:32: I need a hundred percent, hold no pay cut.

00:03:34: Hey, stay flush,

00:03:35: killers and franker

00:03:36: for ray guts I stayed up, even when the market changed up.

00:03:40: I aim up, flame up, so platinum

00:03:42: frame us Swiff, oh god, bitch

00:03:49: don't like us, she

00:03:51: don't like herself.

00:03:53: Fraud on the sun,

00:03:55: tanning on the sand with the candy.

00:03:57: My whole is working

00:03:58: magic.

00:03:59: Brown came up and

00:04:00: they can't stand it.

00:04:01: Out in North Carolina, in the tussle,

00:04:03: not the tax, tax, hand of business.

00:04:05: Take

00:04:05: a quick break,

00:04:06: head-proud for the brisket.

00:04:08: Few wagons on deck, no pennies on, yes you pullin' up, whack Fit lil' thing, one calorie, last

00:04:14: week's been a pain.

00:04:16: Caught off the reflex, life gettin'

00:04:18: busy.

00:04:18: Them hoes tryin' pick me, a player takin' off Rat money gun, yeah the dawn takin' off Old school clean, I just gotta dust it off, the universe I'm a diamond

00:04:28: in the dirt, you gon' reap what you sow.

00:04:31: Takin' cheap shots, but talk's

00:04:32: cheap.

00:04:33: Yeah, we're the wise people, we link on the East.

00:04:36: It's like,

00:04:36: you wanna be shit, turn the money.

00:04:38: Now all I see is green, no back drive.

00:04:41: But my bitch got a badge, why turn it into rags Turn

00:04:44: it off or back, it's the return of the Mac.

00:05:12: And they call me S-O-O-O.

00:05:22: Purchase the beginning and end The feeling and t- it feel like the ceiling and end And then, heavy thing above it, got a sinister grin.

00:05:29: You do the math, you count up or play in the field.

00:05:31: Get you where they talk, you out the ride The moment the field knows they're roaming the field Left you are turned, place the numbers and left with a field.

00:05:41: Feel spirit, vision, the scheme hand-writing With my mother in the kitchen, triple layer, diet, panerome, or a Jada.

00:05:49: My

00:05:51: height, shitcha

00:05:53: for a dub.

00:05:54: Get you killed and getting killed and get you love, hella If we talk God, tear and sevens.

00:05:59: And of course, you know SKY, it's how you spell it.

00:06:01: Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky, Sky.

00:07:02: I've never heard of them when they've been so huge.

00:07:09: It's impertinent, it's dance in this human body.

00:07:35: Concentrate in front of them, they feel shock.

00:07:44: It's

00:07:44: the electric shock, blisheck or brass Equivalent in brass and in flame, but the brass is dead, millimetre and no trace In the future, I'm looking for Sarah Conor Night is respectful, Conor McGregor Tap your eyes and close your eyes to shoot two, three, there, there Before killing, I like to appreciate Take the time to get drunk, all these bubbles And I know,

00:08:11: all that's left.

00:08:12: Mix it, come on!

00:08:16: The eyes of the spectators, shooting in red and laser Red, the game is muscled.

00:08:23: during the end I execute my egg in direct, I prove it in my egg, I found the fruits and fruits, I drink it, the game is muscly, they see you, they see you, I execute my egg, in each title I answer the question, it is quickly answered, and it is the black shit.

00:09:14: Your Mac, you ain't seein' him In the mud, bro, I style not my seasonin'.

00:09:21: him Lays on le visor, tirer en blisque et laser rouge.

00:09:24: Le jeu aim is clé pendant clavier rouge.

00:09:27: J'execute mon oeuf, on.

00:09:28: dirait que je trouve dans la manoeuvre J'ai trouvé les pieuves, et les coules ouvrent les oeufs.

00:09:33: Les jeux aimes pas, j'execute mon oeuf, d'une question que j'étudie Top rock shit, really a sample, now we're rippin' Brothers.

00:10:10: grip, late, Venice Sunday.

00:10:19: My troupes are rippin'

00:10:38: Now.

00:10:45: who of us is the walkin'

00:11:15: boss?

00:11:35: Like Brad Fawth, fly to the death Like the brother of Brad Hart.

00:11:39: Always be Debbie, I step

00:11:41: hard Quick to

00:11:41: kill Ricky's like the shot from that red car.

00:11:44: I don't think they really know what I said, huh?

00:11:46: We between the line, highlight every red ball.

00:11:49: Send my hitter out of town to kill you, that's dead far Price.

00:11:51: a welcome fan could be your name on the dead star.

00:11:53: Gotta remain ticked Watching the game.

00:11:56: get cold, simple and plain Rentals, hot and cocaine get sold.

00:11:59: Shame, Charlemagne, threw more shade

00:12:00: than the skin tone

00:12:01: Here.

00:12:01: a hip complain, the same lame that I've been known Woman live and tell, why I keep me some

00:12:06: intel.

00:12:06: Write this shit with a pincel, buy this shit that I did sell.

00:12:09: Try to tell me Harlem on fire, nigga, it been hell.

00:12:11: You could pay me Washington's, no cash, you didn't sell.

00:12:14: Summer twenty-five, got most of the city live Live bands on the block, rosés for fifty-five No one letting.

00:12:19: no shots, no debts, no pity cries.

00:12:21: Bodies ain't gettin' lynched with the mob, I'm really tired But wasn't good with the rock, till I got on the block And Hess was looking.

00:12:28: the cop, fast lane when the cash came.

00:12:30: Wasn't looking to stop, son getting too hot.

00:12:32: They never booked you a lot, was nothing?

00:12:34: cook until I figured the recipe Felt good like ecstasy, when you reaching your destiny.

00:12:39: Plug looking for me to tell him who moved the best for me.

00:12:41: Never gave him S.A.S.T when they be testing me You could tell the way that I stand is on business.

00:12:47: Kids getting murdered by kids is all senseless.

00:12:49: Got a stash house surrounded by dog fences Three-level garage, one for all business.

00:12:54: But we did the loans, advance was all instant.

00:12:57: Bought a beach home with plans, be more distant Pulling like Detroit players, all pistons.

00:13:02: You can even fall in line or fall victim.

00:13:04: Like, for you sign us, you need Sudafed.

00:13:07: Y'all ain't ready, like spaghetti, I'll tell you, new to red.

00:13:10: Outside gray, inside B, we'll be red Double par, front of the shop, why would it do to hay?

00:13:15: Take my mind off.

00:13:16: why I can't get my rhyme off Like, I'm taking time off, I don't wrap my behind off.

00:13:20: They ain't sign off.

00:13:22: When the evil stop at the light, you better drive off.

00:13:26: Let's be clay, I'm a winner.

00:13:27: Chinchilla sittin' on the beach, chillin' the winner Ben Illa, put me on any beat with a

00:13:39: DJ King Flow.

00:13:45: I'm a ghost, I hunt a weak spirit.

00:13:47: Mixed shit, let's grow money, yeah, I still spill it.

00:13:50: They been need more budget.

00:13:51: when they count me in it.

00:13:52: This

00:13:52: is copy sale, just off all of my visions.

00:13:57: I be titanin' in the colonized, mission rich Better than a hero, puttin' the chief talk.

00:14:03: Just me and the Japanese disease called Chunibyo.

00:14:08: But somehow this geek has flew my shoo-dee-coast.

00:14:11: I sleep with Sobby on the bitch, it's a sushi roll.

00:14:13: Yeah, Ninjas acted.

00:14:14: just tryna be in a movie role.

00:14:16: But I'm the one who been flipping the script with no pain, no pass.

00:14:19: Spittin' it lit, many rappers sell them desks on the credit cookie.

00:14:24: I'm makin' criminal hits to change your life, yeah, you know?

00:14:46: I'ma tryna go beyond.

00:14:48: I beat this game, my homo, no chico.

00:14:52: A great child might be blind, but she can see the scene.

00:14:57: No ninjas know me, you tryna get back at it.

00:14:59: I mean, he will owe me, her servant is sliced, an extra pepperoni.

00:15:03: Comfortable, clean, who tryna be hurricane dream?

00:15:13: I'm ready to wear a dream, make it real, I'll be friends with a flash and it's like a lash job.

00:15:35: To

00:16:07: throw hands me you fought And if you bang the hammer, well that's a handgun of course!

00:16:11: Con of this life savers, the Hoover means you without paper And child support nowadays is outrageous.

00:16:16: Snitching weed

00:16:17: on a loudat,

00:16:18: a house raid is a mousetrap.

00:16:19: And good green is a loud pat, kites are ladders from jail.

00:16:23: A long night means you didn't make bail.

00:16:24: Awake

00:16:25: benches, the

00:16:25: digital scale.

00:16:26: If you saw a thing, you physically frail.

00:16:28: And if you call the body, that's when the nigga got killed.

00:16:31: If your fur means you mixed litters And if somebody

00:16:33: got banged, they was beat up by more than

00:16:36: one- Yo, I know you like the way I'm freaking it.

00:16:38: I talk with slang and I'ma never stop speaking it.

00:16:41: Goatee for fronts, a cigarillo's a blunt.

00:16:44: And if a nigga got teed off, that mean he got punched.

00:16:46: A hat man, it's a ghetto sedan.

00:16:48: These boys pedograms, the grime means do whatever you can.

00:16:52: Asked out means you don't got it.

00:16:53: Hard body, you're so growlick and be more dope.

00:16:56: Deal is his phone positive.

00:16:57: Banking is getting it dope.

00:16:59: Rattin' and snitchin' for show.

00:17:00: Snortin' cocaine is bippin' your nose.

00:17:02: Crack rock is cook-up.

00:17:03: You skate the fight, then you shook up.

00:17:04: Down is his push-up.

00:17:06: A mill in jail is a hook-up.

00:17:07: Tank tops are white beaters.

00:17:09: Air forces is white sneakers.

00:17:10: And shellheads is low-cut and deedish.

00:17:12: Yeah.

00:17:13: Dick Beath is a fist, a quarter ounces of Vic, a down to dick, chicken like it's a bitch.

00:17:17: Champagne is bubbly, if you

00:17:19: rub me, you stuck

00:17:19: me.

00:17:20: Yeah, shit can get ugly.

00:17:21: A school cap is a scotty, where you sell drugs will be the trap.

00:17:24: What you selling's your pet?

00:17:25: Oh yeah, one thousand dollars is a

00:17:27: stat.

00:17:28: Yo, I know you like the way I'm freaking it.

00:17:30: I talk, I'm slinging, I'm another stop.

00:17:39: I ain't nothing like you, I put my dutch out on your nightboots.

00:17:50: Pull my nuts out on your wife and the mic booth Then sit your way with her at the end of the night too.

00:17:55: Those were the happy days, these the real years.

00:17:58: Niggas is brain dead with shitbags and wheelchairs.

00:18:01: For the record, I don't give a fuck who your team is And you don't want it with me, cause I'm an extremist.

00:18:06: DJ King Flow, mixtape at it.

00:18:17: Three and a half years if they catch you with a gattie All that mean now is that niggas is shooting back at war or something I got the taste for out on bail Bigger gun than the one I got the case for.

00:18:28: Never can't tell what I might do.

00:18:30: I ain't nothing like you.

00:18:31: I put my dutch out on your night bolts.

00:18:34: Pull my nuts out on your wife and the mic booth Then sit your way with her at the end of the night too.

00:18:39: Those were the happy days, these the real years.

00:18:42: Niggas is brain dead with shit bags and wheelchairs.

00:18:45: For the record, I don't give a fuck your team is and you don't want it with me.

00:18:49: cuz I'm an extremist.

00:18:50: cuz I'm an extremist.

00:18:50: give a fuck who your team is.

00:18:52: cuz I'm an extremist.

00:19:01: I ain't come for props, I ain't come for thrones.

00:19:04: I just came to bring my brothers back home Inside alone, might turn a stone.

00:19:09: I just came to bring my brothers back home.

00:19:12: They called you radical, you're down here like an animal.

00:19:15: They act like you don't got a soul and some kind of mechanical product.

00:19:18: They could just toss, just so they could stay bosses Just so we could stay lost until we're slaves to the source.

00:19:23: They made me what I am, made you what you are.

00:19:25: Made us understand, they could build us up.

00:19:27: then take shit from us My man, stay strong, rebuild, scars can't.

00:19:31: Oh.

00:19:32: Cuz I'm an extremist.

00:19:42: give a fuck who your team is.

00:19:48: I came from the bottom, I grew up with roaches and mice And they threw a party as soon as we turned up the lights.

00:20:10: I ain't have a job, but my man had an awesome wife.

00:20:13: I wasn't trying to take it there, but I'm going the night.

00:20:16: We're solving like Marvin.

00:20:17: the Marvin was no way around.

00:20:18: We're scared of the problems.

00:20:20: I started to throw in the towel But I'm from Harlem and Harlem be holding shit down.

00:20:24: I had to go harder.

00:20:25: and now I'm the heart of the town.

00:20:27: I buy that cook it, I bag it, then go out and sell it.

00:20:30: They try it, they love it, they draw like a winning and hell it.

00:20:33: I stack it in curve, all the niggas are jealous.

00:20:35: Shit, all I got is my world, hope I don't need to spell it.

00:20:38: I sold it to zombies, so I don't be takin' no L's.

00:20:41: I posted a lobby like mommy said wait for the mail.

00:20:44: I knew I was up when the cops tried to take me to jail But they knew what's up, they was watchin' me.

00:20:48: make all these sales.

00:20:50: Hold up, look, something hit me the other day.

00:20:53: I said niggas are still asleep, but the fuck is going on with these niggas.

00:20:56: don't feel me Chill B, don't hold me back cause I shoved you out of real mean.

00:21:00: I was real weak, I've been through it all and I'm still mean.

00:21:03: This ain't for play.

00:21:03: play, fuck the A&Rs that don't vacate.

00:21:06: Let's have a sick, cause these bars nuts like a payday.

00:21:08: But tell the ex of the producers, I don't wanna play gay Now ain't judging nobody, I just wanna stay straight.

00:21:14: I get lover, what's wrong with a little more?

00:21:17: I've been buzzing for a minute, what's wrong with a little talk?

00:21:20: ain't nobody perfect?

00:21:21: what's wrong with the low floors?

00:21:22: all these bitches freaking off.

00:21:23: so what's wrong with the low?

00:21:25: here's the things they be cuffing these bitches then they lie.

00:21:28: but if shorty fucks somebody else he gon' die.

00:21:31: but he gon' tell his mans there's nothin' and say it's bonds.

00:21:33: but I bet you we ain't get in the car.

00:21:35: he gon' cry.

00:21:36: when I was locked in prison they was happy that I screwed up but I was writing fire in the hole.

00:21:41: that's how I blew up came home fake booed up and said screw love I'm too busy to move up.

00:21:47: This DJ

00:21:51: can't blow This bridge, sent for these shits, huh?

00:22:00: When I'm chillin' on the nigga, come ignore me

00:22:06: From a chick that was thick, that the kid wanna off me.

00:22:12: Morning got the fees lined up, everybody get your coffee.

00:22:17: Celebrate every day

00:22:19: with my niggas done, it's time to get

00:22:20: saucy.

00:22:21: My name is Big Twin, I love to be bossy.

00:22:24: Live the foul life, so I gotta move.

00:22:26: costly Niggas try to jump on me, I gotta morph me.

00:22:30: Got the new crib in the whip.

00:22:32: It's real floor seat, Nick.

00:22:34: That shit all week, thirty-two winning.

00:22:40: I'm still mobbed in, I ain't done with back For a hundred so harder than me, I never had.

00:22:50: I try to keep my hands and never cry.

00:22:56: I ain't with the money coming on When it's the third clean up town, I'm seeing Jose When I'm chillin' on him, get comin' on.

00:23:13: I'm a chick that was thick, J. King Flo.

00:23:33: They always wanted to shine, then

00:23:36: I came

00:23:36: through Like a quarter to the never, five New Jersey orders, he get cries Spending what you can before the expiration

00:23:47: Counting so much money.

00:23:48: look like decorations.

00:23:50: Home Depot, keep the green scene low.

00:23:53: Hear a mixtape addict.

00:23:54: listen while the king flow.

00:23:56: Twelve games saved, I belong on the stage.

00:23:59: Cornrows, dreadlocks, back to the waves Fresher than I ever

00:24:03: been, oh dirt, about thirty six minutes to another chamber

00:24:10: Signed a disclaimer, why don't claim until it's time to bang Jokes, I'm silly, I ain't been through Philly in a long time.

00:24:18: Rest in peace to four or a little more, one time You see, these things, man, lost a lot of people, so I gotta keep a mixed sense, huh?

00:24:45: Hate the such, stop counting my pockets, I ain't helped you enough.

00:24:49: Tired of broke niggas giving me excuses, I didn't get you chance, I've the chance now.

00:24:54: that's useless.

00:24:55: I'd be real picky when it come to producers Cause my homie gone and it's hard to face the music.

00:25:01: Every now and then I get inspired

00:25:03: by some new shit.

00:25:04: So me and the pen get together and just do it.

00:25:07: It's one thing that

00:25:08: can't take away from me And take those to pave the way with spec

00:25:12: gracefully.

00:25:13: Hip hop is worldwide, we influence the mass Movies, retail, they even got clubs Looking

00:25:20: real slim when they come to your chances.

00:25:22: I'm being this real, only God got it Long time coming, don't know what I'm headed.

00:25:28: Sometimes I just think about it.

00:25:55: The Overseas G's like a foreigner.

00:26:00: Fuck, fuck, foreigner.

00:26:01: From the beats to the re-charticle, hola Got two kitchen in the mix and a Fidella

00:26:20: with the leather britches.

00:26:21: Can I get a witness?

00:26:23: Uh, my

00:26:24: main ex porters jealous

00:26:25: bitches.

00:26:26: Uh,

00:26:26: Henneca Tai Chiwa Or in Mexico checkin' for policia Homey.

00:26:34: I

00:26:36: then

00:26:39: gave up to Extreme talkin' bout.

00:26:47: Homies lights and guards like

00:26:48: pipes.

00:26:49: Yo yo, can you hear me bro?

00:26:52: Yeah, I

00:26:54: can

00:26:54: hear you.

00:26:58: What up, though?

00:27:03: How you doing, my man?

00:27:10: We're here.

00:27:15: We're here in the Mixed Static radio show.

00:27:38: You know, we're connecting the dots, man, from France to the US.

00:28:10: That's how we do it.

00:28:15: Sounds about right.

00:28:22: Sounds

00:29:00: about righteous.

00:29:10: Yeah, yeah, man.

00:29:17: I got my special guest in the building today, Weiss P. How you doing,

00:29:21: man?

00:29:22: Ah, man, I feel marvelous, man.

00:29:24: What's happening?

00:29:25: Good shit, man.

00:29:26: You know, we over here, man, working on this interview, working on some beats, mixing.

00:29:31: You know, the grind never stops, bro.

00:29:33: Yeah, man, never stop, man.

00:29:34: You got to keep moving, man, until we can't move no more.

00:29:38: For sure, for sure, man.

00:29:39: How's your day going so far, man?

00:29:40: What you up to?

00:29:42: Ah, man, you know me.

00:29:44: I think I'm doing a little French, like a little red wine right here, you know what I mean?

00:29:47: Early in the day time.

00:29:49: Oh, yeah.

00:29:50: What is there?

00:29:51: Is there, like, some Chardonnay, some stuff like that?

00:29:53: Nah, that's a mouth back.

00:29:54: I call it the Maybach.

00:29:56: The Maybach.

00:29:57: That's

00:29:57: a mouth back.

00:30:00: Good shit, man.

00:30:01: When I get to New York, I'll make sure I bring some red wine with me.

00:30:04: You know, we French over here.

00:30:05: We like that shit.

00:30:08: Yeah, hell yeah, hell yeah.

00:30:09: Hell yeah, man.

00:30:09: Let me start with the mixtapetic tradition, man.

00:30:12: I have a tradition in the show is that I asked all my guests, who's their all-time favorite DJ?

00:30:21: Wow, that's tough, man.

00:30:23: You know, so many good, so many DJs, man.

00:30:27: This is not count production, just DJ, right?

00:30:31: When you hear the word DJ, who comes to your mind first, you know?

00:30:35: Kid Capri.

00:30:37: Okay, and tell the people why, especially Kid Capri.

00:30:40: Because Kid Capri, he does it all.

00:30:45: I see him when he's live, he's his own band, he's his own show.

00:30:51: When he produces, he makes bangers, and he's just all set for the culture, man.

00:30:57: He just does all facets of the culture properly.

00:31:01: That's what I like about him.

00:31:03: He never ceases to amaze me.

00:31:05: He makes beats, he DJs, he makes big tapes, he also raps.

00:31:10: Like you say, he covers all the elements of the culture.

00:31:14: It's tough because DJ Premier is my number, that's another number.

00:31:19: It's tough for me to just

00:31:20: say number one, man.

00:31:21: It's so tough, man.

00:31:23: It's so tough,

00:31:23: man.

00:31:24: I know, I know it is man, but you know, I like to get the instinctive response, you know what I'm saying?

00:31:30: Like when you hear the word DJ, boom.

00:31:33: Yeah,

00:31:34: yeah.

00:31:34: Shout out to Keith Capri man, shout out to the OG.

00:31:37: He dropped a single not too long ago, like from New York, I'm not mistaken, shit has been.

00:31:41: Yep, yep, exactly.

00:31:42: They

00:31:42: played it all the next

00:31:43: games and stuff.

00:31:46: He's that dude.

00:31:47: Yeah, yeah, man, shout out to him.

00:31:49: And I have another mixtape question for you, and I think I know the answer, but do you miss the mixtape

00:31:56: format?

00:31:56: Yes.

00:31:56: Mm-hmm.

00:31:56: I mean, but I'll be even a librarian because you was, you know, during that time, you was allowed to just get on in, express, and be with the DJ, and it felt natural, and you know, spit your rhymes, and... and get your point across, and it just was a great time in hip hop when that was there, man.

00:32:21: And it don't have to be lost.

00:32:23: The old phone don't have to be lost.

00:32:24: We can still do it, you know what I mean?

00:32:27: Maybe you bring it back, start doing it again.

00:32:29: Let's get it.

00:32:30: You know that's what I'm doing, man.

00:32:31: I had to find a way to do it without the copyright issue, so that's why I'm doing it on the radio now, you know?

00:32:38: I drive because I get hardest to do freestyle on industry beats.

00:32:42: And because it's radio, we can actually do it without having any problems with the rights and all of that, you know.

00:32:49: Okay.

00:32:50: Recently, you know, I've seen Lloyd Banks on Instagram.

00:32:52: He dropped like a series of freestyle using industry beats.

00:32:56: So he kind of, you know, took it back to the mixtape spirit, you know, without having the copyright issues that we can have now.

00:33:06: So yeah, man.

00:33:07: Yeah.

00:33:07: And can we expect maybe a mixtape from YSP or Compilation, something like if you have some unreleased tracks or some exclusive stuff that you want to share with your fans, can we expect that anytime soon?

00:33:20: Yeah, we do.

00:33:21: I'm dropping the album called Drogane, me and Fredrio Starr from Onyx.

00:33:25: I'm actually shooting the video tomorrow with Lord Jamal from Brad Nubians.

00:33:30: We're doing that one of my heroes.

00:33:32: And

00:33:34: you're going to get to What we normally

00:33:37: do,

00:33:37: I have tapas one and tapas two.

00:33:40: If you know what tapas is, that's Spain, you go to a Spanish spotter and tapas is the meal before the meal.

00:33:47: So like I'll do an album, let's say I do an album and I do like twenty tracks but only eight make the album or ten.

00:33:56: The other ten I'll put on the tapas, you know what I'm saying?

00:33:59: Because there's other gems out there and you can get a meal in between meals.

00:34:05: It's going to open your appetite for some more music.

00:34:08: There you have it.

00:34:09: So the Drogane is coming this month and then next month after that you'll have a tapas.

00:34:17: Okay dope, dope man, that's fine.

00:34:19: Are you playing it like.

00:34:20: here we go.

00:34:21: Maybe a DJ to all state, mix it, you know, kind of bring the mixtape spirit back or just music like that.

00:34:27: It's just music.

00:34:28: I've never had a DJ do it, but you know what, not that you said.

00:34:30: so, maybe I have to consider

00:34:32: that.

00:34:33: You know, like your best of top parts, you know what I mean?

00:34:36: Yeah, I have to consider that.

00:34:40: And what do you think like about the return of authenticity in the game, like the last five, six years, you know, you've seen people coming back to the.

00:34:50: You know that real rap man, I think people were tired of the bullshit that was playing on the mainstream medias.

00:34:57: and you know because of guys like for example you know like the most famous ones out there in Europe when you say like the Zelda for example they kind of you know brought it back and now people are finally getting back to their original style and being proud of it too.

00:35:13: What should you think about that?

00:35:15: Well you know it's like what you said.

00:35:16: you know the uh you know The most famous ones, but at the same time, just was always happening.

00:35:28: We never went nowhere.

00:35:29: The underground was always here.

00:35:31: I was still in the studio with DJ Premier.

00:35:33: I was still in the studio with Rock Marciano.

00:35:37: I was still with Ransom.

00:35:38: I was still with Static Selector.

00:35:40: I was still with Turbinology.

00:35:42: I was still in the underground.

00:35:44: I was rapping with all these cats.

00:35:48: when we was just underground like you know what let them they want to do that up there.

00:35:52: let them go ahead and do that.

00:35:54: we don't keep it.

00:35:55: we don't keep it tall down here sharp rice.

00:35:58: i bless you.

00:35:58: so you know i was big.

00:36:00: you know you know all of them.

00:36:03: cats we were still getting.

00:36:04: we were still getting busy.

00:36:05: so to us it never went away.

00:36:06: you

00:36:08: know

00:36:08: i mean.

00:36:09: so maybe the avid listener whatever y'all felt like it went somewhere but we were still

00:36:14: on it.

00:36:14: Yeah, that's what I think too, you know, like the rappers that actually have love for the culture never went nowhere.

00:36:22: They just, you know, will still-

00:36:24: Who can't never went nowhere?

00:36:25: Smith & Wester never went nowhere.

00:36:27: You know,

00:36:28: Bucks, I never went where they went.

00:36:29: They catch us still making records.

00:36:32: Yup, yup.

00:36:33: I think it's changing, I mean, it's the fans, you know, probably the fans.

00:36:38: Not really the holliest.

00:36:39: It's the

00:36:40: media.

00:36:40: It's the media.

00:36:43: The media was doing, we were still dying, doing rascals were still going, like we exhibit where we were still going.

00:36:51: We never took no days off.

00:36:53: Yup, yup, no days off, man, no days off.

00:36:55: That's one of our models right there.

00:36:59: Yeah, but does that give you like motivation to even go harder than that, you know what I'm saying?

00:37:05: push your stuff and, you know, just be proud of the music that you're doing without trying to sound commercial or anything.

00:37:11: Does that give you more motivation now that people are, you know, going back to authentic music?

00:37:17: I'm going to quote my man, um, Raskas one time.

00:37:22: We was choking.

00:37:24: And I was like, yo, this is that.

00:37:27: This record that he said was our job is to spit.

00:37:32: That's our job.

00:37:36: You know, they got other jobs.

00:37:42: That's how real MCs should do, you know what I mean?

00:37:47: No need to try and sound like somebody else trying to be commercial.

00:37:51: If you have a gift for writing dope rhymes and make the people feel those

00:37:55: rhymes

00:37:57: and you just gotta do it.

00:37:58: It's in your blood, you know what

00:37:59: I'm saying?

00:38:01: Thanks.

00:38:02: And for those that maybe don't know you out there overseas, you have You know, you've been influenced by the PIMP culture.

00:38:10: You know, people know you as White Speak, the PIMP, you know.

00:38:13: Yeah, yes.

00:38:15: To tell the people where that came from.

00:38:17: Like, was it like watching movies, like the Superfly when you were young and stuff like that?

00:38:21: Nah, nah, I really lived it, man.

00:38:23: You know what I mean?

00:38:24: I really lived it, did time for it.

00:38:27: It was a part of my culture, you know, part of my lifestyle.

00:38:33: And I really, I really, you know, was in that culture for a while.

00:38:36: I was in that business for a while.

00:38:38: I'm not in there no more just rapping about it.

00:38:40: But you know, you know, that's something real.

00:38:42: I'm giving out.

00:38:43: I only know how to give people my real life.

00:38:46: If I'm talking to you on records, I'm giving you my real life or something I see, you know, some of my experience.

00:38:52: I don't just grab shit out of the air.

00:38:54: You know what I'm saying?

00:38:55: And I felt like I was sitting there one day.

00:38:57: I'm like, I was with Devin the Dude, actually.

00:39:00: Shout out to Devin the Dude.

00:39:01: It's not the Texas in the old, Texas the Pimp culture in Texas and the Pimp culture in LA always been a lot, but I'm like talking to them like, man, ain't, it never been no East Coast cat.

00:39:13: All we rap about is the shooting or, or, or being the best.

00:39:20: We never, ain't never talked.

00:39:21: no too short or fancy.

00:39:23: Nobody never really did that out here.

00:39:25: You know what?

00:39:26: I'm going to put my life on it and I'm going to represent for that culture from New York.

00:39:33: And I felt like I was doing something that nobody else was doing.

00:39:38: There's a couple people doing it now, and they know they got it from me, but shout out to them to solo.

00:39:44: Yeah, yeah man, shout out to them.

00:39:45: You know, talking about like the, you know, that Pimp music.

00:39:48: Oh,

00:39:48: shout out to Devin, dude.

00:39:49: That's my guy.

00:39:50: Yeah,

00:39:50: yeah, yeah.

00:39:51: Also shout out to the homie, Mussolini, man.

00:39:54: He does some Pimp shit too, man.

00:39:56: Shout out to them.

00:39:57: We just did an album together.

00:39:58: I don't know if you got it.

00:39:59: Shit, I heard like a couple tracks.

00:40:01: I didn't know you had a full album.

00:40:03: I'm gonna have to check

00:40:03: it out.

00:40:03: Where the full album produced by Static Selectors, your DJ buddy.

00:40:07: He produced the whole album.

00:40:09: Dope, dope.

00:40:10: He came up with those jazzy funky vibes as he always does, man.

00:40:13: Yeah.

00:40:16: And let's go back in time, you know, like

00:40:19: what

00:40:19: really like made you want to, you know, focus on music and you know, make it your career, you know what I'm

00:40:26: saying?

00:40:29: I mean, I always wanted it.

00:40:30: I mean, ever since I was fifteen, sixteen years old, I just always knew that this was my job.

00:40:36: This is what it was.

00:40:38: There was no exit plan.

00:40:40: There was no, you know, side hustle, nothing.

00:40:46: It's music.

00:40:47: It's Pippa Dom.

00:40:51: Yeah, but like you say, maybe that gives you like, you know, a special hustle, a special grind where you don't have no plan B, you know what I'm saying?

00:40:59: When you just focus on your stuff,

00:41:01: without

00:41:02: no plan B, I think you move different.

00:41:05: I like how to tell the young cast man.

00:41:07: You know, they say don't put all your eggs in one basket.

00:41:09: How the fuck you gonna make a arm?

00:41:11: All my eggs in one basket, baby.

00:41:16: Yeah, good omelette, you know, French omelette.

00:41:18: Man, that's how the fuck we do it, you know.

00:41:22: You've been there for a while, man.

00:41:24: You know, been doing your thing for a long time.

00:41:26: You know, been bumping up music out there, you know, for maybe... ten, fifteen plus years, something like that.

00:41:31: What

00:41:33: do you think is the secret to longevity?

00:41:37: The secret to longevity is being true to yourself.

00:41:42: Understanding who you are, what moments are yours, and also being able to understand that every situation is a situation for you.

00:41:56: You know what I'm saying?

00:41:57: Like, you get on stage with thirty thousand motherfuckers and bomb.

00:42:03: and not be good.

00:42:05: You go do a show with three hundred, four hundred people and rock that shit.

00:42:10: You know what I'm saying?

00:42:11: So you gotta understand that everything ain't for everybody and also understand that you're powerful regardless.

00:42:19: You know what I'm saying?

00:42:21: I had a dude tell me one of my records he played at his wedding.

00:42:24: I was like what?

00:42:26: I don't even make that kind of music.

00:42:29: You know all that dudes come home on parole and make it through.

00:42:33: they parole Because of my music, you know say you never know who you affecting.

00:42:40: Yep, yep, yeah, I know that feeling.

00:42:41: you know You probably had that like.

00:42:43: you know looking at your DM and you have some some guys, you know like writing a whole paragraph telling you how your music affected your life And I think that's one of the reasons why all they start doing what they do, you know I'm saying Yeah, it's about.

00:43:01: you know touching people man, you know like touching the heart and that's how I think that's how you built a loyal fan base that follow you throughout the years, you know not just some you know one-time stuff.

00:43:15: Yeah, I just want people to put my music on before you go out at night.

00:43:19: put my music on.

00:43:20: when you feel like a player You know you feel like camping.

00:43:23: you want to hit some motherfucking underground Parkour, noise, put that on, man, watch me to pimp, man.

00:43:31: I'm the greats.

00:43:33: When it comes to that pimp hop.

00:43:35: Yup, yup, that's all, man.

00:43:37: What's coming for you musically?

00:43:38: I know you're always working.

00:43:40: You just dropped something that you sent to my email about to play that in the show, too.

00:43:44: But what are you working on right now, man?

00:43:47: Drogame, being Fredros star.

00:43:50: He's a classic legend genius.

00:43:53: He's producing.

00:43:54: He's not... You know, it's not an album where it's all about his raps.

00:43:58: It's about him producing, showing his other side.

00:44:01: You know, he do movies and all that, so I'm pleasured and blessed by the fact that he took time out to work with me.

00:44:09: So I got that, Drow King.

00:44:10: The last album was Drow King.

00:44:12: That's why we call this one Drow King.

00:44:15: I also got a bunch of albums coming next.

00:44:22: I got one with Snow Goons, they from overseas.

00:44:26: I got... Working with P-Twist again.

00:44:29: I got me and Neff again, me and Static again, me and Terminology called Pimpology.

00:44:37: Man, just so much work.

00:44:40: The album I got coming and I can't even speak on till I signed the paperwork.

00:44:46: So you might have to get a bag at me.

00:44:47: You might be mad at me when you hear that, like, oh, he didn't tell me, but yeah, I can't say not till I signed the paperwork.

00:44:54: Just so much, man, I fuck.

00:44:55: I don't even want to forget.

00:44:57: a lot of stuff but um there's a lot of stuff coming.

00:45:01: man i'm excited it's gonna be a big year

00:45:03: now.

00:45:04: yeah sound like you kind of live in the studio to be so active.

00:45:07: man.

00:45:08: yeah man and you know we down we underground.

00:45:10: so you know we own our own studios.

00:45:12: you know there's a lot of ownership going on over here.

00:45:15: you know i mean a lot of Cartier Santos's.

00:45:19: you know talking about what's down.

00:45:22: They think we on the underground, we ain't getting money, man.

00:45:24: We get to the bag, baby.

00:45:25: You know what I'm saying?

00:45:26: Yeah,

00:45:27: I'm talking about that one.

00:45:28: Oh, don't forget about... I got the whole NamUs.

00:45:34: Okay.

00:45:35: Mr.

00:45:35: Joe Davis, I got Whole NamUs.

00:45:37: Whole NamUs.

00:45:38: That album coming.

00:45:40: That's a

00:45:40: dope, that's a dope, man.

00:45:42: K-Pony.

00:45:43: K-Pony, the kingpip of New York.

00:45:44: That's coming.

00:45:45: Okay, okay.

00:45:47: Shit, I didn't know about the last one.

00:45:48: It was a kingpin in New York, name like that?

00:45:50: Kingpin in New York, K-Pony.

00:45:53: K-P-O-N-Y.

00:45:53: Multi-Fly, do a job.

00:45:53: Ever that shit?

00:45:55: Yeah, yeah, man, yeah, yeah.

00:45:56: Always

00:46:00: working, man.

00:46:01: And talking about, you know, entrepreneurial, you know, type stuff, man.

00:46:05: Do you have any advice, you know, for the young rappers slash entrepreneurs, maybe music producers too, you know, in terms of business and general, like, what could you say to young ones?

00:46:16: That's a great question.

00:46:16: If you're thinking business, right?

00:46:19: Think of this, right?

00:46:21: Everybody's trying to hit a home run.

00:46:23: But one of the greatest baseball players ever is a dude named Dary Jeter.

00:46:27: He would single you to death.

00:46:29: Single hit, single hit, single hit.

00:46:31: He would get on first base, second base.

00:46:33: Then he hit a home run for time.

00:46:34: Everybody's trying to get that knock out the park.

00:46:37: Hit record, but check it out.

00:46:39: What if you get a thousand fans to set, to... My man, Rerod, piece of Rerod, you know, he's folks him.

00:46:49: He's the one that taught me this.

00:46:50: You get a thousand fans to spend a hundred dollars with you a year.

00:46:54: How much is your business making?

00:46:57: That's a hundred thousand dollar business.

00:46:59: Yep, yep.

00:47:00: Hell yeah,

00:47:01: man.

00:47:02: And then you build from that.

00:47:05: Yep,

00:47:05: yep.

00:47:06: So you just, that's what, that's what I say for business start.

00:47:13: Thinking in depth, think big.

00:47:17: But at the same time, he'll smartly, smart.

00:47:20: Yeah, for sure.

00:47:21: I think that's the problem in the industry with a lot of artists that they're trying to reach too many people or they want to reach to everybody.

00:47:29: You know, they want to reach the whole world.

00:47:30: But like you said, you know, you got to have some type of vision for what you're doing.

00:47:37: And it's not everybody that has the vision.

00:47:40: We all know some guys that are super talented and whatever they do.

00:47:44: But they don't have that mindset and that vision.

00:47:47: Yeah.

00:47:49: Yeah.

00:47:50: Yeah, France.

00:47:51: Bring the pimp out there, man.

00:47:53: Let's have some motherfucking fun.

00:47:55: Yeah, I was about to ask you that, man.

00:47:57: When can we expect you in Europe?

00:47:59: anytime soon,

00:48:00: bro?

00:48:00: Well, I was out there when I was with DJ Premier, I toured.

00:48:04: And I always talk about France, y'all.

00:48:07: Shout out to France.

00:48:08: My jeweler is French.

00:48:09: It's called Jules of Paris.

00:48:11: Shout out to Thomas.

00:48:12: He's got a... He's got a jewelry store in, uh, Paramus, New Jersey, and in, uh, the Diamond District in New York.

00:48:21: Anyway,

00:48:23: uh,

00:48:25: I was out in France, and y'all must book us some bougie motherfuckers.

00:48:28: Like, everywhere else, everybody else tries to speak English, like, even like, you know, you speak English, they're friendly.

00:48:33: When you were in Paris, they used to be like, you were in Paris, you don't speak French, you're fucked over.

00:48:38: That's how they, that's how they treat you.

00:48:40: And I respected that, because they like, you know what, wait.

00:48:43: We talking out here too, you get caught on a back block and friends, you in trouble.

00:48:48: Oh yeah, man, you know, if you stay in the center of Paris, there gonna be some bougie people, but if you go to the hood around Paris, yep, yep.

00:49:02: And it's some hoods in the center of Paris too, you know, if you move around a bit, fall from the Eiffel Tower and all that.

00:49:08: You gon' see some shit, you know?

00:49:10: Yeah, some pimping, some all-in.

00:49:12: That's all that's goin' on, man.

00:49:15: I had a good time, though, man.

00:49:17: But, uh, uh, yeah, man, I need to come back out, man.

00:49:20: Set something up, man.

00:49:21: Let's have some fun.

00:49:22: Sure, man.

00:49:23: What you think about the European audience and the hip-hop scene out there?

00:49:27: Europe kept the underground alive when the States was on some, you know, pop, pop kinetics of Europe.

00:49:34: Overseas campus alive.

00:49:35: We was rockin'.

00:49:36: I was gone.

00:49:37: You know what I'm saying?

00:49:39: I was like, fuck it.

00:49:40: You know what I mean?

00:49:40: It's over here.

00:49:41: There's love over here.

00:49:42: They listen to the lyrics.

00:49:43: They, oh man, the women are beautiful.

00:49:46: It was crazy.

00:49:48: Yeah, man.

00:49:49: I always tell this story about the

00:49:52: one time

00:49:52: I talked to Master A.C.

00:49:54: Marco Polo in Paris.

00:49:56: And it's all some crazy shit.

00:49:58: They say in the States sometimes they write crowds and maybe like, thirty, fifty people.

00:50:05: And

00:50:07: when they come to Europe, they just stole their shows.

00:50:08: Yeah.

00:50:09: Yeah.

00:50:09: And you know what though?

00:50:11: The greatest part about that is that hip hop is universal and rap is universal and pain is universal.

00:50:18: When you speak through pain, people feel you because everybody going through some type of pain and people can understand you.

00:50:26: They absorb that.

00:50:27: And when I went overseas, man, I got some stories for you.

00:50:31: I can't even say.

00:50:34: Yeah, the crazy thing is that, you know, a lot of people don't even speak English like that.

00:50:38: You know, they might understand a little bit, but not the whole thing.

00:50:41: They don't know the whole song.

00:50:43: Yeah, man.

00:50:44: Like, they know the energy.

00:50:46: They know, like, they can hear the sound of your voice and make them feel something.

00:50:51: Which is crazy when you think about it.

00:50:57: It's the power of music, man, you know.

00:50:59: Music is a different, it's one language.

00:51:02: It'll bring everybody together.

00:51:05: Yep, we'll talk man.

00:51:07: And let's go back in time a little bit.

00:51:09: Like, what has been the biggest challenge in your career?

00:51:15: Biggest challenge?

00:51:20: Biggest challenge?

00:51:21: Oh man, that's an interesting question.

00:51:23: Biggest challenge?

00:51:24: Like the biggest, like the obstacles in your life, you know, the stuff that made it hard for you, you know, to keep

00:51:32: going.

00:51:34: It's been letting everybody know I'm the best.

00:51:36: I'm the best at this pimp flow.

00:51:38: And I'm like, yo, when y'all not hearing me, y'all not gonna study me until I'm gone and y'all study my bones.

00:51:44: You know what I'm saying?

00:51:45: Study that now, man.

00:51:47: You know what I mean?

00:51:47: Set that discography.

00:51:48: My discography, a lot of people don't know how much work I have.

00:51:51: How many people I'm working with, you know what I'm saying?

00:51:54: From Jay-Z to Sheik from the LOX to MOP.

00:51:59: Like I've been, you know, April, MJG, Mark Deep.

00:52:03: I mean, like I've worked with Methodist.

00:52:06: People don't even know how super musically connected I am.

00:52:11: You know what I mean?

00:52:13: Go check that discography.

00:52:16: I think the power of your music too is that it's authentic and people can feel that.

00:52:21: And you're one of the few guys in New York I think that can actually mix like the like the cultures from the south, the cultures from the east, the cultures from the west, and everybody together on the track, you know, like you work with MJG, like you said earlier, you work with Devin the dude, and it's not a lot of New York rappers that can make those collaborations sound authentic, and you're one of those guys, man.

00:52:49: So, shout

00:52:49: out to you.

00:52:50: Right now, thank you, I appreciate you.

00:52:52: Right now, I'm working on a record with JT Money, and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and and.

00:53:27: It forces boundaries and real, real cats always connect.

00:53:32: I was starting to reckon it just dropped.

00:53:34: You probably got it with me, Rascals and Tretches.

00:53:38: Yes, sir.

00:53:39: Not even by nature.

00:53:40: He's like a super hero to me.

00:53:43: You know, people don't realize, man, the influence that he had, you know, not only with his group, not even by nature, but with his sort of art is Tretches, the way he wraps, the flow of the cannons, the right pattern that he has.

00:53:55: It influenced the whole generation, man.

00:53:58: So dope.

00:54:00: So dope to have you, you know, do a collab, you know, with Ratscast right here, man.

00:54:04: Yeah, yeah, the video, the video just dropped too.

00:54:07: So, take that out.

00:54:09: Yeah, man.

00:54:11: We've lived a wonderful year for hip-hop when you think about it.

00:54:15: You know, twenty-twenty-five was, I think, one of the illest years in hip-hop,

00:54:19: bro.

00:54:22: Nice, yeah?

00:54:24: What you think about that?

00:54:25: Like, you know, Are you happy to see all those guys, you know, like Ghost Face killer dropping shade, the Muff Deep album.

00:54:34: We had Eminem and Lil Cool J, you know what

00:54:36: I'm saying?

00:54:36: Yeah, yeah, I mean, I think it was great.

00:54:38: And when the Muff Deep joint dropped, I called Havoc's manager Storm, shout out to him.

00:54:51: And I just told him, man, I'm in the gym right now, but I'm going in the booth.

00:54:55: But this album makes me just love hip hop again.

00:54:59: He did such a good job.

00:55:00: And it sounded like Prodigy was right there, man.

00:55:03: God bless his dad and let him pimp it peace.

00:55:06: But it sounded like he was right here with us.

00:55:09: It's such a good job, man.

00:55:10: People, if y'all ain't got that album, we'll get that.

00:55:13: Yup, yup.

00:55:14: And so, you know, they had to, they have havoc and alchemist to, you know, bring those, those verses back to life, man.

00:55:22: Like you said.

00:55:23: I had a chance to work with Alchemist.

00:55:24: Yeah, I want to.

00:55:25: Hmm.

00:55:27: I said, buddy, I want to work with

00:55:28: you.

00:55:28: Please do

00:55:29: that.

00:55:29: I'm gonna try.

00:55:32: In one guy I saw, maybe you did work with him but I never heard the track from you and this guy is zero.

00:55:38: That's one guy I love to hear you

00:55:40: on.

00:55:40: Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,

00:55:45: oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,

00:55:50: oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.

00:55:58: You know what I'm saying?

00:56:00: Like, I literally have relationships with these people.

00:56:02: Like, I don't... Sometimes, when you just do like a record with somebody, you don't have a relationship when it comes off like that.

00:56:10: But like, these... These are my people.

00:56:12: It's like, first record I ever did with Paul Wall.

00:56:15: We was rolling dice in a club.

00:56:19: For like eight hours.

00:56:22: And then in the morning, this light outside, we went to the Bugsburg studio.

00:56:26: Like, that's... You know what I mean?

00:56:28: That's how some of the best records get made.

00:56:32: I think that's how you make the best music.

00:56:33: You got to have real relationship with people.

00:56:36: Real relationships, yeah.

00:56:37: Oh, it's not going to work.

00:56:38: It's not going to sound authentic, you know?

00:56:41: But Zero, man, he's very talented.

00:56:42: I love it.

00:56:43: If you're hearing this, Zero, man, let's get to it.

00:56:45: Wild speed of power, man.

00:56:47: Yeah, Zero, one of them guys, man.

00:56:49: H-Town representatives, man.

00:56:50: So dope, so dope.

00:56:52: And then do you have any... Any last words, man, for your fans across the globe, because we only have a few minutes left in this calvo.

00:57:00: Tune in, man.

00:57:01: Tune in.

00:57:03: To me, tune in.

00:57:04: To my brother right here, this DJ.

00:57:07: He's amazing.

00:57:08: Tune in.

00:57:08: It's so much happening this year, next year, everywhere, every year.

00:57:14: We all live.

00:57:15: All the Mars is being bought.

00:57:17: Ice is being transpired.

00:57:20: Cartier Santos is being bought.

00:57:23: We own these bitches' heels.

00:57:25: You know what I mean?

00:57:27: Cape Pony, King Pippa, New York.

00:57:29: P-O-P-E, I'm the Pope of this shit.

00:57:32: The player of all players everywhere.

00:57:34: Let's get

00:57:35: it.

00:57:35: Yeah, yeah, man.

00:57:36: Shout out to you guys.

00:57:37: Vice Peter Pym.

00:57:38: Yeah, yeah.

00:57:39: Vice Peter Pym.

00:57:40: Le Mac, like we say in France, you know?

00:57:44: Wait,

00:57:46: what'd you say?

00:57:49: Let me get

00:57:49: that one.

00:57:51: How you say it?

00:57:51: We say Le Mac.

00:57:51: I like

00:57:54: that.

00:57:54: I like that.

00:57:54: I'ma use that.

00:57:54: Oh yeah man, thanks for your time again bro and you know, wishing nothing but the best and hopefully we'll link up in real life soon bro.

00:58:01: Let's do it man, let's put it together.

00:58:03: Either out there or out here man, we all clear, peace to the gods.

00:58:05: Yes sir, peace

00:58:06: bro, take care.

00:58:08: Yes sir.